Thomas Hirschhorn Born: 1957, Bern, Switzerland Lives and works in Paris since 1984 Education 1978–1983 Schule für Gestaltung, Zürich One-Person Exhibitions (selected) 2008 Poor Tuning, Kurimanzutto, Mexico City, Mexico Fondazione Nicola Trussardi, Milan, Italy 2007 Jumbo Spoons and Big Cake, Musée d’art contemporain de Montréal, Montreal, Canada Stand-Alone, Arndt & Partner, Berlin, Germany, (catalogue) Substitution 2, Stephen Friedman Gallery, London Concretion Re, Galerie Chantal Crousel, Paris, France 2006 The Procession, Kestner Gesellschaft, Hannover, Germany United Nations Miniature, 2000, (Museo de Arte Contemporaneo de Castilla y Léon Collection), Hospital de San Juan de Dios, Almagro, Spain Utopia, Utopia=One World, One War, One Army, One Dress, CCA Wattis Institute of Contemporary Arts, San Francisco, CA Concretion, Creux de L’Enfer, Thiers, France Superficial Engagement, Gladstone Gallery, New York, NY Ingeborg Bachmann Altar, Alexanderplatz Station, Berlin, Germany The Green Coffin, Alfonso Artiaco, Napoli, Italy 24 hours Foucault, Festival d'Automne, Palais De Tokyo, Paris, France Musée Précaire Albinet, Cité Albinet, in collaboration with Les Laboratoires d’Aubervilliers, Aubervilliers, France 2005 Anschool II, Museum Serralves, Porto, Portugal Anschool, Bonnefantenmuseum, Maastricht, the Netherlands Utopia, Utopia=One World, One War, One Army, One Dress, ICA, Boston, MA Doppelgarage, North Pole, South Pole, Not In My Name, Pinakothek der Moderne, Munich, Germany 2004 Skulptur-Sortier-Station, Foksal Gallery Foundation, Warsaw, Poland, in co-operation with Centre Pompidou, Paris, France Swiss-Swiss Democracy, Centre Culturel Suisse, Paris, France Unfinished Walls, Stephen Friedman Gallery, London Chalet Lost History, Galerie Chantal Crousel, Paris, France 2003 Doppelgarage in der Schirn, Schirn Kunsthalle, Frankfurt, Germany United Nations Miniature, CAC, Malaga, Spain Thomas Hirschhorn. Plan B, Alfonso Artiaco, Pozzuli, Italy 2002 Cavemanman, Barbara Gladstone Gallery, New York, NY Otto Freundlich-Kiosk, n°8, Université de Zürich-Irchel, Zürich, Switzerland Liubov Popova-Kiosk, n°7, Université de Zürich-Irchel, Zürich, Switzerland Arndt & Partner, Berlin, Germany Territoires Imprévus 2, Musée d'Art et d'Histoire de Provence, Grasse, France 2001 La Maison Commune, La Salle de Bains, Lyon, France Emil Nolde Kiosk, n° 6, Universität Zürich-Irchel, Zürich, Switzerland Fernand Léger Kiosk, n° 5, Universität Zürich-Irchel, Zürich, Switzerland Wirtschaftslandschaft Davos, Kunsthaus Zürich, Zürich, Switzerland Skulptur Sortier Station, Station de Métro, Stalingrad, Paris, France (Collection Centre Georges Pompidou) Laundrette, Stephen Friedman Gallery, London POLE-SELF, Centre Georges Pompidou, Paris, France Archaeology of Engagement, MACBA, Barcelona, Spain 2000 Focus, The Art Institute of Chicago, Chicago, IL World Airport, The Renaissance Society, Chicago, IL Raymond Carver Altar, The Galleries at Moore, Philadelphia, PA Meret Oppenheim Kiosk, n°4, Université de Zürich-Irchel, Zürich, Switzerland Emmanuel Bove Kiosk, n°3, Université de Zürich-Irchel, Zürich, Switzerland 1999 Das Bernsteinzimmer, Arndt & Partner, Berlin, Germany Exchange Value Room (Espacio de Intercambio de Valores), Project Room, ARCO’ 99, Madrid, Spain Robert Walser Kiosk, n°1, Université de Zürich-Irchel, Zürich, Switzerland Ingeborg Bachmann Kiosk, n°2, Université de Zürich, Zürich, Switzerland (Kunst am Bau project) Sculpture Direct, Galerie Chantal Crousel, Paris, France World Corners, Musée d’Art Moderne, Saint-Etienne, France Exergue 2, Musée d’Art et d’Histoire, Geneva, Switzerland Sculpture Direct II, III, IV, V, Galerie Erna Hécey, Luxembourg Raymond Carver Altar, Intervention in public space organised by Fri-Art, Centre d’Art Contemporain, Fribourg, Switzerland 1998 Swiss Army Knife, Kunsthalle, Bern, Switzerland Rolex etc., Freundlichs Aufstieg, und Skulptur-Sortier-Station- Dokumentation, Museum Ludwig, Cologne, Germany Spin Off, Gramercy Art Fair, New York, NY Swiss Converter, The Herzliya Museum of Art, Herzliya, Israel Ein Kunstwerk, ein Problem, Portikus, Frankfurt World Corners, Chisenhale Gallery, London 1997 Galerie Chantal Crousel, Paris, France Lascaux III, FRAC Aquitaine, Bordeaux, France Galerie im Künstlerhaus, Bremen, Germany 7/7, 24/24, Blauer, Schwebender Raum, Kunsthof, Zürich, Switzerland Kunstverein, Hannover, Germany 1996 Arndt & Partner, Berlin, Germany W.U.E. World Understanding Engine, Salle Rekalde, Area 2, Bilbao, Spain Galerie Susanna Kulli, St-Gallen, Switzerland The Hal, Antwerp, Belgium Merci-Bus II, in collaboration with Galerie Chantal