Beatriz Milhazes Born: 1960, Rio de Janeiro, Brazil Lives and works in Rio de Janeiro Education 1980-82 School of Visual Arts, Parque Lage, Brazil 1978-81 Curso de Comunicacao Social-Facha, Brazil One-Person Exhibitions (selected) 2009 Fondation Cartier pour l’art contemporain, Paris, France 2008 Galeria Fortes Vilaca, Sao Paulo, Brazil 2007 New Prints, James Cohan Gallery, New York, NY 2006 Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico Beatriz Milhazes, Galerie Max Hetzler, Berlin, Germany 2005 Joa, Stephen Friedman Gallery, London Centro Cultural Dragão do Mar, Fortaleza, Brazil Peace and Love, Plattform for Art, Gloucester Road Tube Station, London Eden, Galeria Anna Maria Niemeyer, Rio de Janeiro, Brazil Century Museum of Contemporary Art, Kanazawa, Japan Sao Paolo Biennial, Brazil Commision for the façade of Selfridges Manchester Exchange Square Store 2004 Las Lagrimas, Galeria Marisa Marimon, Orense, Spain While I Await, James Harris Gallery, Seattle, USA Meu Prazer, Galeria Fortes Vilaça, São Paulo, Brazil Summertime, James Cohan Gallery, New York, USA 2003 Los recuerdos son lo que mi quedan, Galeria Anna Maria Niemeyer, Rio de Janeiro, Brazil Casa da Ribeira, Natal, Brazil Léo Bahia Arte Contemporânea, Belo Horizonte, MG Festival Luso-Brasileiro, Serpa, Portugal Galeria do Centro de Estudos Brasileiros, Buenos Aires, Argentina Galeria Anna Maria Niemeyer, Rio de Janeiro, Brazil Venice Biennale, Venice, Italy, Brazilian pavilion Beatriz Milhazes, Domaine de Kerguehennec-Centre d’Art Contemporain, Bignan France Galerie Max Hertzler, Berlin, Germany 2002 Stephen Friedman Gallery, London James Harris Gallery, Seattle, USA Galeria Graça Brandão, Porto, Portugal Centro Cultural Banco do Brasil, Rio de Janeiro; and touring Artist’s Book Project, Museum of Modern Art, New York 2001 Ikon Gallery, Birmingham, travelled to Birmingham Museum of Art, Birmingham, USA Galeria Elba Benitez, Madrid Galeria Fortes Vilaça, Sao Paulo, Brazil Centro Galego de Arte Contemporânea, Santiago de Compostela, Spain (cat) Galeria Anna Maria Niemeyer, Rio de Janeiro, Brazil Fundação Joaquim Nabuco, Recife, Brazil (cat) Centro Cultural Dragão do Mar, Fortaleza, Brazil Galeria Pedro Cera, Lisbon 2000 Edward Thorp Gallery, New York, USA Galeria Camargo Vilaça, São Paulo, Brazil Galeria Canvas Arte Contemporânea, Porto, Portugal James Harris Galley, Seattle, USA 1999 Stephen Friedman Gallery Screenprints, Durham Press, Durham, Pennsylvania Galeria Canvas & Cia, Porto, Portugal 1998 Galerie Natalie Obadia, Paris Gravuras, Paço Imperial, Rio de Janeiro, Brazil Pinturas, Galeria Ana Maria Niemeyer, Rio de Janeiro, Brazil 1997 Galerie Barbara Faber, Amsterdam, Holland Elba Benitez Galeria, Madrid, Spain Edward Thorp Gallery, New York Galeria Camargo Vilaça, São Paulo, Brazil 1996 Projecto 96, Galeria Camargo Vilaça, São Paulo, Brazil Centro de Artes Calouste Gulbenkian, Rio de Janeiro, Brazil Edward Thorp Gallery, New York 1995 Projecto Finep, Paço Imperial, Rio de Janeiro, Brazil Dorothy Goldeen Gallery, Los Angeles 1994 Galeria Ana Maria Niemeyer, Rio de Janeiro, Brazil Galeria Ramis F. Barquet, Monterrey, Mexico Paço Imperial, Rio de Janeiro, Brazil 1993 Galeria Camargo Vilaça, São Paulo, Brazil Sala