Kendell Geers Born: May 1968 Lives and works in Brussels One-Person Exhibitions (selected) 2007 Kannibale, Yvon Lambert, Paris, France Auto-da-fe, B.P.S.22 space for contemporary creation, Charleroi, Belgium Irrespecktiv, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Gent, Belgium; touring to BALTIC, Newcastle Upon Tyne; Musée d’Art Contemporain de Lyon, France and Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART), Italy 2006 Stephen Friedman Gallery, London 2005 Satyr:Ikon, Galleria Continua, San Gimigano, Italy The Fall, Sorry we’re closed, Brussels, Belgium Hung, Drawn and Quartered, Contemporary Arts Center, Cincinnati, USA; toured to Aspen Art Museum, Aspen, USA (catalogue) The Fall, Sorry, We’re Closed, Brussels, Belgium 2004 The Forest of Suicides, MACRO Museo d'Arte Contemporanea Roma, Roma, Italy (monograph) In the Flesh, Salon 94, New York, USA Sexus, Cimaise et Portique, Albi, France 2003 NOITU(LOVE)R, Castello di Ama per l’arte conyemporanea Lecchi in Chianti Inferno, CCA Kitakyushu Project Gallery, Japan (artist’s book) TerroRealismus, Migros Museum, Zürich, Switzerland Prototype, Red sniper (with Patrick Condeyns), Grand salle, Centre Pompidou, Paris, France Rogue States, Stephen Friedman Gallery, London The Prodigal Son, Goodman Gallery, Johannesburg, South Africa 2002 Grenzgänger, Galerie Luis Campana, Koln, Germany Mondo Kane, Galleria Continua, San Gimigano, Italy A Spy in the House of Love, Camouflage, Brussels, Belgium Sympathy for the Devil, Palais de Tokyo, Paris, France 2001 Where Angels Fear to Tread, Delfina Project Space, London Televisionaries, Württembergischer Kunstverein and Schloss Solitude, Stuttgart, Germany 2000 Timbuktu, MAK, Vienna, Austria ¡Ya Basta!, Le Consortium, Dijon, France Ex Africa Semper Aliquid Novi, Marian Goodman Gallery, Paris, France Arte all’Arte V edizione, Volterra, Italy Inova, University of Wisconsin–Milwaukee, Milwaukee, USA Art Unlimited, Basel ArtFair, Basel, Switzerland 1999 States of Emergency, Vienna Secession, Vienna, Austria (catalogue) Heart of Darkness, South African National Gallery, Cape Town, South Africa Stephen Friedman Gallery, London Project Rooms, Arco, Madrid, Spain 1998 Guilty, Fort Klapperkop, Pretoria, South Africa 98.3, ArtPace, San Antonio, Texas, USA (brochure) Heart of Darkness, Gallery in the Round, Grahamstown, South Africa (brochure) 1997 Memento Mori, de Vleeshal, Middelburg, The Netherlands 1996 Black on the Inside (with Neil Goedhals), Galerie Metroplex, Johannesburg, South Africa 16 June 1976 (with Willie Bester), Goodman Gallery, Johannesburg, South Africa 1995 Work on Paper, Chalkham Hill Press Gallery, Johannesburg, South Africa W.C., Villa Arson, Nice, France 1994 Air de Paris, Everard Read Contemporary & ICA & Market Theatre Galleries, Johannesburg, South Africa We are Johannesburg Artists and Nothing More, Michaelis Art Gallery, Cape Town, South Africa 1993 The New Patron, Everard Read Contemporary, Johannesburg, South Africa Threshold: The Exhibition, Everard Read Contemporary, Johannesburg, South Africa Objects, Natal Technikon Art Gallery, Durban, South Africa 1991 Mediations, Goodman Gallery, Johannesburg, South Africa 1988 Box Theatre, University of the Witwatersrand, Johannesburg, South Africa Group Exhibitions (selected) 2007 African Pavilion, 52nd Biennale di Venezia, Venice, Italy Global Cities, Turbine Hall, Tate Modern, London 2006 A Fiction of Authenticity-Contemporary Africa Abroad, Blaffer Gallery-The Art Museum of the University of Houston, Houston, TX, USA Being, In Brussels, ARGOS Centre for Art and Media, Brussels, Belgium One Star Stop, Galerie Erna Hécey, Brussels, Belgium SD Observatory, IVAM, Valencia, Spain (catalogue) HUMAN GAME, , Fondazione Pitti Immagine, Stazione Leopolda, Florence, Italy (curated by Francesco Bonami, catalogue) Take A Walk On The Wild Side, de Pury & Luxembourg, Zürich, Switzerland (curated by Jerome Sans and Olivier Vrankenne) Images Publiques, 1ère Triennale d'art public, Liège, Belgium Ballkünstler, Museum der Bildenden Künste Leipzig, Germany (catalogue) The Flip Book Show, Fotomuseum, Antwerp, Belgium Taste. In Viaggio Con Le Diversità Del Gusto, Stazione Leopolda, Firenze, Italy Metropolitanscape, Il paesaggio urbano nell'arte contemporanea, Palazzo Cavour, Turin, Italy (catalogue) DON JUAN alias Don Giovanni¹ or “Two plus two equals four” or “Lust is the only swindle I wish permanence”, Kunsthalle Wien, Austria (catalogue) Exces, Nr.12 Beelden en lichamen in buitensporige tijden, Z33, Zuivelmarkt, Hasselt, Belgium Looking both ways, Museum of the African Diaspora, San Francisco, USA (catalogue) George Condo, Wim Delvoye, Kendell Geers, MRZYK & Moriceau, Thomas Palme, Gert & Uwe Tobias, Galerie Rodolphe Janssen, Brussels, Belgium 2005 Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London Dionysiac, Centre Georges Pompidou, Paris, France Lichtkunst aus Kunstlicht, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (catalogue) War is over 1945-2005 la libertà dell'arte da Picasso a Warhol a Cattelan, GAMeC–Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy (catalogue) ADAM, International exhibition of contemporary art, Smart Project Space, Amsterdam (catalogue) Expérience de la durée, Biennale d'art contemporain de Lyon 2005, Lyon (catalogue) Leaps of Faith, Nicosia, Cyprus (catalogue) Daumenkino, The Flip Book Show, Kunsthalle Dusseldorf, Germany (catalogue) CCA Kitakyushu Artist’s Books, Galerie Christophe Daviet-Thery, Paris, France Brussels South Airport, Krinzinger Projekte, Vienna, Austria (catalogue) Manmano, Galleria Continua, Beijing, China Looking both ways, , Gulbenkian, Lisbon (touring show, curated by L.A. Farell, catalogue) Looking both ways, City Art Centre, Edinburgh (touring show, curated by L.A. Farell, catalogue) 2004 Wall Drawings, MMSU, 16th International Drawings Exhibition, Rijeka, Croatia (curated by Branko Franceschi) (catalogue) Terminal 5, John F. Kennedy International Airport, New York City (curated by Rachel K. Ward) (catalogue) Stock Zero-Opera, MNAC, Bucharest, Romania (curated by Nicolas Bourriaud) (catalogue) Art in the Age of Terrorism, Millais Gallery, Southampton, UK Channel Zero, Netherlands Media Art Institute, Amsterdam, The Netherlands (curated by Katerina Gregos) Democracy is fun, White box, New York Transcultures, The cultural Olympiad and The National Museum of Contemporary Art (EMST), Athens, Greece Tijdelijk verblijf/Séjour Ephemère/temporary residence, Stedelijk Musea Kortrijk, Kortrijk, Belgium Ipeg bild.ton.maschine, Künstlerhaus Bethanien, Berlin, Germany (Liquid Architecture) The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany OK, America! APEX Art, New York, USA Le Opere e i Giorni, Certosa di San Lorenzo, Padula, Italy (catalogue) Not Done, Muhka, Antwerp, Belgium (catalogue) Art Unlimited, Galeria Continua, Basel ArtFair, Basel, Switzerland (catalogue) Visions of Paradise, João Ferreira Fine Art, Cape Town, South Africa (catalogue) Looking both ways, curated by L.A. Farell, Cranbrook Art Museum; toured, (catalogue) Looking both ways, curated by L.A. Farell, Peabody Essex Museum, Salem, Massachusetts, USA (touring show) (catalogue) Cremers Heap Everyday Life, Process, Actions: Art of the 60's and Today, Westfälisches Landesmuseum, Münster, Germany Les Afriques, Tri Postal, Lille, France 2003 TerroRealismus, Migros Museum, Zürich, Switzerland Looking Both Ways, The Museum for African Art, New York, USA (catalogue, touring show) Synopsis 3-Testimonies: between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece (catalogue) Black President: The Art and Legacy of Fela Anikulapo-Kuti, New Museum, New York, USA A Fiction of Authenticity: Contemporary Africa Abroad, Contemporary Art Museum St. Louis, Missouri, USA observatório # 5, Costa Reis Compilação de Arte Africana Actual, Camouflage, Brussels, Belgium Sted//Place Sydafrika//Denmark, Asbaek, Copenhagen, Denmark M_ARS – Art and War, Neue Galerie am Landesmuseum Joanneum, Graz, Austria (catalogue) HardCore, Vers un Nouvel Activisme, Palais de Tokyo, Paris, France (catalogue) Handlungsanweisungen, Kunsthalle Wien project space, Vienna, Austria Poetic Justice, 8th International Istanbul Biennale, Haghia Sophia Museum, Turkey (catalogue) Opening Gallery Beaulieu, Oudenaarde, Belgium Poëzie Zomer, Opzij van het kijken, Watou, Belgium African Exile Museum, Migros Museum, Zürich, Switzerland A Prove d’Ascolto, Galleria Civica di Arte Contemporanea, Trento (catalogue) Time, art and architecture, Biennale of Valencia, Spain (catalogue) Coollustre, Collection Lambert en Avignon, France, (curated by Eric Troncy, catalogue) Goteborgs Internationella Konstbiennal, Goteborg, Sweden (catalogue) Next Flag, Hans Bogatzke