WAYNE GONZALES

Born: New Orleans, Louisiana, 1957
Lives and works in New York

Education

BA, 1985, University of New Orleans

One-person exhibitions

2008
Stephen Friedman Gallery, London

2007
Paula Cooper Gallery, New York

2006
Mason Gross Galleries, Rutgers University, New Brunswick, NJ
QED, Los Angeles, CA, USA

2005
Conner Contemporary Art, Washington, DC, USA
Paula Cooper Gallery, New York, NY, USA

2004
Patrick de Brock, Knokke, Belgium
Galerie Almine Rech, Paris

2003
Paula Cooper Gallery, New York, NY, USA
Mario Diacono, Boston, MA, USA

2002
Le Consortium, Dijon, France

2001
Paula Cooper Gallery, New York, NY, USA

2000
Reali Arte Contemporanea, Brescia, Italy

1998
Mary Boone Gallery (Small Gallery), New York, NY, USA
Derek Eller Gallery, New York, NY, USA

1997
Lauren Wittels Gallery, New York, NY, USA

1995
Galerie Art & Public (Guest Room), Geneva, Switzerland

Group exhibitions

2007
Maramotti Collection, Reggio Emilia, Italy
A Roll of the Dice Will Never Abolish Chance, Marfa Ballroom, Marfa, TX
People Take Pictures of Each Other, Lamontagne Gallery, Boston, MA
Remix – The Collection, Albright-Knox Art Gallery, Buffalo, NY
Resistance Is, Whitney Museum of American Art, New York, NY
Neonoir, Howard House of Contemporary Art, Seattle, WA
Painting as Fact – Fact as Fiction, de Pury & Luxembourg, Zurich, Switzerland
Very Abrstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London, UK
I drank the kool-aid: (The Experiment Requires That You Continue), Anna Kustera, New York, NY

2006
The Gold Standard, organized Bob Nickas and Walead Beshty, P.S. 1 Contemporary Arts, Queens, NY
Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales, Elizabeth Dee, New York, NY
An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York, NY

2005
The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France
Superstars: From Warhol to Madonna, Kunstforum/Kunsthalle Wien, Vienna, Austria
The Painted World, P.S.1 Center for Contemporary Art, Long Island City, New York
The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, CT
Post No Bills, curated by Matthew Higgs, White Columns, New York, NY
Helga’s Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain
The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, VA

2004
Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, NY, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, NY
Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, NY
La Lettre Volée, F.R.A.C. Franche-Comté Musée des Beaux-Arts de Dole, France
The Freedom Salon, Deitch Projects, New York, NY
Bush League, Roebling Hall, Brooklyn, New York, NY
Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm

2003
Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York
150 artists make 150 T-Shirts, Daniel Silverstein Gallery, New York, NY Cartoon, Riva Gallery, New York, NY
Melvins, Anton Kern Gallery, New York, NY

2001
The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, NY Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy
From the Observatory,” Paula Cooper Gallery, New York
Subject Matters, curated by Norman Dubrow, Kravets/Wehby Gallery, New York; Conner Contemporary Art, Washington, DC.
How is everything? Everything is going to be alright, Elizabeth Cherry Gallery, Tucson, AZ, curated by Bob Nickas
Fresh: Recent Acquisitions, Albright-Knox Art Gallery, Buffalo, NY
Works on Paper From Acconci to Zittel,” Victoria Miro Gallery, London
Next Wave Prints v. 2.0, Elias Fine Art, Allston. MA
New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, FL

2000
Drawings & Photographs, Matthew Marks Gallery, New York “What’s So Funny About Color,” Elias Fine Art, Boston, MA
Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Palm Beach, Fl (Organized by Amy Cappellazzo and Jessica Hough)
PICT: Digital Image Painting, Banff Centre for the Arts, Alberta, Canada (Curated by Yvonne Force and Carmen Zita) Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo
Hex Enduction Hour, Team Gallery, New York (Curated by Bob Nickas)
(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim)
Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, D.C.