Alternative, Caracas, Venuzuela Objetos, Centro Cultural Sergio Porto, Rio de Janeiro, Brazil 1991 Subdistrito Comercial de Arte, São Paulo, Brazil 1990 Galeria Saramenha, Rio de Janeiro, Brazil 1989 Pasargada Arte Contemporãnea, Recife, Brazil 1988 Galeria Suzana Sassoum, São Paulo, Brazil 1987 Galeria Cesar Ache, Rio de Janeiro, Brazil 1985 Galeria Cesar Ache, Rio de Janeiro, Brazil Group Exhibitions (selected) 2006 Shanghai Biennial, Shanghai Art Museum, Shanghai, China Dear Friends, D.o.m.a.i.n.e. d.e. K.e.r.g.u.é.h.n.n.e.c, Centre d’art contemporain, Bignan, France 2005 Flower Myth-Van Gogh to Jeff Koons, Foundation Beyeler, Basel, Switzerland POPulence, Blaffer Gallery-The Art Museum of The University of Houston, Texas, EUA; MOCA-Cleveland Contemporary, Cleveland, OH; Southeastern Centre for Contemporary Art, Winston-Salem, NC, USA RAMPA: Signalling New Latin American Art Initiatives, Arizona State University Art Museum, Temple, Arizona, USA Transmutaçâo, Léo Bahia Arte Contemporânea, Belo Horizonte, Brazil 2004 OPTIMO: Manifestations of Optimism in Contemporary Art, Ballroom, Marfa, Texas, USA MoMA at El Museo: Latin American and Caribbean Art from the Collection of The Museum of Modern Art, Museo del Barrio, New York Carnaval, Centro Cultural Banco de Brasil, Rio de Janeiro, Brazil Ice Hot: Recent paintings from the Scharpff Collection, Hamburger Kunsthalle, Hamburg, Germany Estratégias Barrocas-Arte Contemporanea Brasileira, Centro Cultural Metropolitano de Quito, Equador Flower as Image-From Monet to Jeff Koons, Foundation Beyler, Louisiana Museum, Louisiana , USA Arte Contemporanea Brasileira nas colecoes do Rio, MAM RJ, Rio de Janeiro, Brazil Paralela 2004, curadoria, Moacir dos Anjos, São Paulo, Brazil Between the Lines, James Cohan Gallery, New York São Paulo Biennale, São Paulo, Brazil Casa-Poética do Espaço na Arte Brasileira, , Museu Vale do Rio Doce, Vila Velha, Espirito Santo, Brazil (curated by Paulo Reis) Novas aquisições 2003-Coleção Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro, Brazil Gambiarra, New Art from Brazil, Firstsite Gallery, Colchester, UK Entre Pindorama, KunstHaus, Stuttgart, Germany Galeria de Arte 57, São Paulo, Brazil Memórias Heterogêneas, Centro Cultural Oduvaldo Viana Filho-Castelinho do Flamengo, Rio de Janeiro, Brazil 2003 Gambiarra, New Art from Brazil, Gasworks Gallery, London Arte Contemporáea, Caixa Geral de Depósitos, MEIAC, Museo Eztremeño e Iberoamericano de Arte Contemporánea, Badajoz, Spain Esculturas en la olección Fundaçion Arco, Centro de Arte de Salamanca, Spain Juegos de Escala, Centro Galego de Arte Contemporánea, Santiago de compostela, Spain Pavilhão Brasileiro [Brazilian Pavilion], L Biennale Internazionale d’ Arte, Venice, Italy Heisskalt Aktuelle Malerei aus der Sammlung Scharpff, Hamburger Kunstalle, Hamburg Staatsgalerie Stuttgart, Germany 2080, Museu de Arte Moderna de São Paulo, Brazil 2002 Urgent painting, Musee d’Art Moderne de La Ville de Paris, Paris, France Metrópolis, Pinacoteca do Estado, Sao Paulo, Brazil Group show, D’Amelio Terras Gallery, New York Caminhos do Contemporâneo, Paço Imperial do Rio de Janeiro, Rio de Janeiro, Brazil 2001 Hybrids, Liverpool, UK Posters for the Years to come, Portfolio