Collection, B.P.S.22, Charleroi, Belgium Thatcher, The Blue Gallery, London Salon des Refusées, Fondazione Bevilacqua La Masa, Venice, Italy (catalogue) Sted//Place Galerie Asb'k & Kastrupgardsamlingen, Copenhagen (catalogue) Observatorio #5 Camouflage, Brussels, Belgium Next Flag, B.P.S.22, Charleroi, Belgium (catalogue) Video-Zone@LX, Gulbenkian Foundation, Lisbon, Portugal 2002 Documenta 11, Kassel, Germany (catalogue) Trauma, Museum of Modern Art, Oxford (catalogue) Tutto Normale, Villa Medici, Rome, Italy (catalogue) The Short Century, PS1, New York, USA (catalogue) Editionen Part One/2002, Galerie & Edition Artelier, Graz, Austria Tutto Casino, Villa Medici, Rome, Italy (catalogue) To Actuality, Bolzano, Italy Video-Zone, 1st International Video-Art Biennial, Tel Aviv, Israel (catalogue) Refuge Tilflukt, Henie Onstad, Oslo (catalogue) Handlungsanweisungen - Instructions for Actions, (with Anri Sala) Kunsthalle Vienna, Austria (catalogue) ...privat, CHARIM GALERIE; Vienna, Austria zeichen sprache, Galerie Grita Insam, Vienna, Austria Enactments of the Self, Steirischiser Herbst, Graz, Austria Surviving Apartheid, Maison Europenne de la Photographie, Paris, France 2001 ARS 01, Kiasma, Helsinki, Finland (catalogue) Marking the Territory, The Irish Museum of Modern Art, Dublin, Ireland (catalogue) Recasting the Past: Beneath the Hollywood Tinsel, Main Art Gallery, California State University, Fullerton, California, USA The Short Century, Museum Villa Stuck, Munich, Germany; (toured to House of World Cultures and Martin-Gropius-Bau, Berlin, Germany; Museum of Contemporary Art, Chicago, USA, P.S.1 and The Museum of Modern Art, New York, USA, catalogue) Locus Focus, Sonsbeek, Arnheim, The Netherlands (catalogue) Skulptur–Biennale im Münsterland, Kloster Gravenhorst, Horstel, Germany (catalogue) Casino 2001, 1st Quadriennial of Contemporary Art, S.M.A.K., Ghent, Belgium (catalogue) Trauma, Dundee Contemporary Arts, Dundee, Scotland; (toured to Firstsite, Colchester, UK and Museum of Modern Art, Oxford, UK, catalogue) Konverzacija, Centre for Contemporary Arts, Belgrade, Serbia (catalogue) In cold blood, State University of New York and New Palz, USA Short Stories, Fabbrica del Vaporeo, Milan, Italy (catalogue) Berlin Biennale, Jannowitzbrücke, Berlin, Germany (catalogue) 2000 Pusan International Contemporary Art Festival 2000, Pusan, Korea (catalogue) Arte all’Arte V edizione, Volterra, Italy (catalogue) The Sky is the Limit, Taipei Biennial, Taipei, Taiwan (catalogue) 3 Räume–3 Flüsse, Hann.Münden, Kassel, Germany (catalogue) The Invisible Touch, Kunstraum Innsbruck, Austria Echigo-Tsumari Art Triennial, Japan (catalogue) VideoBrasil International Electronic Art Festival, Sao Paulo, Brazil (catalogue) Acts of Resistance, Koldo Mitxelena Kulturunea, San Sebastian, Spain (catalogue) Untitled (Sculpture), Luhring Augustine, New York, USA Inverse Perspectives, Edsvik konst och kultur, Sweden Positions Attitudes Actions, Foto Biennale Rotterdam, The Netherlands (catalogue) Atmosfere Metropolitane, Openspace, Milan, Italy (catalogue) Memórias íntimas Marcas, MUHKA, Antwerp, Belgium Continental Shift/For R.EAL, Bonnefantenmuseum, Maastricht, The Netherlands (catalogue) Home, Art Gallery of Western Australia, Perth, Australia (catalogue) Micropolitiques, Le Magasin, Grenoble, France (catalogue) South Meets West, Kunsthalle Bern, Switzerland (catalogue) HB First View, Camouflage, Johannesburg, South Africa 1999 Zeitwenden, Kunstmuseum Bonn, Germany (catalogue) Bodies of Resistance, Real Art Ways, Hartford, Connecticut, USA (catalogue) South Meets West, National Museum, Accra, Ghana (catalogue) Carnegie International, Pittsburgh, Pennsylvania, USA (catalogue) Five Continents and One City, Museo de la Ciudad de Mexico, Mexico City (catalogue) Patentia, NIFCA Stockholm, Sweden A3HB, Camouflage, Brussels, Belgium Extra and Ordinaire, Printemps de Cahors, Cahors, France (catalogue) Following and to be Followed, Le Consortium, Dijon, France High Red Centre, Centre for Contemporary Art, Glasgow, Scotland Power, Galerie für Zeitgenossische Kunst, Leipzig, Germany (catalogue) Traffique, S.M.A.K., Ghent, Belgium (catalogue) Global Conceptualism: points of Origin 1950s-1980s, Queens Museum of Art, New York, USA (catalogue) Entrée Libre, http://www.culture.fr/entreelibre/ 1998 Memórias Íntimas Marcas, Instituto de Arte