Crousel, Paris, France Thomas Hirschhorn, Günter F"rg, Kunstmuseum, Lucerne, Switzerland Vor Ort, Langenhagen, Germany 1995 Künstlerhaus Bethanien, Berlin, Germany Strauss & Adamopoulos, Frankfurt, Germany Centre Genevois de Gravure Contemporaine, Geneva, Switzerland Fri-Art, Centre d’Art Contemporain, Fribourg, Switzerland 1994 Filiale Basel, Basel, Switzerland APP Bruxelles, Brussels, Belgium 1993 Galerie Francesca Pia, Bern, Switzerland Raum für aktuelle Kunst, Luzern, Switzerland Un Hommage à Edouard Manet; Thomas Hirschhorn, Adrian Schiess, Fondation Art et Société Bourgogne, Dijon, France Galerie Susanna Kulli, St Gallen, Switzerland "Thomas Hirschhorn", Ecole des Beaux-Arts de Rueil-Malmaison, Rueil-Malmaison, France, text by Manuel Joseph 1992 L’H"pital Ephémère, Paris, France 1991 Galerie Francesca Pia, Bern, Switzerland Group Exhibitions (selected) 2008 Unmomumental, New Museum, New York La Bibliothèque de Babel, Centre International d'art et du paysage, Ile de Vassivière Locked-in, The Image Of Humanity in the Age of Intrusion Casino, Luxembourg Carnegie International, Pittsburgh SECESSION, Vienna 2007 Dedica, Palozzo delle Arti, Pan, Napoli, Italy Airs de Paris, Centre Pompidou, Paris, France Into Me/Out of Me, MACRO Museo d'Arte Contemporanea Roma, Rome, Italy Art is an Idea: The Moquai Collection, Scottsdale Museum of Contemporary Art, Phoenix, AZ Swiss-Made I and II: Precision and Madness. Positions of Swiss Art from Hodler to Hirschhorn, Kunstmuseum, Wolfsburg, Germany Timer 01: Intimità/Intimacy, Triennale Bovisa, Milan, Italy 2006 The Gold Standard, P.S.1 Contemporary Art Center, Long Island City, NY Acquisitions récentes du Cabinet d'art graphique, de Schwitters à Toguo, un choix, Centre Pompidou, Paris, France Defining the Contemporary, Whitechapel Library, Whitechapel Gallery, London The Unhomely: Phantom scenes in global society, Second International Biennial of Contemporary Art of Seville (BIACS 2), Seville, Spain How To Live Together, 27th Fundação Bienal de São Paulo, Brazil Heart of Darkness, Walker Art Center, Minneapolis, MN Notations: Energy Yes! Philadelphia Museum of Art, Philadelphia, PA Hannah Arendt Denkraum, International art exhibition in former Jewish girls’ school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me/Out of Me, PS1 Contemporary Art Center, Long Island City, NY Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell’arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l’art, Grand Palais, Paris, France People, Museo d’arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d’Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, CA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, NY Short Cuts, Bass Museum of Art, Miami, FL Drawing from the Modern, 1975–2005, MoMA, New York, NY On Paper, Arndt & Partner, Berlin, Germany Colleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, Spain Universal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, IL 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, France De lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon, Spain 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, NY Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje. Humano. Hogares. Concepto y Sentimiento. Gente, CAC, Málaga, Spain ROMANCE [a novel], Cristina Guerra Contemporary Art, Lisbon, Portugal 2004 Los usos de la imagen, fotografia, film y video en la Coleccion Jumex, MALBA, Coleccion Constantini, Buenos Aires, Argentina Nuits Blanches, Palais de Tokyo, Paris, France Architecture and Arts 1900-2000, Pallazzo Ducale, Genoa, (curated by Germano Celant) Central Station, collection Harald Falckenberg, La Maison Rouge, Fondation Antoine de Galbert, Paris, France Skulptur Sortier Station, Public Space, Warsaw, in collaboration with Foksal Foundation, Warsaw, Poland The Beauty of Failure/The Failure of Beauty, Fundacio Joan Miro, Barcelona, Spain, (curated by Harald Szeemann) The Real McCoy, Rooseum, Malm", Sweden Le Choix Français. Autour du Prix Marcel Duchamp, Les Oeuvres des Artistes du Prix Marcel Duchamp dans les collections privées Françaises, Art Moscow, Moscow, Russia 2003 The Radiant City, Centre Cultural Bancaixa, Biennale of Valencia, Spain GNS: Global Navigation System, Palais de Tokyo, Paris, France Common Wealth, Tate Modern, London Utopia Station, Venice Biennale, Italy (curated by Rirkrit Tiravanija and Hans-Ulrich Obrist) Les 20 ans de Frac, Nantes, France Accessoiremaximalismus, Kunsthalle Kiel, Kiel, Germany Urban Diaries: Young Swiss Art, Alcala 31, Sala de Exposiciones, Madrid, Spain Pantalla Suiza, Museo Nacional, Centro de arte Reina Sofia, Madrid, Spain