Kunst, Vienna, Austria Viva a Arte Brasileira, Museu de Arte Moderna do Rio de Janeiro, RJ Operativo; Museo Rufino Tamayo, Mexico City Trajetória de Luz; Itaú Cultural; Sao Paulo, Brazil Espelho ceggo; museu de Arte Moderna São paulo; Paço imperiial, Rio de Janeiro, Brazil Cultura Brasileira 1; casa das rosas; Sao Paulo, Brazil 2000 Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, USA Projects 70, Museum of Modern Art, New York, USA Opulent, Cheim & Read Gallery, New York, USA A imagem do som de Chico Buarque, Paco Imperial, Rio de Janeiro, Brazil XII Mostra de Gravura da Cidade de Curitiba, Curitiba, Brazil Drawings, Stephen Friedman Gallery, London Furnished Paintings, Gallery OMR, Mexico City Fricciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain 1999 Objetos Anos 90, Instituto cultural, Sao Paulo, Brazil Abstract Painting, Once Removed, Kemper Museum of Art, Kansas City, Painting, Galerie Natalie Obadia, Paris, France Recent Prints, Betsy Senior Gallery, New York Woman Printmakers, Jem Kempner Gallery, New York Impressões Contemporaneas, Mostra Rio Gravura, Paco Imperial, Rio de Janeiro, Brazil Transvanguarda Latino Americana, Culturguest, Lisbon, Portugal 1998 XXIV Bienal Internacional de São Paulo, São Paulo, Brazil Biennale of Sydney, Sydney, Australia Hanging, Galeria Camargo Vilaça, São Paulo, Brazil Salão Nacional de Artesal/Sala Especial, Museu de Arte Moderna, Rio de Janeiro, Brazil Trio, Sala Alternativa, Caracas, Venezuela Decorative Strategies, Center for Curatorial Studies Bard College, Annandale-on-Hudson, New York Painting Language, L.A. Louver, Los Angeles, USA Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, USA Um Olhar Brasileiro, Gilberto Chateaubriand, Haus Der Kulturen der Welt, Berlin, Germany Os Anos 80, Maria Potrich Galeria de Arte, Goaiãnia, Brazil Ludwig Forum Für Internationale Kunst, Aachen, Germany Group Show, Kunstmuseum, Heidenheim, Germany Camargo Vilaca Bis 46, Galeria Camargo Vilaca, Sao Paulo, Brazil Durham Press; 10 Year Anniversary, Marcel Sitcoske Gallery, San Francisco Espelho da Bienal; Museu d’ Arte Contemporanea de Niterói, Rio de Janeiro, Brazil 1997 Theories of the Decorative, Inverleith House, Edinburgh, Scotland Desde el Cuerpo: Alegorias de lo Feminino, Museo de Bellas Artes, Caracas, Venezuela New Editions and Works on Paper, Betsy Senior Gallery, New York 1996 Ouro de Artista, Galeria Casa Triãngulo, São Paulo, Brazil Impressões Itinerantes, Palácio das Artes, Belo Horizonte, Brazil Excesso, Paço das Artes, São Paulo, Brazil Theories of the Decorative, Baumgarther Galleries Inc., Washington DC Yole, Milhazes, Duarte, Museo Alejandro Otero, Caracas, Venezuela Brasil Contemporãneo, Casa da America Latina, Madrid, Spain Pequenas Mãos, Paco Imperial, Rio de Janeiro, Brazil Coleção Joao Sattamini, Museu de Arte Contemporãnea de Niterói, Niterói, Brazil Theories of the Decorative, Baumgartner Galleries Inc., Washington D.C.; USA Inverleith House, Edinburgh, Scotland 1995 Regards d’Amerique Latine, Galerie Regard, Geneva, Switzerland Carnegie International, The Carnegie Museum of Art, Pittsburgh, USA Anos 80: O Palco da Diversidade, Museu d’ Arte Moderna, Rio de Janeiro, Brazil Transatlãntica–The America-Europa Non