Jim Hodges Born: Spokane, WA, 1957 Lives and works in New York, NY Education 1980 Bachelor of Fine Arts, Fort Wright College, Spokane, WA 1986 Master of Fine Arts, Pratt Institute, Brooklyn, NY One–Person Exhibitions (selected) 2007 Jim Hodges, CRG Gallery, New York, NY 2005 Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art Chicago, IL; touring to Hayward Gallery, London, UK 2004 Jim Hodges: This line to you, Centro Galego de Arte Contemporanea (CGAC), Santiago de Compostello, Spain Don’t be Afraid, Worcester Art Museum, Worcester, MA 2003 Stephen Friedman Gallery, London Returning, Art Pace, San Antonio, Texas, TX Coloursound, Addison Gallery of American Art, Phillips Academy, Andover, MA Jim Hodges, Henry Art Gallery, Seattle Jim Hodges, Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; Weatherspoon Art Museum, Greensboro, Art Cleveland, NC; Museum of Contemporary Art, Cleveland, OH; Austin Museum of Art, Austin, TX 2002 Jim Hodges: constellation of an ordinary day, Jundt Art Museum, Gonzaga University, Spokane, WA Jim Hodges: Subway Music Box, Day-Ellis Gallery, Museum of Arts and Culture, Spokane, WA This and This, CRG Gallery, New York, NY Like This, Dieu Donne Papermill, New York, NY Subway Music Box, Eastern Washington State Historical Society/Cheney Cowle Museum, Spokane, WA 2001 Jim Hodges, Camargo Vilaca, Sao Paulo, Brazil 2000 Subway Music Box, Tecoah Bruce Gallery of the Oliver Art Centre, California College of Arts and Crafts, Oakland, CA Anthony Meier Fine Arts, San Francisco, CA 1999 Miami Art Museum, Miami, FL Marc Foxx Gallery, Los Angeles, CA Every way, Museum of Contemporary Art, Chicago, IL; touring to Institute of Contemporary Art, Boston, MA 1998 CRG Art, New York, NY Jim Hodges: Welcome, The Kempner Museum of Contemporary Art, Kansas City, MO 1997 Galerie Ghislaine Hussenot, Paris, France Site Santa Fe, Santa Fe, NM 1996 Yes, Marc Foxx, Santa Monica, CA States, The Fabric Workshop & Museum, Philadelphia, PA 1995 CRC Art, New York, NY Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY 1994 Evervthinq For You, Interim Art, London A Diary of Flowers, CRC Art, New York, NY 1992 New Aids Drug, Het Apollohuis, Eindhoven, Netherlands 1991 White Room, White Columns, New York, NY 1989 Historia Abscondita, Gonzaga University Gallery, Spokane, WA 1986 Master of Fine Arts Thesis Exhibition, Pratt Institute, New York, NY Group Exhibitions (selected) 2007 PURE, Sean Kelly Gallery, New York, NY I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, MO Like Colour in Pictures, Aspen Art Museum, Aspen, CO 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, OH, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY The Last Time They Met, Stephen Friedman Gallery, London The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, IL Gay Art Now, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, MA 2005 Art inside the Park, Memorial Park, Jefferson City, MO Suspended Narratives, Lora Reynolds Gallery, Austin, TX Landscape Confection, Wexner Center for the Arts, Columbus, OH Universal Experience: Art, Life, and the Tourists’ Eye, Chicago Museum of Contemporary Art, Chicago, IL Visual Music: 1905-2005, Museum of Contemporary Art, Los Angeles, CA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London 2004 Hidden Histories, New Art Gallery Walsall, Curated by Michael Petry Whitney Biennale, Whitney Museum of American Art, New York Shelly Hirsch & Jim Hodges, Roulette at Location One, New York, NY Treble, Sculpture Center, Long Island