Gesellschaftsbilder (Images of Society), Kunstmuseum, Thun, Switzerland Réalités, Collections sans frontières II, Zacheta National Gallery of Art, Warsaw, Poland Après la fin de l’Art, Musée d’art moderne, Saint-Etienne, France Par le chas d’une aiguille, Galerie Chantal Crousel, Paris, France Buenos Dias Buenos Aires / art contemporain suisse , Museo de Arte Moderno de Buenos Aires, Buenos Aires, Argentina 2002 Chronologie immédiate, Musée d’art moderne et contemporain, Strasbourg, France Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis Basics, Kunsthalle Bern, Bern, Switzerland La vie au fond se rit du vrai, works from the FRAC-Collection Aquitaine, Musee d’art contemporain de Bordeaux, Bordeaux, France Documenta 11, Kassel, Germany Public Affairs. Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zürich, Zürich, Switzerland Christoph Rüttimann–Waschsalon, Aargauer Kunsthaus, Aarau, Switzerland Chut, chutes, Musée des Beaux-Arts, Nîmes, France 2001 Mirror’s Edge, Tramway, Glasgow, Scotland Mirror’s Edge, Charlottenborg, Copenhagen, Denmark A Small Museum and a Large Library of Contemporary Art, Parkett Collaborations & Editions since 1984, MoMA, New York, NY Economie de moyens, MAC, Marseille, France Jheronimus Bosch, Museum Boijmans Van Beuningen, Rotterdam, the Netherlands Junk, Cinéma La Clef, Paris, France Peinture, vous avez dit peinture?, Ecole Supérieure d'Art d'Aix-en-Provence, Aix-en-Provence, France Doubles vies, Collège Paul Langevin, Carros, France Porter la couleur, Digne, France Street Party, London 2000 Conserve, FRAC Aquitaine, Bordeaux, France Regard sur le monde Regard sur soi, Le Channel, Calais, France Mirror’s Edge, Vancouver Art Gallery, Vancouver, Canada Mirror’s Edge, Castello di Rivoli, Rivoli, Italy Vision Machine, Musée des Beaux-Arts de Nantes, Nantes, France Ein/räumen, Arbeiten im Museum, Hamburger Kunsthalle, Hamburg, Germany La Beauté, Mission 2000 en France, Avignon, France Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Galerie Arndt & Partner, Berlin, Germany Eiszeit, Kunstmuseum, Bern, Switzerland Orbis Terrarum, Ways of Worldmaking, Antwerpen Open, Antwerp, Belgium Partage d’exotisme, Biennale de Lyon, France Protest & Survive, Whitechapel Art Gallery, London Vivre sa vie, Tramway, Glasgow, Scotland Bruit de fond, Centre national de la photographie, Paris, France Rendez-vous 2, Collection Lambert, H"tel de Caumont, Avignon, France La forma del mondo / La fine del mondo, Padiglione d’Arte Contemporaneo, Milan, Italy La santé des restes, Musée Ziem, Martigues, France Artissima, Arte contemporanea a Torino, Turin, Italy Objets/Projets, Centre d'Art Shed im Eisenwerk, Frauenfeld, Switzerland Jumbo Spoons and Big Cake, Art Institute of Chigago, Chigago, IL From Kurt Schwitters to the present day, Sprengel museum, Hannover, Germany 1999 Ma sorcière bien aimée, Galerie Yvon Lambert, Paris, France Unfinished History, Museum of Contemporary Art, Chicago, IL France, une nouvelle génération, Circulo de Bellas Artes, Madrid, Spain Provisorium I, Bonnefanten Museum, Maastricht, the Netherlands Midnight Walker and City Sleepers, W 139, St. Annenstraat Project, Amsterdam, the Netherlands Space Place, Kunsthalle Tirol, Hall in Tirol, Austria Hypothèses de collection, Musée du Luxembourg, Paris, France Editions, Centre Genevois de Gravure Contemporaine, Geneva, Switzerland França, uma nova geração, Museum de Arte Moderna, Sintra, Portugal dAPERTutto, Venice Biennale, Italy Le Repubbliche dell’Arte–Svizzera, Centro d’Arte Contemporanea, Palazzo delle Papesse, Sienna, Italy Weltuntergang und Prinzip Hoffnung, Kunsthaus Zürich, Zürich, Switzerland Steilen et l’époque 1900, Musée d’Art et d’Histoire, Geneva, Switzerland Steadyshot, Centre culturel André Malraux, Vandoeuvre, France Another Swiss Panorama, 8e Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Geneva, Switzerland Mirror’s Edge, Bildmuseet, Umea, Sweden Musée de Tourcoing Dach, Benger Park, Bregenz, Atelierhaus der Akademie der Künste, Vienna, Austria, (curated by Ursula Krinzinger) Mathilde ter Heijne, Thomas Hirschhorn, Susan Turcot, Via Lewandowsky, Galerie Arndt & Partner, Berlin, Germany 1998 Non lieux, Kaskadenkondensator, Basel, Switzerland Early Forms, Galerie Chantal Crousel, Paris, France ZUP, FRAC Poitou-Charente, Poitou-Charente, France Ici et Maintenant (encore), Caisse des Dép"ts et Consignations, Paris, France Berlin Biennale, Berlin, Germany Freie Sicht aufs Mittelmeer, Kunsthaus, Zürich, Switzerland One Step Backwards: Books, Prints, Videos, Centre Genevois de Gravure Contemporaine, Geneva Liste’ 98, Young Art Fair, Basel, Switzerland Premises: Invested