Representative, Museu Alejandro Otero, Caracas, Venuzuela Galeria Carmago Vilaça, São Paulo, Brazil Panorama da Atual Arte Brasileira, Museu de Arte Moderna, Rio de Janeiro, Brazil 1994 Pequeño Formatos Latinamericanos, Luigi Marrozzini Gallery, San Juan, Puerto Rico The Exchange Show: 12 Painters from San Francisco and Rio de Janeiro, Museu de Arte Moderna, Rio de Janeiro, Brazil; and Yerba Buena Gardens Center for the Artes, San Francisco, USA Slant of Light, International Art Expositions, Art New York International, New York Encuentro Interamericano de Artes Plasticas–Diagolo Sobre Siete Puntos, Museo de Guadalajara, Guadalajara, Mexico 1993 A Escolha do Artista, Paço Imperial, Rio de Janeiro, Brazil Gravuras, Espaço Namour, São Paulo, Brazil Brasil Contemporãneo, Casa de Imagem, Curitiba, Brazil Colecão Gilberto Chateaubriand, Museo d’arte Moderna, Rio de Janeiro, Brazil A Caminho do Museu, Centro Cultural São Paulo, São Paulo, Brazil Encontros e Tendencias, Museu de Arte Contemporãnea da Universidade de São Paulo, São Paulo, Brazil 1992 A Caminho do Museu–Coleçao João Sataminni, Paço Imperial, Rio de Janeiro, Brazil Subdistrito, Casa das Rosas, São Paulo, Brazil América, Sala Alternativa, Caracas, Venezuela Eco Arte, Museu de Arte Moderna, Rio de Janeiro, Brazil 1991 Brasil La Nueva Generacion, Fundación Museo de Bellas Artes, Caracas, Venezuela BR/80-A Pintura Dos Anos 80, Casa França-Brasil, Rio de Janeiro, Brazil 1990 Premio Brasília de Artes Plásticas, Museu de Arte de Brasília, Brasília, Brazil O Rosto E A Obra, Galeria do Ibeu, Rio de Janeiro, Brazil Projeto Arqueos, Fundiçao Progresso, Rio de Janeiro, Brazil 1989 Rio Hoje, Muse de Arte Moderna, Rio de Janeiro, Brazil Canale, Fonseca, Milhazes, Pizarro, Zerbini, Museu de Arte Contemporãnea, São Paulo, Brazil O Mestre e a Mostra, Parque Lage, Rio de Janeiro, Brazil Bienal International de Cuencas, Cuencas, Brazil 1988 Subindo a Serra, Palácio das Artes, Belo Horizonte, Brazil Dois a Dois, Galeria do Consuldado General da Argentina, Rio de Janeiro, Brazil Salão Nacional de Artes Plasticas, Funarte, Rio de Janeiro, Brazil Bienal Latino Americana de Arte Sobre Papel, Buenos Aires, Argentina El Escrete Voador, Guadalajara, Mexico Território Ocupado, Parque Lage, Rio de Janeiro, Brazil Novas Impressões, GB Arte, Rio de Janeiro, Brazil 4 Pintores, Galeria de Arte UFF, Niterói, Brazil 1987 Salão Paulista de Arte Contemporãnea, Pavilhao da Bienal, São Paulo, Brazil 1985 Salão Nacional de Artes Plásticas, Museu de Arte Moderna, Rio de Janeiro, Brazil Arte Construção, Galeria do Cenro Empresarial, Rio de Janeiro, Brazil 1984 Como Cai Voce Geracão 80?, Parque Lage, Rio de Janeiro, Brazil Arte Na Rua, Museu de Arte Contemporãnea, São Paulo, Brazil 1983 Pintura, Pintura, Fundação Casa Rui Barbosa, Rio de Janeiro, Brazil Salão Nacional de Artes Plásticas, Museu de Arte Moderna, Rio de Janeiro, Brazil Exhibition Catalogues 2004 Anton, Katya Garcia, “Beatriz Milhazes Towards a Tropical Syntax”, Critical Perspectives on Contemporary Painting-Hybridity, Hemeology, Historicism, Tate Liverpool Critical forum Volume 6 Crivelli Visconti, Jacopo, Estrategias Barrocas-Arte Contemporaneo Brasileno-Iconologia tropical Castleberry, May, “Coisa Linda”, in