Contemporânea, Lisbon, Portugal Europa Afrika, 7 Triennale der Kleinen Plastik Südwest LB, Stuttgart, Germany (catalogue) Dark Continent; Klein Karoo Arts Festival, Outshoorn, South Africa Odradek, Bard Center for Curatorial Studies, Annandale on Hudson, New York, USA City Canibal, Paço Das Artes, São Paulo Bienal, São Paulo, Brazil (catalogue) Cross/ing, Track 16 Gallery, Santa Monica, University Galleries, Florida Atlantic University, USA (catalogue) Medialization, Edsvik konst kultur, Sollentuna, Sweden 1997 Alternating Currents, Johannesburg Biennale, South Africa (catalogue) Cross/ing, University of South Florida Art Gallery, Tampa, Florida, USA (catalogue) Unplugged II, Rembrandt van Rijn Art Gallery, Market Theatre, Johannesburg, South Africa October, Norwich School of Art and Design Art Gallery, Norwich, UK Purple and Green, Pretoria Art Museum, Pretoria, South Africa 1996 Inclusion Exclusion, Kunstlerhaus, Graz, Austria (catalogue) Simunye (We Are One), Adelson Galleries, New York, USA Colours, Haus der Kulturen der Welt, Berlin, Germany Egoists at Work, Forum Stadtpark, Graz, Austria Crapshoot, de Appel, Amsterdam, The Netherlands (catalogue) Unplugged, Rembrandt van Rijn Gallery, Market Theatre, Johannesburg, South Africa The Young and the Restless, Sandton Art Gallery, Sandton, South Africa 1995 On the Road, Africa95, Delfina Studios, London (catalogue) Mayibuye iAfrika, Bernard Jacobson Gallery, London Outside/Inside, Johannesburg Biennale, Johannesburg Art Gallery, South Africa (catalogue) Vita Art Now, Johannesburg Art Gallery, South Africa (catalogue) 1994 Vita Art Now, Johannesburg Art Gallery, South Africa (catalogue) Quinta Bienal de la Habana, Centro Wifredo Lam, Havana, Cuba (catalogue) Un Art Contemporain d’Afrique du Sud, Galerie de l’Esplanade, La Defence, Paris, France (catalogue) VI Biennale d’Arte Sacra, San Gabriele, Teramo, Italy (catalogue) Identita e Rappresentazioni Cartografiche, Museo Nazionale Preistorico Etnografico Luigi Pigorini, Rome, Italy (catalogue) The Netherlands Against Apartheid, Amsterdam’s Historisch Museum, Amsterdam, The Netherlands (catalogue) Zuiderkruis, Stedelijk Museum, Amsterdam, The Netherlands (catalogue) Performances (selected) S-338 (aka Suite 338 aka Red Sniper) 2007 Festival 10 days off, the fucKINGFUCKS, Vooruit, Ghent, Belgium Biennale Charleroi danse, Performance Kendell Geers and the fucKINGFUCKS, BPS22, Charleroi, Belgium 2005 Cultuurcentrum Evergem, Belgium Les Grands Spectacles-120 Jahre Kunst und Massenkultur, Museum der Moderne, Salzburg, Monchsberg, Austria Elektra Festival, Montréal, Canada Strange, Familiar and Unforgotten, Galerie Erna Hécey, Brussels Dans le Collimateur, Dieppe Scene Nationale, Dieppe, France 2004 Criminal Brides, Buda, Kortijk, Belgium Videozone, Center for Contemporary Art, Tel Aviv, Israel Playlist, Palais de Tokyo, Paris, France Opera Video, Galleria Continua, San Gimignano, Italy 2003 Rhythm and Chaos, Transart 03, Bolzano, Italy Rhythm and Chaos, Beaulieu Art Gallery, Oudenaarde, Belgium Guests, Handelsbeursgebouw, Ghent, Belgium (curated by Luk van Acker) Guided by Heroes, Z33, Hasselt, Belgium (curated by Raf Simons) Prototype, Centre Pompidou, Paris, France Writings by the artist (selected) 2004 Kendell Geers, Macro Sexus Kendell Geers, Semaine, no. 15 Beyond Good and Evil, published by Centre for Contemporary Art, CCA Kitakyushu, Japan 2003 Point Blank, published by Imschoot Uitgevers, Ghent, Belgium Guest Editor, Documents Sur l’Art, Dijon, France 2002 My Tongue In Your Cheek, Palais de Tokyo, Paris, France Scenario, The Queel, Metronome 8B, London, p. 71 Intersections, RMIT Gallery, BHP Billiton, Melbourne, Australia The Affluence and the Effluence/Affluenza ed effluenza, Racconti d’identita, La Generazione della Immagini 7, Comune di Milano, Milan, pp. 88-107 2001 The Affluence and the Effluence, The Bastard, Metronome, no. 7, pp. 193-199 What is the Artist's Role Today?, Jerome Sans and Marc Sanchez, Palais de Tokyo , Paris, France , p. 66 1999-20 00 South Meets West, Kunsthalle Bern, NÁWÁO 1999 Kendell Geers, Secession, Vienna, Austria Statement en beeldbijdrage, Metropolis M, No. 2, Amsterdam, April–May, pp. 29-32 Cover, Project Pages, Atlantica, no. 22, cover, pp. 56-65 1998-20 00 3 Räume-3 Flüsse Ihr wart ins Wasser eingeschrieben (II), Hann Münden, Germany (catalogue) 1998 Title Withheld (portfolio) The Horror, The Horror, Stopping The Process? Contemporary views on art and exhibitions, NIFCA, Helsinki, Finland, pp. 163-173 The Horror, The Horror, The CAPC Bordeaux, France, May 1997 Contemporary South African Art-The Gencor Collection, Jonathan Ball Publishers, Johannesburg, South Africa 1995 For or Against, South African Association of Art Historians National Conference, Wits University, Johannesburg, South Africa, July Argot, Published by Chalkham Hill Press (monograph) First Johannesburg Biennial, ArtPress, May, pp. IV-V Fuck Art: The Prose of a Con-Artist, National Sculpture Symposium, Pretoria Technikon, July 1994 Third World Bites Back, Art Ventilator, Johannesburg, South Africa, September, pp. 12-15 1990 Art as Propaganda Inevitably Self-Destructs, Art From South Africa, MOMA, Oxford, pp. 23-24 Publications and Catalogues (selected) 2005 Dionysiac, Centre Pompidou, Paris Fingered, published by Tikiriki Publications, Brussels, Belgium, edited by Kurt Vanbelleghem, 107 pages, Belgium, February Kendell Geers, MACRO Museu d'Arte Contemporanea Roma, Mondadori Electra Spa Kendell Geers; The Forest of Suicides, published by MACRO, Museo D’Arte Contemporanea, 103 pages, Roma, May Between Good and Evil, published by Center for Contemporary Art, CCA Kitakyushu, printed in an edition of 1000 copies, with 30 copies signed and numbered by the artist, 162 pages, Japan Point Blank, published by Imschoot Uitgevers, printed in an edition of 1000 copies, with 30 copies signed and numbered by the artist, Ghent, Belgium 2004 Artists Salute Artpace, Artpace San Antonio, Benefit Auction at Christie’s, New York (catalogue) 2003 The Plague is me, published by Onestar Press, First Edition limited to 25 numbered copies, 20 copies deluxe limited edition of the book accompanied by a signed and numbered multiple by the artist, 145 pages, Paris, France, December 2002 My Tongue in Your Cheek, published by Les presses du Réel, Réunion des Musées Nationaux, 240 pages, France, January 1995 Argot, Published by Chalkham Hill Press, 30 copies signed and numbered by the artist Bibliography (selected) 2007 Gebetsroither, Ines, On the encoded strategies of revolution. Spike 12, cover, pp. 62-70 Thom, Johan, Kendell Geers, Art in South Africa, March 1 2006 Time Out London, Jesus Christ superstar? The Art Newspaper/Frieze Art Fair Daily, October 14-15, p. 2 Exertier, Nicolas, Kendell Geers. La violence innommable, Parachute, no. 124, pp. 58-77 Artner, Alan G. Art: Reviews, Chicago Tribune, July 21 Richer, Francesca and Rosenzweig, Matthew, eds. First Works by 362 Artists, p. 143, Thames and Hudson, London Schijn-Heilig, Blend Magazine, The Netherlands, April, pp. 18-19 Adams, Brooks, Time after time, Art in America, New York, February, p. 61 Artner, Alan G, Chicago Tribune, Review, July 21 2005 Recipe for Making Plastic Explosives from Bleach, Artistaste, published by Toohcsmi, uitgevers, Belgium, pp. 80-83 La sainte Vierge, A Magazine curated by Haider Ackermann, no. 3, Belgium, pp. 136-137 Cut the Krap, an interview with Kendell Geers by Jérome Sans, no. 10, 00 People, Uovo Magazines, Italy, pp. 146-167 N.Drawings, 00 People, Uovo Magazines, Italy, pp. 22-39 30 Individual Exhibitions, Contemporary Art in Belgium 2006, Bart De Baere & Henrz Bounameaux, Best of Publishing, Belgium, pp. 150-153 La limite et la dynamique de son pouvoir, Doris van Drathen; Les vanités dans l'art contemporain, sous la direction d'Anne-Marie Charbonneaux, Flammarion, Paris, pp. 182-183 Bae, James, Ethics and Aesthetics, Art and Terror, Artlies, no. 45, Texas, USA, Winter, pp. 16-19 Filipovic, Elena, Dionysiac: Art in Flux, Frieze, September, p. 140 Il Détournement dal Sudafrica, Il Manifesto, Italy, no. 207, August 27 Pouncey, Edwin, Outer Limits, review, Wire, London, issue 254, April Chiara, Federico, Philosophy, Vogue Italia, no. 656, April, p. 80 Jacobson, Celean, SA Art ‘Lacks passion, pride’, Sunday Times, Johannesburg, South Africa, May 8 Senaldi, Marco, Il Cavaliere Azzuro per una critica dell’estetica Berlusconiana, Flash Art, Italy, no. 251, April-May, pp. 106-109 Gauville, Hervé, "Dionysiac" sans plaisir, Liberation, Paris, France, February 26-27 Oksenhorn, Stewart, Art Mixed with double meanings, dark humor, The Aspen Times, Aspen, USA Pierce, Vanessa, Utopian Hell, Aspen Daily News Time Out, Feb 17-23, pp. 4-5 Biro, Matthew, Bloomfield