Spaces in Visual Arts & Architecture from France, 1960s-1990s, Guggenheim Museum, New York, NY Unfinished History, Walker Art Center, Minneapolis, MN Suite Substitute III: Swiss Challenge, H"tel du Rh"ne, Geneva, Switzerland Nonchalance Revisited, Akademie der Künst, Berlin, Germany 1997 Fort! Da! Cooperations, Villa Merkel, Esslingen am Neckar, Germany Parisien(ne)s, Camden Arts Centre, London Skulptur Projekte in Münster, Münster, Germany Ici et Maintenant, Parc de la Villette, Paris, France Eté 97, Centre Genevois de Gravure Contemporaine, Geneva Nonchalance, Centre PasquART, Bienne, Switzerland Delta, Musée d’Art Moderne de la Ville de Paris, Paris, France Passions Privées, Musée d’Art Moderne de la Ville de Paris, Paris, France 1996 EV + A, Limerick, Ireland Dites-le avec des fleurs, Galerie Chantal Crousel, Paris, France Stilleben – nature morte – Natura Morta – Still life, Helmhaus Zürich, Zürich, Switzerland How far is Switzerland, BBI, Fribourg, Switzerland Actions urbaines, FRAC Lorraine, Metz, France XIIe Ateliers du FRAC des Pays de la Loire, Saint-Nazaire, France Recaptured Nature/Recast Material, Galerie Barbara Gross, Munich, Germany Galerie du placard, Saint-Briac, France 1995 1st Biennale of South Africa, Johannesburg, South Africa Shopping, Bordeaux, France Passions Privées, Musée d'Art Moderne de la Ville de Paris, Paris, France Ohne Titel, Eine Sammlung zeitgen"ssischer Schweizer Kunst, Stiftung Kunst Heute, Aargauer Kunsthaus, Aarau, Switzerland 1994 Invitations, Galerie Nationale du Jeu de Paume, Paris, France Résidence secondaire, Galerie Sabrina Grassi, Paris, France Europa ‘94, Munich, Germany Drawings and drawings, Galerie Van Gelder, Amsterdam, the Netherlands Comunità, Progetto Civitella d’Agliano, Civitella d’Agliano, Italy 1993 Rencontres dans un couloir, private apartment, Paris, France Arrêt sur image 3, La Zonmé, Montreuil-sous-Bois, France 1992 Shedhalle Zürich, Zürich, Switzerland Ecole des Beaux-Arts de Reuil-Malmaison, France En vue des fondations d’une fondation et compte-tenu de la nature des travaux, IAC, Naussac, France 1991 Salon d’Ephémère, Fontenay-sous-Bois, France Bibliography (books and exhibition catalogues) 2007 “Checkpoint”, Arndt & Partner, Berlin/Zürich “J’ai parlé avec… ”, collection Documents sur l’art , Les Presses du Réel, Dijon, France “Heart of Darkness”, Walker Art Center, Minneapolis, MN 2006 “Grand Promenade”, National Museum of Contemporary Art (EMST), Athens, Greece “Thomas Hirschhorn, Concretion”, Le Creux de l’Enfer, France “The Procession”, Kestnergesellschaft, Hannover, Germany “Merzbau as Installative Event-Skulptur, Urban Art against Provinces in Brainscapes”, interview by Hans-Ulrich Obrist, "Thomas Hirschhorn’s Merzbau", Symposium Merzbau 2006, Cabaret Voltaire, Zürich and Domus, Milan, Italy “Heart of Darkness”, Walker Art Center, Minneapolis, MN “Centre Culturel Suisse, Paris, 2003-2005”, text by Thomas Hirschhorn, le Centre Culturel Suisse, Paris, France “Land Art, A Cultural Ecology Handbook”, essay by Thomas Hirschhorn, Royal Society of the Arts, London “Metropolitanscape, paesaggi metropolitani nell’arte contemporanea”, Silvana Editoriale, Milan, Italy “ROMANCE [a novel]”, Cristina Guerra Contemporary Art, Lisbon, Portugal “Report (Not Announcement), Transitionary Report on the State of Mobility at the Beginning of the 21st Century”, BAK, Utrecht, the Netherlands; Revolver, Frankfurt, Germany “In/visible, collection, productions, Frac Lorraine”, Frac Lorraine, Metz, France “The Grande Promenade”, National Museum of Contemporary Art, Athens, Greece “Eretica”, Civica Galleria d’Arte Moderna, Palermo, Italy “Surprise, Surprise”, Institute of Contemporary Arts, London “All the Best, The Deutsche Bank Collection and Zaha Hadid”, Deutsche Bank Art, Frankfurt, Germany “27a Bienal de São Paulo, How to Live Together”, Fundação Bienal de São Paulo, São Paulo, Brazil “The Unhomely, Phantom Scenes in Global Society”, Seconde Biennale Internationale d’Art Contemporain, Séville, Spain “Actions ed.”, Frac Provence-Alpes-C"tes d’Azur, France “Imaginaire mode d’emploi: Art contemporain et lien social”, éditions Cercle d’Art, Paris, France “Participation”, Whitechapel Gallery, London & MIT Press, Cambridge, contribution by Thomas Hirschhorn (24H Foucault) “U2 Alexanderplatz, 2006”, NGBK, Berlin, Germany 2005 “Utopia, Utopia=one world, one war, one army, one dress”, ICA, Boston, CCA Wattis ICA “Dionysiac”, Centre Pompidou, Paris, France “Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo”, Skira Editore S.p.A. Milan, Italy “Anschool: Texts, Projects, Letters”, 26.05.05-11.09.05 Bonnefantenmuseum, Maastricht, the