carnival, Centro Cultural Banco Brasil, Rio de Janeiro, Brazil Crivelli Visconti, Jacopo and Hug, Alfons, XXVI Bienal de São Paulo, Brazil 2003 Mares do Sul, Centro Cultural Banco do Brasil Beatriz Milhazes, Domaine de Kerguéhennec Davenport, Ian, “Extracts from a talk”, Base & Awesome-Conversations on Contemporary painting Bernard Frize, Katrina Grosse and Beatriz Milhazes, Ikon Gallery, Birmingham Nakas, Kassandra, “Heißkalt Akteulle Malerei aus der Sammlung Scharpff”, Hamburger Kunsthalle, Hamburg; Staatsgalerie Stuttgart, Germany Hug, Alfons, “Shattered dreams/Sonhos despedacados”, iPadiglione Brasile 50 Biennale di Venezia. Sao Paulo: Fundaco Bienal “Cream 3, contemporary art in culture-10 curators, 100 contemporary artists, 10 source artists”, Phaidon Press, London 2002 Dailey, Meghan, “Beatriz Milhazes”, in Barry Schwabsky (org.), Vitamin P: New Perspectives in Painting. Phaidon Press, London Garimorth, Julia, “Images peintes/Images mécaniques Falguières, Patricia, Vues du monde”, in Urgent Painting, Musée D’Art De La Ville de Paris, Paris Farias, Aguinaldo, 50 Anos da Bienal de São Paulo, São Paulo 2001 Pedrosa, Adriano and Mesquita, Ivo, “Plática”; Fricciones–Versiones del Sur, Museo Nacional Centro de Arte Reina Sofia Moos, David, “La Lecon de peintre”, in Beatriz Milhazes, Ikon Gallery, Birmingham and Birmingham Museum of Art, Birmingham Paulo Herkenhoff, “Beatriz Milhazes, The Brazilian Trove”, in Beatriz Milhazes, Ikon Gallery, Birmingham and Birmingham Museum of Art, Birmingham Ryam, David, “Hybrids”, in Hybrids, Tate Liverpool Fortes, Márcia, O Espelho Cego Cameron, Dan, Vislumbres de Encantamiento Espelho Cego, Paço Imperial, Rio de Janeiro and Museu de Arte Moderna, Sao Paulo Ostrander, Tobias, Operativo, Museo Rufino Tamayo, Mexico 2000 Daftar, Feri. Project 70, Museum of Modern Art, New York Pedrosa, Adriano e Cordeiro, Veronica, “Constelacao Gráfica”, in Marcas do Corpo, dobras da alma, Sao Paulo Edição Especial Trans, Arts, Cultures, Media 1998 Farias, Agnaldo. Vista assim do alto, mais parece um CÈu no Chão Lobacheff, Georgia. Decorative Strategies, New York Friis-Hansen, Dana, Where do you come from? Where are you going?, Abstract Painting, Once Removed, Contemporary Museum of Art, Houston; Kemper Museum of Art, Kansas City XXIV Bienal de Sao Paulo, Arte Contemporanea Brasileira: Um e/entre outro(s) XI Biennale of Sydney 1997 Moos, David, Theories of the Decorative 1996 Pedrosa, Adriano, Beatriz Milhazes 1995 Galerie Regard, Regards díAmerique Latine., Geneva, Switzerland Mesquita, Ivo. Panorama da Arte Brasileira. Carnegie International, 1995, Carnegie Museum of Art, Pittsburgh, US Introduction by Richard Armstrong and essay by Stella Teixeira de Barros 1994 Herkenhoff, Paulo. Beatriz Milhazes. Galeria Ramis Barquet: Monterrey, Mexico 1993 Teixeira de Barros, Stella, Beatriz Milhazes, Sala Alternativa: Caracas, Venezuela, and Galeria Camargo VilaÁa, São Paulo, Brasil National Museum of Women in the Arts, Washington, D.C. Ultramodern: The Art of Contemporary Brazil, (introduction by Susan Fischer Sterling and essays by Aracy Amaral and Paulo Herkenhoff) 1992 Museu de Arte Moderna de Rio de Janeiro, Eco Arte, (essay by Charles Merewether) 1990 Ernesto, Luiz, Subdistrito