City, New York Drawing Modern: Works from the Agnes Gund Collection, The Cleveland Museum of Art, Cleveland, OH Off the Wall: Works from the JP Morgan Chase Collection, Bruce Museum of Arts and Sciences, Greenwich, CT Mad About the Boy, The New Gallery, Walsall, England 2003 In the Making: Contemporary Drawings from a Private Collection, University Gallery, Fine Arts Centre, University of Massachusetts Amherst CAPP Street Project Alumnae, Anthony Meier Fine Arts, San Francisco, USA Fast Forward: 20 Years of White Rooms, White Columns, New York, NY In Full View, Andrea Rosen Gallery, New York, NY Tracing the Sublime, Addison Gallery of American Art, Philips Academy, Andover, MA Sight and Insight: An Assemblage of Artists, P.S.1 Contemporary Art Centre, Long Island City, NY De Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY 2002 Sugar and Cream, Triple Candie, Harlem, NYC, New York Mirror Mirror, Mass MoCA, North Adams, MA (press release) Arte Povera American Style: Funk, Play, Poetry & Labor, Reinberger Galleries, The Cleveland Institute of Art, Cleveland, OH (publication available) Life Death Love Hate Pleasure Pain, Museum of Contemporary Art, Chicago, Miami Currents: Linking Collection and Community, Miami Art Museum, Miami Chapter V, Art Resources Transfer, New York, NY (press release) All the Way with Jim + Shel, Jim Hodges and Shelley Hirsch, Portland Institute for Contemporary Art, Portland, OR (review) Mask or Mirror? A Play of Portraits, Worcester Museum of Art, Worcester, MA Linger, Artimes, Greenberg, Van Doren Gallery, New York, NY Summer Group Exhibition, Marc Foxx Gallery, Los Angeles, CA Pretty, ATM Gallery, New York, NY 2001 Uncommon trends, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY CAMERA WORKS: The Photographic Impulse in Contemporary Art, Boesky Gallery, New York, NY Patterns: Between Object and Arabesque, Kunsthallen Brandts Kl'defabrik, Odense, Denmark 2000 Gardens of Pleasure, John Michael Kohler Arts Centre, Sheboygan, WI et comme l'esperance est violente.., Frac des Pays de la Loire, Carquefou, France Projects 70-Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, NY Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, IL Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, TX ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, PA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, VA, (catalogue) Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, CA 1999 1999 Drawings, Alexander and Bonin, New York, NY Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C. The American Century: Art and Culture, 1900-2000, Part II, The Whitney Museum of American Art, New York, NY Natural Dependency, Jerwood Gallery, London Matter of Time, Dorsky Gallery, New York, NY Collectors Collect Contemporary: 1990-1999, The Institute of Contemporary Art, Boston, MA Fresh Flowers, Bellevue Art Museum, Bellevue, WA 1998 Let Freedom Ring, ICA/VITA BREVIS, Boston, MA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, TX, continues to Kempner Museum of Contemporary Art, Kansas City, MO Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington. VT AIDS WORLDS-Between Resignation and Hope, Centre d’Art Contemporain, Geneva, Switzerland 1997 Present Tense: Nine Artists in the Nineties, San Francisco Museum of Modern Art, San Francisco, CA Hanging by a Thread, Hudson River Museum, Westchester, NY 7th Bienal Internacional de Esculturae Desenho des Caldas da Rainha Bienal, Portugal Longing and Memory, Los Angeles County Museum of Art, Los