Netherlands “Swiss-Swiss Democracy Journal”, nos. 25-28, 32-34, 38, 39-50 “Musée Précaire Albinet, Quartier du Landy, Aubervilliers, 2004”, Les Laboratoires d’Aubervilliers, éditions Xavier Barral “Yellow Pages”, artistic contribution, Ecarts publications, Geneva and JRP/Ringier, Zürich, Switzerland “Emergencies”, Museo de Arte Contemporáneo de Castilla y León, León, contribution by Thomas Hirschhorn “PressPLAY, contemporary artists in conversation”, conversation with Alison Gingeras, Phaidon, London “Art Now, vol. 2”, Taschen “Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Centre Collections”, Walker Art Center “Universal experience: Art, Life, and the Tourist’s Eye”, MCA, Chicago, IL “Museo de Arte Contemporáneo de Castilla y León, collection Vol. I”, Musac, León, Spain “Monuments for the USA”, CCA Wattis Institute for Contemporary Arts, San Francisco, CA “Material Time / Work Time / Life Time”, Reykjavik Arts Festival, Reykjavik, Iceland “The Black Byrne Collection”, MOCA, Los Angeles, CA “Before the Sun Rises (Walter A. Bechtler Stiftung)”, JRP-Ringier, Zurich, Switzerland “Drawing from the Modern, 1975 – 2005”, MOMA, New York, NY “Colleción Alfonso Artiaco, fuera de la vista, fuera de la mente”, Diputación Provincial de Zaragoza, Zaragoza, Spain “Nuit blanche 2004”, Paris-Musées, Paris, France “Fonds d’art contemporain de la ville Genève, collection 1991-2003”, Fonds d’art contemporain de la ville Genève, Geneva, Switzerland “Prêts à prêter, acquisitions et rapport d’activités 2000/2004, Frac Provence-Alpes-C"te d’Azur”, Frac Provence-Alpes-C"te d’Azur, France 2004 “Swiss-Swiss Democracy Journal”, nos. 1-24 “Thomas Hirschhorn”, Phaidon, London “Thomas Hirschhorn”, Musée Précaire Albinet, Éditions Xavier Barral Les Laboratoires d’Aubervilliers “Four Statements, February 2000”, Public Art: A Reader, Hatje Cantz Publishers, p. 247 “Not Afraid: Rubell Family Collection”, Phaidon, New York, London “Coleccion Siglio XXI”, Aquisiciones 2003-2004, Spain "Nouveau dictionnaire des artistes contemporains", Larousse, Paris, France “24h Foucault, Journal, 2-3 Octobre 2004”, publication with text and two collages by Thomas Hirschhorn “Souvenirs du 24h Foucault”, published by Thomas Hirschhorn “Resistance, Third International Symposium on Contemporary Art Theory”, Teatro de los Insurgentes, Mexico City, text by Thomas Hirschhorn, “Bataille-Monument” “Now What? Artists Write!”, Bak, Basis voor actuele Kunst, Utrecht, text by Thomas Hirschhorn, “Statement Altar” “Changing States, Contemporary Art and Ideas in an Era of Globalisation”, Gilane Tawadros (ed.), Institute of International Visual Arts, London “Contemporary Art, From Studio to Situation”, Black Dog Publishing, London “1, Place de la Concorde”, Galerie Nationale du jeu de Paume, Paris, France “La bellesa del fracàs / El fracàs de la bellesa”, Fundació Joan Miró, Barcelona, Spain “Le Choix Français. Autour du Prix Marcel Duchamp”, Avant-Garde, Moscow, Russia “X-rayed, dialogue with the collection”, Kunstmuseum Liechstenstein, Vaduz, Liechtenstein “Pour un art concret, donation Albers-Honegger, Espace de l’Art Concret”, Centre National des Arts Plastiques, Paris, France “Ten Years, 1994-2004”, Arndt & Partner, Berlin, Germany “Public, Going Public ’04, Mappe, confini, nouve geografie", Silvana Editoriale, Milan, Italy “Los usos de la imagen, fotografía, film y video en La Colección Jumex”, Colección Costantini, Buenos Aires, Argentina “Central Station, Collection Harald Falckenberg”, La Maison rouge, Paris, France “Sensi contemporanei in campania, dalla 50esima esposizione d’arte della Biennale di Venezia", Mario Adda Editore, Bari, Italy “Logiques de l’élémentaire (le dérisoire dans les pratiques contemporaines)”, Paris, France 2003 “Bataille Maschine”, in ten volumes, 256B, text by Thomas Hirschhorn, 256A, text by Marcus Steinweg, Merve Verlag, Berlin, Germany “In Search of Utopia”, collaboration with Marcus Steinweg, Janus magazine, no. 14, Summer Part of the series “Utopia, Utopia=One World, One War, One Army, One Dress”, realised with the support of Accessoiremaximalismus, Kunsthalle, Kiel, Germany “United Nations Miniatures”, edited by CAC Málaga, Málaga, Spain “Utopia, Utopia=One World, One War, One Army, One Dress”, Le Journal des Laboratoires d’Aubervilliers, no. 1, November Doppelgarage, brochure with texts by Marcus Steinweg, edited by Schirn Kunsthalle, Frankfurt “L'abcédaire de l'Art contemporain", Flammarion, Paris, France “Interviews, volume I”, Hans-Ulrich Obrist, édition Charta “XXD 11, Über Kunst und Künstler der Gegenwart Ein NachLesebuch zur Documenta 11”, Kassel University