Comercial de Arte: São Paulo, Brazil Casa FranÁa-Brasil, Rio de Janeiro, BR 80: Pintura Brasil DÈcada de 80 Exhibition catalogue (essays by Aracy Amaral and Frederico Morais) Museo de Bellas Bellas Artes, Caracas, Venezuela Brasil: La Nueva GeneraciÛn, (essay by Aracy Amaral) 1989 II Bienal Internacional de Cuenca, Cuenca, Equador Museo de Arte Contemporãnea da Universidade de São Paulo, Canale, Fonseca, Milhazes, Pizarro, Zerbibi, (essay by Fernando Cochiaralle) 1984 Museu de Arte Moderna de Rio de Janeiro, Salão Nacional de Artes Plasticas Bibliography 2007 Schwerfel, Heinz Peter, “Ich will den Blick verwirren”, art das kunstmagazin, no. 3, March, pp. 70-81, art edition commissioned print 2006 de Almeida, Felipa, “Beatriz Milhazes. Une peinture libre, rythmee et audacieuse”, Sur La Terre Geneva Edition, no.18, pp.92-95 Collings, Matthew, “Diary”, Modern Painters, March, pp.34-37 2005-20 06 Herbert, Martin, “dark side of the bloom”, Modern Painters, December-January, pg.27, pp.78-81 Lombardi, Tutu, “How Beautiful”, Jungle Drums, no.31, December-January, pg.10 2005 Milhazes, Beatriz, “Hindsight, foresight”, Art Review, December, pg.146 Kent, Sarah, “Beatriz Milhazes”, Time Out, London, 7-14 December, pg.48 Lack, Jessica, “Beatriz Milhazes”, Guardian Guide, 26 November-2 December, pg.36 J.A. Art Now Vol 2, 30 November, cover & pp.296-299 Metro, London, “Peace and Love on Platform”, 24 November, pg.52 2004 Pedrosa, Adriano, “Tropical Fusion”, Tate Etc., Issue 2, Autumn 2002 Higgie, Jennifer, “Garden of Earthly Delights”, Frieze, October pp.60-63 Coomer, Martin, “Beatriz Milhazes”, Time Out London, May Nuridsany, Michel, “Une Autre Allure”, Le Figaro, February Pedrosa, Adriano, “Beatriz Milhazes”, BOMB, winter 2001/2002 Sirlin, Deanna, “Birmingham”, Art Papers Magazine, January/February, pp. 38-39 Cena, Olivier, “Croutes au gout du jour”, Telerama, no.2716, 30 January 2001 Searle, Adrian, “Excess all areas”, The Guardian, 10 April pp.12-13 Martins, Celso, “Interessa-me o conflito”, Cartaz, October pp.30-31 Littie, Carl, “Beatriz Milhazes at Edward Thorp”, Art in America, May, pg.171 Auslander, Philip, “Beatriz Milhazes”, Artforum, November pp.149-150 Gelan, Fernando Martin, “Iconografia Universal–Beatriz Milhazes”, ABC Cultural, 8 December pg.30 Hontoria, J, “Beatriz Milhazes”, El Cultural, 5 December pg.34 Clark, Robert, “Hybrids, Tate Liverpool”, The Guardian, 18 April Godfrey, Tony, “Liverpool, Birmingham, London, Hybrids, Milhazes, Heilmann”, Burlington Magazine, June Peden, Paul, “Hybrids, International Contemporary Painting”, A-N Magazine, June Spriggs, Lucy, “State of Art”, Art Review, June, pg.59 Williams, Anthony, “Beatriz’z beat”, The Birmingham News/Arts Books, pg.8f Pedrosa, Adriano, “A Pintora Carioca”, Casa Vogue Colecionadores Edicao, no.192 2000 Godfrey, Mark, “Beatriz Milhazes”, Contemporary Visual Arts, no.27 February Johnson, Ken, “Opulent”, The New York Times, 21 July “Beatriz Milhazes”, The New Yorker, 27 November Jay, Hilary, “Purely Creative”, Art y Antiques, December “Beatriz Milhazes”, Art on Paper, November Naves, Mano, “Press-On Painting in need of a dimmer switch”, The New Yorker Observer, 20 November Name, Daniela, “A cor da maturidade”, O Globo, 18 