Hills Michigan, Art Papers, Atlanta, Jan/Feb, pp. 51-52 Dalton, Gordon, Curating now, a-n Magazine, January, pp. 30-33 Gregos, Katerina, Dangerous Liaisons, Contemporary Art Magazine, London, no. 70, pp. 22-25 and cover Redpornographicmisery, Belio, Summary 016, Madrid, pp. 26-30 and pp. 109-110 2004 Interview in Time Out, Athens, June, p. 67 Exertier, Nicolas, Le Terrorisme de Kendell Geers, Art Presence, Paris, no. 52, pp. 12-19 Verdier, Evence, Albi, Art Press, Paris, no. 305, pp. 77-78 Blinded by the light, I-D Magazine, London, issue 247, p. 84 Cumulus, Aus Europa, Parkett, no. 70, Zürich, p. 176 Dawes, Nick, Visions of Paradise, Art Southafrica, vol. 2, issue 4, Winter, p. 75 Seasonal Unruliness, a dialogue between Kendell Geers and Walter Van Bierendonck, JANUS Magazine, Antwerp, Belgium, April 16, pp. 34-38 Levin, Kim, A Provocateur and Insider's Outsider from South Africa, The Village Voice, New York, April 26 Very New Art, BT, Japan, vol. 56, no. 847, April, pp. 81-82 Temin, Christine, Africa now, The Boston Globe, April 9 Pollack, Barbara, Reviews New York, Art News, April Kunstvermittlung im System Kunst, Pierangelo Maset, The educational complex, Kunstmuseum Wolfsburg, Germany, pp. 30-33 Stech, Fabian, Synopsis 3, Kunstforum International, Germany, Bd. 169, pp. 318-319 2003 Bedford, Emma, Istanbul and elsewhere, Art Southafrica magazine, vol. 2, issue 2, South Africa, November–December, p. 11 Bader, Joerg, Istanbul Biennale, Kunstforum International, Ruppichteroth, Germany, Bd. 167, November–December, pp. 335-357 Pace, Linda and Russell, Jan Jarboe, Dreaming Red, Creating Artpace, pp. 174 Illes, Chrissie, ArtPace, San Antonio, November-December Redefining the African Diaspora, Holland Cotter, The New York Times, New York, November 21 Kendell Geers interviewed by Jérome Sans, A TerroRealist in the house of Love, Looking Both Ways, Museum for African Art/Snoeck, November Héritages, L'exposition du grand Palais Gauguin (Tahiti), Beaux Arts Magazine Hors-Série, Paris, no. 7, October, pp. 70-71, p. 79 Ultravista, Arte, la VIII Biennale di Istanbul, Alias, Italy, no. 37, September 20, p. 6 Coollustre, Weather Everything Dramatically Different, 3 expositions d'Eric Troncy, Les presses du réel, Collection Lambert en Avignon, France, September Richards, Colin, Kendell Geers, Art Southafrica magazine, South Africa, pp. 64-65, vol. 2, issue 1, September Bedford, Emma, Reviews/Books, Art Southafrica, South Africa, vol. 1, no. 2, Summer, p. 63 Pinto, Roberto, Salon de refusés, Public art projects never realized, Venice XXD11, March 28-May 25 Uber Kunst und Kunstler der Gegenwart, Ein Nach Lesebuch zur Documenta 11 Die Note beim Nation building”-Sudafrika im Fokus von Kendell Geers, David Goldblatt, Santu Mofokeng, Alfredo Jaar und Steve McQueen, pp. 32-35 and Tot oder lebendig Die Entdeckung einer Arbeit auf der Documenta 11, Germany, pp. 104-107 Barker, Godfrey, Look back in anger, ArtReview, London, vol. LIV, May, pp. 33-34 Lebovici, Elizabeth, Hackers Vaillants, Liberation, Paris, April 25, p. 30 Willkommen im Wunderland, Die Utopie des Zuhause, Reporter ohne grenzen, Fotos fur die Pressefreiheit 2003, Berlin, April, pp. 30-37 Suburbia I, Quaderns d'arquitectura i urbanisme no. 237, Barcelona, April, pp. 48-51 Lequeux, Emmanuelle, Hardcore, Desir de Politique, Beaux Arts Magazine, Paris, no. 226, March, pp. 48-49 Lingaard, Jade, and Colard, Jean-Max, Action Directe?, Les Inrockuptibles, Paris, no. 380, March, pp. 36-40 Coomer, Martin, Art:Preview, Time Out, London, no. 1697, February-March, p. 45 Healy, Jim, S is for…, What’s On in London, February 12-19 p. 23 Sans, Jerome, "Sand in the Vaseline", Art South Africa, vol. 1, issue 3, Autumn, pp. 28-34, cover Deliss, Clementine, "Between Fiction and Reality, National Museum of Contemporary Art, Athens, Greece, pp. 41-49 "Shifting Geers", The Guardian “Il Buddha dei cantieri”, Torino, Italy, p. 27 Coomer, Martin, Review, Time Out, London, Feb 26-March 3, p. 45 2002 Bourriaud, Nicolas, "Post Production", Lukas and Sternberg, New York, p. 9 Macri, Teresa, "Postculture", Meltemi, Rome, Italy, pp. 142-145 “Waiting for the Barbarians”, “Der Hund ist fur die Hyane eine Kolanuss: Zeitgenossische Kunst und Kultur aus Afrika”, Jahresring 49, Oktagon, Koln, Project Pages 106-111 Krell, Alan, “The Devil’s Rope, A Cultural History of Barbed Wire”, Reaktion