Press, text by Pierangelo Maset, "Was das Bataille Monument und Park Fiction nicht gemeinsam haben″ “Common Wealth”, interview with Iris Mickein, Tate Publishing “Urban Diaries, Young Swiss Art”, Comunidad de Madrid, Madrid, Spain “GNS : Global Navigation System”, Palais de Tokyo, Paris, France “Accessoiremaximalismus”, Kunsthalle Kiel, Kiel, Germany “Gesellschaftsbilder, Images of Society”, Kunstmuseum, Thun, Switzerland “L’idiotie, art, vie, politique – méthode”, Beaux-arts magazine/livres, France “Réalités, Collections sans frontières II”, Zachęta National Gallery of Art, Warsaw, Poland “Buenos Dias Buenos Aires / Art Contemporain Suisse”, Museo de Arte Moderno de Buenos Aires, Buenos Aires, Argentina 2002 “Short Guide”, texts by Bice Curiger, publication by Thomas Hirschhorn and Barbara Gladstone Gallery, New York “A World History of Art”, Hugh Honour and John Fleming (eds.) "Kunst expansiv", Lindinger + Schmid Verlag, Regensburg, Germany “Art Since 1960, new edition”, text by Michael Archer, Thames & Hudson “Oeuvre et lieu”, essays and documents, Flammarion “Art Now, 137 Artists at the Rise of the New Millenium”, Uta Grosenick and Burkhard Reimschneider (eds.), Taschen “Le livre du Frac-collection Aquitaine, panorama de l’art d’aujourd’hui”, éditions Le Festin, France “Basics”, Kunsthalle Bern, Bern, Switzerland “La commande publique”, Minstère de la culture et communication, Délégation aux arts plastiques, France “Public Affairs. Von Beuys bis Zittel : Das Öffentliche in der Kunst”, Kunsthaus Zürich, Zürich, Switzerland “Kunst expansiv, zwischen gegenkultur und museum”, Reihe, Lindinger & Schmid Verlag, Germany “The Empire of the Senses”, Thames & Hudson, London 2001 “Material: Public Works–The Bridge 2000”, edited by Book Works and Whitechapel Art Gallery, London “Beelende Kunst, Collection of Flemish Community Acquisitions 1996/1997/1998”, Editions Sabam “A Small Museum and a Large Library of Contemporary Art”, Parkett Collaborations & Editions since 1984, Parkett Publishers “Public Art, Kunst im "ffentlichen Raum”, Florian Matzer, Hatje Cantz Verlag “Spinoza Monument”, Point d’Ironie, published by Agnès b "Colección fundación ARCO”, Centro Galego De Arte Contemporánea, Spain "Across/Art/Suisse/1975-2000", Lionel Bovier, Skira/Seuil “Le prix Marcel Duchamp 2000”, text by Jean-Charles Masséra, ADIAF “Art contemporain, un choix de 200 oeuvres du Fonds national d'art contemporain (1985-1999)”, éditions du Chêne, France 2000 “Deleuze-Monument, les documents, La Beauté”, Avignon 2000, publication by Thomas Hirschhorn “Material Public Works-The Bridge 2000”, Thomas Hirschhorn, Bookworks “Jumbo Spoons and Big Cake”, The Art Institute of Chicago, Chicago, IL “World Airport”, texts by James Rondeau, Hamza Walker, interview by Okwui Enwezor, The Renaissance Society at The University of Chicago, Chicago, IL “French Theory in America”, text by Alison Gingeras, Routledge, London “La Beauté”, Mission 2000 en France, Avignon, Flammarion, text by Thomas Hirschhorn “Rendez-vous”, Collection Lambert, H"tel de Caumont, Avignon, éditions Actes Sud, text and contribution by Thomas Hirschhorn “Orbis Terrarum, Ways of Worldmaking”, Antwerpen Open, Antwerp, éditions Ludion Ghent, text by Thomas Hirschhorn “La forma del mondo / La fine del mondo”, text by Thomas Hirschhorn, Padiglione d’Arte Contemporaneo, Milan, éditions Medusa “Protest & Survive”, Whitechapel Art Gallery, London, contribution by Thomas Hirschhorn “Vivre sa vie”, Glasgow, artistic contribution, text by Jean-Charles Masséra “Vision Machine”, Musée des Beaux-Arts de Nantes, Nantes, France “Partage d’exotisme”, Biennale de Lyon, Lyon, France “Eiszeit”, Kunstmuseum Bern, Bern, Switzerland “Aller Anfang ist Merz – Von Kurt Schwitters bis Heute”, Sprengel Museum, Hannover, Germany “Utopie concrète, 10 ans, vingt-neuf expositions”, Espace de l’Art Concret, Mouans-Sartoux, France “Continental Shift”, Ludwig Forum, Aachen, Germany “Collections 1989/1999, Frac PACA, France “Ein /räumen, Arbeitien im Museum”, Hamburger Kunsthalle, Hamburg, Germany “La santé des restes”, Musée Ziem, Martigues, France “Les rumeurs urbaines, etat des lieux #2”, Centre d'art contemporain Fribourg, Fribourg, Switzerland “Unerwünschte Monumente, Moderne Kunst im Stadtraum”, Verlag Silke Schreiber, Munich, Germany 1999 “Calendrier 1999”, edited by Portikus “World Corners: United Emmerdements of New Order”, Musée d’Art Moderne de Saint-Etienne, text by Jean-Charles Masséra “Thomas Hirschhorn”, Käthe Walser, 4. Bauetappe, Kunst an der Universität, Zürich-Irchel “Doug Aitken, Nan Goldin, Thomas Hirschhorn”, Parkett, no. 57, Parkett Publishers, texts by