1999
Sweet & Sour, Galerie Art & Public, Geneva, Switzerland
Digital Sites, Numark Gallery, Washington, D.C.

1998
Brite Magic, Islip Art Museum, East Islip, New York, New York (Curated by Carolanna Parlatto)

1997
Diamond Dogs, Team Gallery, New York, New York
Super Body, Tomio Koyama Gallery, Tokyo

1996
Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, Massachussets
AbFab, Feature, New York, New York
Mutate/Loving the New Flesh, Lauren Wittels Gallery, New York, New York (Curated by Michael Cohen)
Supastore de Luxe, UP & Co., New York, New York (Curated by Sarah Staton)

1995
Lauren Wittels Gallery (Two-person with Lauren Lesko), New York, New York Momenta Art, Brooklyn, New York
Three Paintings, Lauren Wittels Gallery, New York, New York
Collections! Galerie Art & Public, Geneva, Switzerland

1994
Dysfunction, U.S.A., Arthur Roger Gallery, New Orleans, Louisiana (Curated by Peter Halley and Bob Nickas)
Introductions ‘94, TERRAIN, San Francisco, California
Pain, Here, New York, New York (Curated by Steven Overman and Shauna Sampson)

1993
Wayne Gonzales, Robert Levine, Eric Magnuson, TRI Gallery, Los Angeles, California NICAF, Yokohama, Japan (Curated by Christian Leigh)

1992
Twisted Vision/Version, Four Walls, Brooklyn, New York (Organized by Trudie Reiss)

1988
Louisiana Abstraction, Windows, New Orleans, Louisiana (Curated by Peter Frank)

1987
Louisiana Arts and Sciences Center, Baton Rouge, Louisiana (Juried by Lowery Sims) Contemporary Arts Center, New Orleans, Louisiana (Curated by William Fagaly) Galerie Simone Stern, New Orleans, Louisiana

Journals and Magazines

2006
Helmer, Etienne, The Last Generation, ParisArt,
art.com/lieu_detail- 3123.html, May 2006, illus.
Georgievska-Shine, Aneta, Wayne Gonzales, artUS, March 2006, p. 16, illus.
White, Roger. The Painted World, The,Brooklyn Rail, http://www.thebrooklynrail.org/archives/DEC05/ART/paintedworld.html, January 2006
Dawson, Jessica, Wayne Gonzales at Conner, The Washington Post, Saturday, December 3, 2005, p. C02
Schmerler, Sarah, The Last Generation, TimeOut New York, p. 80, January 5-11, 2006, illus.

2005
Nichols, Matthew Guy, Wayne Gonzales at Paula Cooper, Art in America, October 2005, p. 173-174, illus.
Wilson, Michael, Post no Bills: White Columns, Artforum, October 2005, p. 275-276
Nickas, Bob, Painting is Photography, Influence, Issue 2, 2004, p. 94-6, illus.
Amy, Michael, You talking to me?: Violence in Contemporary Art, DITS: Violence, Winter-Spring 2005, p. 18-31
Gardiner, Virginia, What We Saw: Art Basel Miami, dwell, April/May 2005 p. 92, 94 & 95, illus.
Henry, Max, Art: Reviews: Wayne Gonzales, Time Out New York, April 14-20, 2005, p. 64, illus.

2004
Colard, Jean-Max, Wayne Gonzales, Galerie Almine Rech, Artforum, November 2004, p. 233, illus.
La Rocco, Ben, Bush League, The Brooklyn Rail, September 2004.
Open City, #19, 2004, cover illus. & illus. on p. 76-77
Robinson, Walter, Reviews: Weekend Update, artnet.com, September 7, 2004, illus.
Smith, Roberta, Caution: Angry Artists at Work The New York Times, August 27, 2004, p. E23 & E25, illus.

2003
Huntington, Richard, Assassination becomes focal point of attack on media, The Buffalo News (www.buffalonews.com), November 23, 2003.
Pécoil, Vincent. Pop, 02, No. 28 Hiver 2003/2004, p. 8-11, illus.

2002
Amy, Michaël. Wayne Gonzales, Tema Celeste, January – February 2002
p. 81, illus.
Farronato, Milovan. Gravity Over Time, Tema Celeste, October 2002, p.107 Nickas, Bob, Best of 2002, Artforum, December 2002, p. 110, illus.