Angeles, CA Des Fleurs en Mai, FRAC, Nantes, France Gothic, The Institute of Contemporary Art, Boston, MA Poetics of Obsession, Linda Kirkland Gallery, New York, NY 1996 Just Past: The Contemporary in MOCA’s Permanent Collection 1975-1996, Museum of Contemporary Art, Los Angeles, CA UNIVERSALIS, The 23rd International Sao Paulo Bienale, Brazil Material Matters, A.O.I. Gallery, Santa Fe, NM Masculine Measures, John Michael Kohler Arts Center, Sheboygan, WI Swag & Puddle, The Work Space, New York, NY Galerie Ghislaine Hussenot, Paris, France 1995 New Works, Feigen Gallery, Chicago, IL Late spring, Marc Foxx, Los Angeles, CA Avant-Garde Walk a Venezia in conjunction with the Venice Biennale, Venice, Italy Mon Voyage á New York, Galerie Elizabeth Valleix, Paris, France Soucis de Pensées, Art: Concept/Olivier Antoine, Nice, France Material Dreams, Gallery Takashimaya, New York, NY In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA Sex Sells, Benefit for the University Art Museum and Pacific Film Archive, Rena Bransten Gallery, San Francisco, CA 1994 It’s how you play the game, Exit Art/The First World, New York, NY Ethereal Materialism, Apex Art, New York, NY DYAD, Williamsburg, Brooklyn, NY Les fleurs de mon jardin, Galerie Alain Gutharc, Paris, France Desire, benefit for DIFFA, Charles Cowles Gallery, New York, NY A Bouquet for Juan (An exhibition in honor of Juan Gonzales), Nancy Hoffman Gallery, New York, NY Who Chooses Who, Benefit Auction, The New Museum of Contemporary Art, New York, NY A Garden, Barbara Krakow Gallery, Boston, MA 1993 Jim Hodges and Bill Jacobson, Paul Morris Fine Art, New York, NY Our Perfect World, Grey Art Gallery, New York, NY Opening Exhibition, Rowles Studio, Hudson, NY The Animal in Me, Amy Lipton, New York, NY Arachnosphere, Ramnarine Gallery, Long Island City, NY Beyond Attrition: Art in the Era of Aids, Washington Project for the Arts, Washington, DC The Eidetic Image: Contemporary Works on Paper, Krannert Art Museum, University of Illinois at Urbana-Champain, Urbana-Champain, IL Museo Statale d’Arte Mediovale e Modema, Arezzo, Italy It’s Really Hard, Momenta Art, New York, NY Brooke Alexander, New York, NY Outside Possibilities, The Rushmore Festival, Woodbury, NY Sculpture & Multiples, Brooke Alexander, New York, NY Selections/Spring ‘93, The Drawing Center, New York, NY 1992 Collector’s Show, Arkansas Arts Center, Little Rock, AK Healing, Rena Bransten Gallery, San Francisco, CA An Ode to Gardens and Flowers, Nassau County Museum of Art, Roslyn Harbor, NY The Temporary Image, S.S. White Building, Philadelphia, PA Update 1992, White Columns, New York, NY 1991 Black and White, Nancy Hoffman Gallery, New York, NY Lyric, Uses of Beauty at the End of the Century, White Columns, NY 1990 Auction for Action, Act-Up Benefit, New York, NY Jim Hodges, David Nyzio. Vincent Shine, Postmasters, New York, NY Partnership for the Homeless with Aids, Christie’s, New York, NY Reclamation, Momenta Art Alternatives, Philadelphia, PA 1989 Selections From The Artist’s File, Artist’s Space, New York, NY 1988 Installation, Momenta Art Alternatives, Philadelphia, PA Bibliography (selected) 2007 “I Remember Heaven: Jim Hodges And Andy Warhol”, Contemporary Art Museum, St Louis, MO 2006 Spears, Dorothy, "Evidence of a Life Lived", Art on Paper 2005 “Art Now”, Edited by Uta Grosenick, Taschen, Volume 2 Morris, Bob, "On Jim Hodges", Converge 2, Miami Art Museum Molesworth, Helen, “Landscape Confection”, Wexner Center for the Arts and The Ohio