Robert Fleck, Alison Gingeras, Philippe Vergne, Marcus Steinweg “France, une nouvelle génération”, ADIAF, text by Pascal Beausse “Hypothèses de collection”, Musée du Luxembourg, text by Thomas Hirschhorn “Dreams”, edited by Francesco Bonami and Hans-Ulrich Obrist, Fondazione Sandretto Re Rebaudengo per l’Arte, Castelvecchi, text by Thomas Hirschhorn “Thomas Hirschhorn, Käthe Walser”, Kunst an der Universität, Zürich-Irchel, text by Bernhard Fibicher “La Biennale di Venezia, 48a Esposizione Internazionale d’arte, dAPERTutto”, Venice, Italy “Le Repubbliche dell’Arte – Svizzera”, Centro d’Arte contemporanea, Palazzo delle Papesse, Sienna, Italy “The End of the World – the principe who hope”, Kunsthaus Zürich, Zürich, Switzerland “Zone [Espèces d’Espaces]”, Fondazione Sandretto Re Rebaudengo, Guarene d’Alba, Italy “Another Swiss Panorama” 8e Biennale de l’Image en Mouvement, Centre pour l’image Contemporaine, Saint-Gervais Genève, Geneva, Switzerland “Mirror’s Edge”, Bildmuseet, Umea, Sweden 1998 “Swiss Army Knife”, Kunsthalle, Berne, text by Bernhard Fibicher “Rolex etc.”, Freundlichs Aufstieg und Skulptur-Sortier-Station-Dokumentation, Museum Ludwig, Cologne, text by Marcus Steinweg “Ein Kunstwerk, ein Problem”, Portikus, Frankfurt, text by Angelika Nollert “Thomas Hirschhorn-London Catalogue”, Chisenhale Gallery, London, text by Alison Gingeras “33 Ausstellungen im "ffentlichen Raum”, Schweizerische Graphische Gesellschaft, Zürich “Freie Sicht aufs mittelmeer”, Kunsthaus Zürich, Zürich, Switzerland “Premises: Invested Spaces in Visual Arts & Architecture from France, 1960s-1990s”, Guggenheim Museum, New York, NY “Unfinished History”, Walker Art Center, Minneapolis, MN 1997 “Prospectus et Anthropologie I”, Galerie Chantal Crousel, Paris, text by Manuel Joseph “Visitez Lascaux III”, texts by Hervé Legros and Adrian Morel, Frac Aquitaine, France “Parisien(ne)s”, Camden Arts Centre, London, texts by Hou Hanru and Thomas Hirschhorn “Skulptur. Projekte in Münster 1997“, Gerd Hatje, Münster, text by Thomas Hirschhorn “Ici et maintenant”, Parc de la Villette, Paris, éditions Actes Sud, text by Thomas Hirschhorn “Ici et maintenant (épilogue)”, Parc de la Villette, éditions Actes Sud, texts by Thomas Hirschhorn and Bruno Rézaire “Fort ! Da ! Cooperations”, Villa Merkel, Esslingen am Neckar, Germany “Nonchalance”, Centre PasquART, Bienne, Switzerland “Delta”, Musée d’Art Moderne de la Ville de Paris, Paris, France “Projekte der Galerie im KünstlerHaus Bremen, April 1996-Dezember 1997”, KünstlerHaus Bremen, Bremen, Germany 1996 “Thomas Hirschhorn”, Virus–Ausstellung, Arndt & Partner, Berlin, Germany “Thomas Hirschhorn”, In Rahmen der Ausstellung, Galerie Susanna Kulli, St. Gallen, Switzerland “Thomas Hirschhorn”, Bilbao catalogue, Journal de l’Institut Français de Bilbao, no. 5, April-May-June “Thomas Hirschhorn”, Kunstmusem Luzern, Luzern “Georg Winter, Thomas Hirschhorn”, Vor Ort, Kunst in Städtischen Situationen, Langenhagen, text by Peter Herbstreuth “Thomas Hirschhorn W.U.E. World-Understanding-Engine”, Rekalde 2, Bilbao, text by Daniel Castillejo & Pascale Cassagnau “Stilleben – nature morte – Natura Morta – Still life”, Helmhaus Zürich, Zürich, Switzerland "XIIe Ateliers du FRAC des Pays de la Loire", conversation with Pierre Leguillon, Saint-Nazaire, France Bibliography (Newspapers and Periodicals) 2007 Downey, Anthony, “Thomas Hirschhorn”, Flash Art, July-September, pg. 134 icon, issue 046, April www.kultureflash.com, issue 198, March 28 “Thomas Hirschhorn – Substitution 2 at Stephen Friedman Gallery”, www.artvehicle.com, Issue 12, March 23 Coomer, Martin, “Thomas Hirschhorn”, Time Out London, March 20 Hubbard, Sue, “This is the father of all battles”, The Independent, March 14 Westcott, James, ArtReview: blog, March 13 Hirschhorn, Thomas, Eternal Flame, Artforum, Vol. 45, No. 7, March Hirschhorn, Thomas, “Wo Stehe ich? Was will ich”, Basler Zeitung, January 22 Hirschhorn, Thomas and Steinweg, Marcus, “Correspondance email au sujet de la conférence sur Spinoza, Melbourne, Septembre 2006”, Checkpoint no. 1, Arndt & Partner, Berlin, January-April Rattemeyer, Christian, “27th São Paulo Bienal”, Artforum, Vol. 45, no. 6, February Désanges, Guillaume, “Art in public spaces: space, time, etchics, passion”, le Journal de la Manifestation de Madrid Abierto, February 2006 Marangou, Maria, “The Grand Promenade”, Eleftherotypia, October 10 “The Critics’ Top 100 Artists”, Flash Art, Vol. 39, No. 250, October Rosler, Martha and Hirschhorn, Thomas, “War”, Wrong Times Hirschhorn, Thomas, “Power of Brazil”, edition of work on paper for “Porno”, Texte Zur Kunst, December