Books, London, pp. 113-114, pp. 172-3, p. 175 Whitt, Joseph, "The Passenger; Kendell Geers’ art of terror", Art Papers 26.6, Atlanta, pp. 22-27, cover McLeod, Scott, "Seven from Documenta", Prefix Photo 6, Toronto, Canada pp. 26-43 “20 Artworks”, Crash 23, Paris, p. 61 Pasini, Francesca, “Kendell Geers”, Artforum XLI, no. 1, New York, September, p. 211 “Die Dokumenta 11”, Kunstforum 161, Ruppichteroth, Germany, p. 268, 384, August–October Sans, Jerome, "Kendell Geers", Tema Celeste 92, Milan, July/August, pp. 44-47, cover "Kendell Geers", What is Art Today; Qu’est-ce que l’art aujourd’hui, Beaux Arts Special Edition, Paris, June, pp. 124-127 Collard, Jean-Max, “Afrikan Psycho”, Les Inrockuptibles 340, Paris, pp. 76-77, May 29–June 4 Tebbs, Paul, “Trauma”, Contemporary, London, January, pp. 94-95 2001-20 02 Troncy, Eric, Infinite Justice, Les Editions du Reel, Dijon, Winter, pp. 32-43 2001 Francblin, Catherine, "Paradoxes de la Mondialisation", ARTPRESS Special no. 22, January, p. 165 Hassanand Olu Oguibe, Salah M. "Authentic/Ex-Centric, Conceptualism in African Art", la Biennale de Venezia, Forum for African Art, New York, January Parfait, Francoise, "Video: Un Art Contemporain", Editions du Regard, Paris, January, p. 166, pp. 226-227, p. 242, 246 Putnam, James, "Art and Artifact, The Museum as Medium", Thames and Hudson, London, Autumn, p. 108 Troncy, Eric, "Infinite Justice", Les Editions du Reel, Dijon, pp. 32-43 van der Watt, Liese, "Making whiteness strange", Third Text, London, no. 56, Autumn, pp. 44-89 Herstatt, Claudia, “Skulptur-Biennale 2001 im Kreis Steinfurt”, Kunstforum 157, Ruppichteroth, Germany, p. 421, November-December Laubard, Ch. and Ramade, B. “GI-Joe Attitude”, Technikart no. 54, Paris, July, pp. 60-64 Kent, Sarah, “Review”, Time Out London, July 4-11 “2 Berlin Biennale”, Kunstforum no. 155, Ruppichteroth, Germany, June-July, p. 300 "Where Angels Fear To Tread", The Guardian Guide, June 16-22 Liebs, Holger, "Monster sehen dich an", Süddeutsche Zeitung, no. 94, April 24 Pollack, Barbara, “The Newest Avant-Garde”, Artnews vol. 100, no. 4, New York, April, pp. 124-129 “Kratzen, wo es nicht juckt”, interview with Otto Neumaier, Frame no. 6, Vienna, March-April, pp. 94-99 Handler, Ruth, “Durch den Tunnel der Gewalt”, Art das Kunstmagazin, March Forstbauer, Nikolai B. “Der melancholische Schrecken”, Stuttgarter Nachrichten, February Braun, Adrienne, "Von Schluzern verfolgt" Buchart, Dieter, “Kendell Geers: Timbuktu”, Kunstforum 153, Ruppichteroth, Germany, January–March, p. 396 2000 “Landmines in the Gallery”, interview with Jerome Sans, Trans>arts.cultures.media, no. 8, New York, October–December, pp. 268-274 Enwezor, Okwui and Oguibe, Olu, "Reading the Contemporary-African Art from Theory to the Marketplace", MIT press, Cambridge, Massachussetts, October - December “3 Räume–3 Flüsse”, Kunstforum no. 152, Ruppichteroth Germany, p. 336, October-December Kerkham, Ruth, “There’s a Bomb in This Exhibition: Kendell Geers charged”, Parachute 99, Montreal, July–September, pp. 30-40 Fouquet, Ludovic, “Ex Africa semper aliquid novi”, Etc Montreal, Montreal, pp. 59-61 "The Art of the Phoenix", interview with Christine Macel, Art Press 257, Paris, May, pp. 28-33 "Micro Politiques", Parpaings, no. 10, Grenoble, February 10, pp. 20-23 Lindgaard, Jade, "Ghetto Blaster", Les Inrockuptibles, Paris, no. 228, February 1-7, pp. 56-57 Nuridsany, Michel, "Video Impressionante", Figaro, February 1 Francblin, Catherine, "Artiste du Mois", Beaux Arts, Paris, p. 27, February Dagan, Philipp, "Scenes de la destruction et autres images de la souffrance", Le Monde, Paris, January 23, p. 23 1999 Kasfir, Sidney Littlefield, "Contemporary African Art", Thames and Hudson, London, p. 165 “Review”, Flash Art, vol. 32, no. 209, November–December, Milan, p. 118 Gregos, Katerina, “Kendell Geers”, Contemporary Visual Arts, London, issue 25, October, p. 56 Firstenberg, Larie, "Cityscape Johannesburg", Flashart Milan no. 208, October, pp. 69-70, Milan Jouanno, Evelyne, "Extra et Ordinaire", Flashart, Milan, October Gregos, Katerina, “Review 99”, Noticias ARCO, Madrid, no. 15, September, p. 8 Zoo 2, London, p. 204 Puvogel, Renate, “Trafique”, Kunstforum 146, Ruppichteroth, Germany, July– August, p. 430 “Review”, The Art Newspaper, no. 94, July–August, p. 66 Kent, Sarah, “Review”, Time Out London, June 30–July 7, p. 55 "Video et photographie scellent leurs noces au Printemps de Cahors", Guerrin, Michel, Le Monde, Paris, June 23 Neumeier, Otto, "Portrait des Künstlers als Voyer und Exhibitionist", Noema no. 51, May-June, pp. 46-51 Birrel, Ross, “Geordende revolte in Glasgow”, Metropolis M, no. 2, Amsterdam, April–May, pp. 32-33 Firstenberg, Laurie, "Performative Recollections: An interview with Artists Olu Oguibe and Kendell Geers", Chicago Art Journal, Spring, pp. 102-108 Feeser, Sigrid, “7 Triennale de Kleinplastik Europa-Afrika”, Kunstforum no. 143, Ruppichteroth, Germany, January–February, p.398 Mahoney, Elisabeth, “High Red Center”, Art Monthly, no. 224, March, pp. 27-29 1998 Walker, Hamza, "South Africa", Cumulus, Parkett, no. 52, p. 177 Hanru, Hou, et al, "CREAM", Phaidon Press, London, pp. 136-139 Kellner, Clive, "Art of Darkness: Darkness of Art", NKA, Cornell University, New York, no. 9, Fall/Winter, pp. 68–69 DeBord, Matthew, "Cross/ing: Time, Space, Movement", Flash Art, March/April, p. 80 Hobbs, Philippa and Rankin, Elizabeth, "Printmaking in a Transforming South Africa", David Philip Publishers, Cape Town and Johannesburg, March-April, p. 111, 120, pp. 123-4 Enwezor, Okwui, "Altered States: Die Kunst des Kendell Geers", Inklusion-Exklusion, DuMont, Koln, March–April, pp. 202-205 1997 Peffer-Engels, John, "Review", African Arts, Winter, pp. 75-77 Lampert, Pascal, "Review", Metropolis M, no. 4, August–September, p. 61 Williamson, Sue and Jamal, Ashraf, "Art in South Africa, The Future Present", David Philip Publishers, Cape Town and Johannesburg, p. 9, 15, pp. 58-61, 64 1996 Koloane, David, "Africus, The Johannesburg Biennial, A Perspective", African Arts, Winter, pp. 50-56 Schmidt, Dierk, "Review", Springer, October–November, p. 68 "Review", Baumgärtel, Tilman, Springer, October–November, pp. 68-69 Ferguson, Lorna and Mulclaire, Thomas, "Aperto", Flash Art, Summer, pp. 89-91 Cotter, Holland, "Art in Review", New York Times, June 21 Morgan, Stuart, "Crapshoot", Frieze, issue 29, June–August, pp.64-65 Enwezor, Okwui and Zaya, Octavio, "Moving In", Flash Art, Milan, January– February, pp. 84-89 Breitz, Candice, "Why Have There Been No Avant-Garde African Artists?" Atlantica, no. 11, pp. 52-64, 145-157 Richards, Colin, "Retaining This Fire", Atlantica, no. 11, pp. 31-44, 132-144 Enwezor, Okwui, "Occupied Territories: Power, Access and African Art" Frieze, January, pp. 37-41 1995 Gilman, Sander L, "Picturing Health and Illness", John Hopkins University Press, Baltimore, pp. 182-3 McEvilley, Thomas, "Report from Johannesburg Towards a World-Class City?", Art in America, September, pp. 45-49 Rosengarten, Ruth, "Inside Out", Frieze, Summer, pp. 43-49 Rosengarten, Ruth, "Biennial", Artnews, May, p. 168 Weil, Benjamin, "South African Art-Out of Time", Flash Art, January–February, pp. 74-76 1994 Macri, Teresa, "Motho Ke Motho Ka Batha Babang", Virus, Cape Town, November, pp. 34-35 de Vries, Fred, "Het Oproer Van De White Boys", Elsevier, Amsterdam, October 22, pp. 104-107 Weil, Benjamin, "Crossing The Boundaries: Two Examples in South African Art" Atlantica, Autumn, no. 8, pp. 19-27, 130-134 Green, Michael, "Con-Artist at the Loovre", You Magazine, September 1, pp. 139-140 Bristowe, Anthea, "Getting into Geers despite static", Business Day, August 23, p. 14, (Reprinted in Art Ventilator, Johannesburg, September 1994, p. 51) Friedman, Hazel, "Two Artists who are Legends in their minds...", The Star Tonight, August 22, p. 3 (reprinted in Art Ventilator, Johannesburg, September, 1994, p. 52) Jounnais, Jean-Yves, "The Hottentot Venus", Art Press, Paris, May, pp. 33-40 Solomon, Andrew, "Separate and Equal", The New York Times Magazine, New York, March 27, pp. 44-89 Vinassa, Andrea, "Exposure", The Sunday Times Magazine, London, March 27, p. 18 Laufer, Stephen, "The 9 Cards of Chameleon Geers", Weekly Mail, Johannesburg, February 25, p. 11 1993 Vinassa, Andrea, "Art For Africa?", House and Leisure, Milan, December, pp. 34-35 Richards, Colin, "About Face Aspects of Art History and Identity in South African Visual Culture", Third Text, London, Autumn/Winter, pp. 101-133 Herwitz, Daniel, "Different and Alike", Modern Painters, London, Autumn, pp.76-79 "The Ten Most Intriguing South Africans", Femina, Cape Town, October, pp. 64-71 1989 Williamson, Sue and Philip, David, "Resistance Art in South Africa", Cape Town, p. 69