State University, p.34-37 Cooper, Harry, “An Eye For An Ear”, Art Forum, p.310-315 “Artists Salute Artpace”, Artpace San Antonio, Benefit Auction at Christie’s, New York (catalogue) “This Line To You: Jim Hodges”, Xunta de Galicia/Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain 2004 Zaza, Tony, "No More Super-Sizing: Sizing the Biennial," New York Arts, vol. 9, n° 5/6, p.17 Smith, Roberta, "At Shows Painted With Sound, Be Prepared to See With Your Ears," The New York Times, May 21, p. E29 2005 Carrier, David, "Jim Hodges: Museum of Contemporary Art, Cleveland", Artforum, April, p. 192-193 2004 Hoban, Phoebe, "Open Houses, Miami Style: 7BRs, OcnVu, WorldClass Art", New York Times Magazine, March 14 Kimmelman, Michael, “Touching all Bases at the Biennial”, The New York Times, Art Review, March 12, p. E27 2003 Buskirk, Martha, "The Contingent Object of Contemporary Art," MIT Press, p. 152 Temin, Christine. "His sound art echoes in the mind", The Boston Globe, p. D1, D6 “Pulp Nonfiction”, Soho-Style, http://www.lowermanhattan.info Johnson, Ken, "Alumni Return, Juxtaposing Past and Present," The New York Times, November 28, p. E46 Baker, Kenneth, "Capp Street Benefit Show," San Francisco Chronicle, August 16 Johnson, Ken, “Gathering a Flock of Quirky Grown-Ups”, New York Times, July 17 Camper, Fred, "On Exhibit: first glimpses of Art Chicago 2003”, Chicago Reader, May 9, Section 1, p.35 Boyce, Roger, "Neither Here Nor There: Mirror Mirror at MASS MoCA", Art New England, February-March, p.16-17, 74 Harris, Susan, "Jim Hodges at CRG," Art in America, January, p. 107 2002 Jowitt, Deborah, "Slow down!", The Village Voice, August, November 6 Crane, Julianne, "Eye-Catcher," Spokesman Review, 15 August Mahoney, Robert, Time Out NY, Issue 359 Hughes, Robert J, "All the Way with Jim and Shell," The Wall Street Journal, August, p.w2 Crane, Julianne, "Craftiness comes in many shades", Spokesman Review Art On Paper, "Jim Hodges," Issue, Vol. 6, 1 August, pp 44-45 Johnson, Ken, "Linger", The New York Times, 28 June, p. E34 Johnson, Ken, "Jim Hodges", The New York Times, 31 May, p. E39 Demarest, Marty, "Subterranean Sounds," The Inlander Online Horodner, Stuart, "Jim Hodges", Bomb Magazine, Issue No. 79, Spring, p. 100-101 2001 Mahoney, Robert, "Jim Hodges", Time Out New York, 9 August, Issue 307 Levin, Kim, "Short List", Village Voice, 7 August Smith, Roberta, "Quick as a Shutter, Group Shows Shatter Conventional Wisdom", The New York Times, 6 July Schmerler, Sarah, "James Graham and Sons, through August 3" Time Out New York, 19-26 July, Issue 304 2000 Musgrave, David, Natural Dependency, Art Monthly, November-December, p. 232 Benjamin, Marina, "One sensation after another," Evening Standard, London, 5 November, p.62 Rugoff, Ralph, "beauty bites back," Harper's Bazaar, October, p. 234-235 LaBelle, Charles, Review, Frieze, September-October, p. 119-120 The New Yorker, "Museum of Modern Art", 11 September, p 18 Moreno, Gean, "Interview: Jim Hodges," New Art Examiner, June, p.13-15 Baker, Kenneth, San Francisco Chronicle, 22 April, p. E1 & E10 Jowitt, Deborah, "Amour, Sex, and All That Jazz", The Village Voice, 29 February, p 61-62 Keats, Jonathon, "Letters to a young Artist," San Francisco Magazine, February, p. 56-57 1999 "He's not Here: Terry Myers visits Jim Hodges studio in New York," TRANS>, No. 6, p. 174 Cotter, Holland, "Art in Review," The New York Times, 10 September, p.E36 Temin, Christine, "Thurber, Hodges limn a landscape of loss," The Boston Globe, 10 