2001
Cotter, Holland. Wayne Gonzales, The New York Times, Friday May 25, 2001, p. E30
Fresh: Recent Acquisitions, Albright-Knox Art Gallery, Buffalo, NY http://www.albrightknox.org/fresh/main.html, illus.
Kantor, Jordan, Wayne Gonzales, Artforum, December 2001, p. 120, illus.
Lowe-Bailey, Charlotte, Exhibit by 7 New Yorkers is visionary, challenging, Arizona Star, Caliente, Online, available at www.azstarnet.com/caliente/
Nickas, Bob, impact, Dutch, January/February 2001, p. 15, illus.
Robinson, Walter. Baselmania, www.Artnet.com, June 15, 2001, illus.
Wayne Gonzales, The New Yorker, May 21, 2001, p. 18
Wayne Gonzales, Working Proof,” Art on Paper, July – August 2001, p. 63, illus.

2000
Dailey, Meghan, Glee: Painting Now, Artforum, December 2000, p. 149-50.
Group Show; The New Yorker, June 5, 2000, p. 17
Hex Enduction Hour By the Fall; The New Yorker, January 24, 2000, p. 14
Luke, Megan, Two new Aldrich Museum exhibits showcase new and traditional media, Press, Ridgefield, Conn., Sept. 21, 2000
Merkling, Frank, Exhibitions offer choice: ethnic or electronic?, The News-Times Weekend, November 10, 2000, p. C1
Noè, Paola, “Wayne Gonzales,” Tema Celeste, July-August 2000, p. 98, illus.
Off the Street (and Far Out), artsMEDIA Boston, October 15, 2000, p. 12.
Villareal, Yvonne Force, A Month with Yvonne Force Villareal, Onview.com, February 2000, illus.
Zimmer, William, Serious Abstract Paintings With a Nonserious Message, The New York Times, December 31, 2000
Zinnser, John, Painter Journal, Artnet.com, June 6, 2000

1999
Wayne Gonzales, Tema Celeste, May-June 1999, p. 40-43, illus.
Hoban, Phoebe, The Mod Squad; New York, January 11, 1999, p. 30-37, illus.
Nickas, Bob, Le persone fanno quadri per provare che esistono; Tema Celeste, March- April 1999, pp. 66-73, illus.
Saltz, Jerry, Heat Seekers; The Village Voice

1998
Schmerler, Sarah, Wayne Gonzales + Marsha Cottrell TimeOut NY, May 14-21, 1998, p. 53 illus.
Schwendener, Martha, Planet Hollywood; Time Out New York, July 9-16, 1998, p. 62

1997
Nassau, Lawrence, Diamond Dogs; New York Arts, July 1997, illus.
Schwendener, Martha, Diamond Dogs; Time Out New York, July 10-17, 1997, p. 49
Wayne’s Whirl, TimeOut New York, May 15-22, 1997, p. 49, illus.

1996
A strazione Ridefinita; Tema Celeste, Autumn 1996, p. 54-61, pp. 109-113, illus.
Moody, Tom, AbFab; Art Papers, November/December 1996, p. 56. 11-18, 1996, p.34, illus.
Span, Paula, The Art of the Game - To Be a New York Art Player, You Have to Know the Rules; The Washington Post, February 18, 1996, p. G1, G6

Teaching

2005
Visiting Artist, Cooper Union, New York

2004
Visiting Artist, Cooper Union, New York Visiting Assistant Professor Graduate Program, Hunter College, New York

2003
Visiting Assistant Professor, Graduate Program, Hunter College, New York

Visiting Artist and Lectures

2003
Hunter College, Graduate Program School of Visual Arts, New York, Graduate Program

2002
Cornell University, Ithaca, NY, Graduate Program, Columbia University, New York
School of the Museum of Fine Arts, Boston, Graduate Program

2001
Schoool of Visual Arts, New York, Graduate Program Columbia University, New York, Graduate Program

1999
University of New Orleans, New Orleans, LA, Graduate Program of New Orleans New Orleans, LA

Public Collections

Albright-Knox Art Gallery, Buffalo, NY
Dallas Museum of Art, Dallas, TX
Maramotti Collection, Reggio Emilia, Italy
Microsoft Art Collection, Redmond, Washington
Museum of Fine Arts, Boston, MA
Neuberger Museum of Art, Purchase, NY