February Abreu, Gilberto, “Exagero ou lucidez”, Jornal do Brasil, 23 January 1999 Coomer, Martin, “Beatriz Milhazes”, Time Out London, November “Abstract views, Painting Language”, Los Angeles Times, Moos, David, “Painting at the end of the century”, Art Paper, May/June Canton, Katia, “Beatriz Milhazes”, Artforum, summer issue Osorio, Luiz Camilo, “Arte com qualidade for a do construtivismo”, O Globo, 4 January Israel, Nico, “XXIV Bienal de Sao Paulo”, Artforum, February Piccoli, Valeria, “Inside the XXIV Bienal’s body”, Parkett, no.54, pp.177-180 1998 Cotter, Holland, “Beatriz Milhazes”, The New York Times, 9 January Pedrosa, Adriano, “Beatriz Milhazes”, Frieze Magazine, May pg.93 Canton, Katia, “Os Bordados da pintura”, Bravo Ano XIV, pp.136-7 A.P, “Tramas inusitadas”, Revista Epoca, 23 November Dewan, Shaka, “What’ s so great about painting”, Houston Press, 29 October 1997 “Beatriz Milhazes”, New Yorker, 22-29 December Cotter, Holland, “Beatriz Milhazes”, The New York Times, 5 December B. Alma, Santiago, “Beatriz Milhazes”, Art Nexus, November pp.143-4 Saltz, Jerry, “Beatriz Milhazes”, Time Out, 18-15 December De Vries, Marina de Vries, “Een Schilderij dat wit isals een bruid”, Het Parool, 23 April Simıes, Yolanda, “O Universo de Beatriz Milhazes”, A Tarde, 20 February. sec. caderno 2 Searle, Adrian, “Emperor’s New Clothes”, The Guardian Weekly, 24 August Holman, Rhonda, “Ornament Reborn”, The Wichita Eagle, Sunday, 29 October Thorson, Alice, “New Realities of Abstraction”, The Kansas City Star, 30 November Sutherland, Gilles, “Pick of the Day”, The Scotsman, 22 August 1996 Adams, Brooks, “Domestic Globalism at the Carnegie”, Art in America, no.35, February Schabsky, Barry, “Opening, Beatriz Milhazes”, Artforum, May pp.96-97 Ebony, David, “Beatriz Milhazes at Edward Thorp”, Art in America, November Smith, Roberta, “Layers of References, Forms and Colors”, The New York Times, 22 March pg.27 1995 de Moraes, AngÈlica, “Washington Expıe Arte de Brasileiras”, O Estado de S. Paulo, 30 March, Caderno 2, pg.1 Pagel, David, “Beatriz Milhazes”, Art Issues 39, pg42 1994 Schwabsky, Barry, “Slant of Light”, New York Art International, pp.16-19 Sada, Paola, “Beatriz Milhazes ñ Galeria Ramis Barquet”, Art Nexus 14, October, pg.121 Reis, Paulo, “A Sofisticacao do Popular”, Jornal do Brasil, 5 April, Caderno B, pg.6 Canton, Katia, “Beatriz Milhazes ñ Galeria Camargo VilaÁa”, Revista Isto … 1259, data, pg.105 1993 Caula, Sandra, “Superficies Profundas de Beatriz Milhazes”, Arte Internacional, 17 October, pg.35 Lobacheff, Georgia, “Resgates do Caos”, Jornal da Tarde, 10 November, Caderno SP, pg.5A Davila, Sergio, “Essa MoÁa È do Babado”, Revista da Folha, 14 November Comodoro, Roberto, “Explosão de Cores e Arabescos”, Jornal do Brasil, 10 November, Caderno B, pg.4 1992 Andrade, Geraldo Edson, “Eco Art”, Revista Galeria 27, September, pg.83 Andrade, Geraldo Edson, “Eco Art”, Revista Ventura 21, pp.48-61 Mesquita, Ivo, “Arte e Ecologia”, Art Nexus 6, October, pp.156-157 1991 Basbaum, Ricardo, “Pintura dos Anos 80”, Revista G·vea 6, pp.39-57 Morais, Frederico, “Beatriz Milhazes: Decor não È Crime”, Revista Galeria 25, pp.56-59 1990 Basbaum, Ricardo, “Planos M˙ltiplos”, Guia das Artes 20, September pp. 96-98