September, p. F1 & F10 Kastner, Jeffrey, "Review-Jim Hodges", ART/TEXT, No. 64, February-April, p. 96-97 Dobrzynski, Judith H, "Taking the Ordinary and Finding the Beautiful", The New York Times, 24 March Hegarty, Laurence, "Jim Hodges", New Art Examiner, February, p.54-55 1998 Perchuk, Andrew, "Review-Jim Hodges", ARTFORUM, December Heartney, Eleanor, "Review-Jim Hodges", Art in America, November, p.135 Cotter, Holland, "Review-Jim Hodges", The New York Times, 25 September Arning, Bill, "Jim Hodges: An Artist's Mirror Image," OUT, Issue 58, September, p. 38 Grundberg, Andy, "Review-Present Tense: Nine Artists in the Nineties", ARTFORUM, February, p.87 Cotter Holland, "Review-Messages Woven, Sewn Or Floating in the Air ", The New York Times, 9 January, p. E37 1997 Darling, Michael, "Review-Longing and Memory", LA Weekly, 20-26 June Knight, Christopher, "Review-Longing and Memory", The Los Angeles Times, 7 June McKenna, Kristine, "The Contemporary Not Temporary at LACMA", The Los Angeles Times, 7 June, p. F15 Hart, Jane, "Review," ZINGMAGAZINE, Autumn/Winter McClure, Lisa, "Review," Review, 1 February 1996 Decter, Joshua, "Review," ARTFORUM, November Killam, Brad, "Review," New Art Examiner, September Spector, Nancy, “Peripheral Visions: Jim Hodges and Siobhan Liddell," The Guggenheim Magazine, Autumn, p. 33 Deitcher, David, "Death in the Marketplace," Frieze, Issue 29, June/July/August, p.140-145 Kandel, Susan, "Review," Los Angeles Times, 6 June "Horror Art," Flashart, May, p. 52 Darling, Michael, "Review", Los Angeles Reader, 31 May 1995 Smith, Roberta, "Critics' Choice", The New York Times, 24 November Canning, Susan, "Review-Ethereal Materialsm", New Art Examiner, February Levin, Kim, "Choices", The Village Voice, 28 November 1994 Smith, Roberta, "Art Reviews", The New York Times, 11 February Edelman, Robert G., "Review", artpress, March Harris, Susan, "Review," ARTnews, April Upshaw, Reagan, "Review," Art In America, May Weinstein, Matthew, "Review," ARTFORUM, May Publications 2004-20 05 The Wall at WAM, Jim Hodges: Don’t Be Afraid, Worcester Art Museum, MA 2003 Jim Hodges, The Francis Yang Tang Teaching Museum and Art Gallery at Skidmore College 2000 Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, VA Public Collections The Art Institute of Chicago, Chicago, IL The Capital Research Group, Los Angeles, CA Chase Manhattan Bank, New York, NY The Dallas Museum of Art, Dallas, TX The Detroit Institute of Arts, MI Fonds Régional des Pays de la Loire, Nants, France The Guggenheim Museum, New York, NY The Hirshhorn Museum and Sculpture Garden, Washington D.C. The Kempner Museum of Contemporary Art, Kansas City, MO Los Angeles County Museum of Art, Los Angeles, CA The Miami Art Museum, Miami, FL The Milwaukee Art Museum, Milwaukee, WI Musee National, Centre Georges Pompidou, Paris, France The Museum of Contemporary Art, Chicago, IL The Museum of Contemporary Art, Los Angeles, CA The Museum of Modern Art, New York, NY The Philadelphia Museum of Art, Philadelphia, PA The Saint Louis Art Museum, Saint Louis, MO The San Francisco Museum of Modern Art, San Francisco, CA The Whitney Museum, New York, NY Grants and Awards 2006 AICA, Association Internationale des Critiques d’art 2001 Albert Ucross Prize 2000 California College of Arts and Crafts, Artist in Residence 1999 Capp Street Project Resident 1995 The Louis Comfort Tiffany Foundation 1994 Penny McCall Foundation Grant 1992 Mid Atlantic Arts Foundation, NEA; Paintings and Works on paper Regional Fellowship