Hirschhorn, Thomas, “Nail & Wire” insert, Hors d’œuvre, no. 17 Herzberg, Nathaniel, “Quand l’art agite la cité”, Le Monde, January 11 de Llano, Pedro, “The show must go on”, La Vanguardia, Culturas, January 18 Bran, Xosé M. Buxán, “A arte insubmisa de Thomas Hirschhorn na Serralves”, Cultura, January 19 “Shock and Awe”, Time Out New York, January 26 Saltz, Jerry, “Killing Fields”, Artnet, January 27 Douglas, Sara, “The AI interview: Thomas Hirschhorn”, Artinfo, January Duenas, Issa Ma Benitez, “In conversation with Thomas Hirschhorn”, Dardo, no. 1, January Yablonsky, Linda, “Hirschhorn’s Dead Bombers, War Headlines, Nailed Mannequins”, Bloomberg News, February 1 Schmitz, Rudolf, “Sein Altar kommt aus dem Baumarkt”, Faz, February 1 Hénard, Jacqueline, “Was Hirschhorn in die Banlieue bringt”, Tages- Anzeiger, February 6 Johnson, Ken, “A Vivid Potpourri With Carnage at Its Core and an Aside of Transcendentalism”, The New York Times, February 7 Bishop, Claire, “The social turn: collaboration and its discontents”, Artforum, no. 6, February Ramirez, Nicollette, “Thomas Hirschhorn”, The New York Art World, February Wolinski, Nathacha, “Dur droit de cité”, Beaux Arts magazine, February Zerbib, David, “Surface de résistance”, Les lettres françaises (supplement with l’Humanité), February 28 Berwik, Carly, “Peace, Love, and Misunderstanding”, Artnews, vol. 105, no. 2, February Joselit, David, “Thomas Hirschhorn”, Artforum, no. 7, March Barth, Siegfried, “Das Gebrabbel der westlichen Welt”, Neue Presse, March 24 Glanz, Alexandra, “Friede schäumt”, Hannoversche Allgemeine Zeitung, March 24 “Plastikhände im Schaum”, Hessische Allgemeine, March 28 Jasper, Martin, “Särge als Ausdruck des Lebens”, Braunschweiger Zeitung, March 29 “Raum füllende Skulptur will provozieren”, Hannoversches Wochenblatt, March 29 “Vom Ritual des Sargtragens inspiriert”, Mindener Tageblatt, March 29 Zimmer, Klaus, “Jeglicher Moralismus ist ihm zuwider”, Dewezet, March 31 Chapuis, Yvane, “Avant-Propos, Thomas Hirschhorn – Musée Précaire Albinet”, Nouvelles de l’Icom, vol. 59, no. 1 “Thomas Hirschhorn, The Procession”, Stadkind, March Eggers, Katja, “Mission mit einfachen Mitteln”, Schädelspalter, March Shulman, Ken, “Thomas Hirschhorn”, ArtNews, March Cervasio, Stella, “Una bara con 250 orologi, l’arte scomoda di Hirschhorn”, La Repubblica, April 5 Trione, Vincenzo, “Hirschhorn, un archeologo del presente”, Il Mattino, April 7 Baker, Kenneth, “Artists reveal slivers of information in S.F. shows”, San Francisco Chronicle, April 8 Pepe, Anita, “Hirschhorn, il dolore della guerra”, Roma, April 8 de Stefano, Stefano, “Thomas Hirschhorn, una bara verde per protestare contro le ingiustizie”, Corriere del Mezzogiorno, April 11 Fischer, Jack, “Discomforting Fun House”, San Jose Mercury News, April 16 Schmitz, Rudolf, “Thomas Hirschhorn visuelle Protestmärsche”, Monopol, April-May Windlin, Sabine, “Beim Staatsfeind no. 1”, Das Magazin, no. 17, April 29– May 5 Savini, Mario, “Thomas Hirschhorn”, Extrart, no. 26, May-June Viola, Eugenio, “Thomas Hirschhorn”, Segno, no. 208, May-June Elisabeth, Bruno, “Thomas Hirschhorn: Musée Précaire Albinet”, Critique d’Art, no. 27, Spring Volk, Gregory, “Shock of the News”, Art in America, no. 6, June-July Derouard, Hugues, “Hirschhorn investit le Creux de l’Enfer”, La Montagne, July 6 Tarzan & Jane, “Guerra, Thomas Hirschhorn e Martha Rosler”, Domus, no. 894, July-August van Huisseling, Mark, “Der B-Movie”, Die Weltwoche, no. 33, August 17 Buchloh, Benjamin H. D., “Entretien avec Thomas Hirschhorn”, Le Journal des Laboratoires des Laboratoires, no. 6, September von Viereck, Matthias, “Spitzenalternative im untergrund”, Zitty, September 28 Klix, Bettina, “Zufälling installiert, Erinnerungen an Ingeborg Bachmann”, Junge Welt, October 18 Cohen, Lorette, “A Sao Paulo, les artistes interrogent le social”, Le Temps, October 24 Urmeneta, Juan Bosco Díaz, “Inhóspita globalización”, Diario de Sevilla, October 28 Cuisinier, Pascal, “Concretion”, Art 21, no. 9, Autumn Cervasio, Stella, “Trentadue all stars al Pan lavorano fianco a fianco “, La Repubblica, December 13 Bonami, Francesco and Kersting, Rita, “Best of 2006”, Artforum, no. 4, December Stech, Fabian, “The Unhomely – Phantom Scenes in Global Society”, Kunstforum, no. 183, December–February Dronsfield, Jonathan Lahey, “Kopflos I Hirschhorns Klassrum”, Paletten, no. 4, #266 2005 Smith, Roberta, “Hidden in Plain Sight: Unity, Cloaked in a Web of Camouflage”, The New York Times, October 7, pp. E35-E39 Buchloh, Benjamin H. D. “An Interview with Thomas Hirschhorn”, October 113, Summer, pp. 77-100 Bryson, Norman, “Books”, Frieze, Summer, pp. 110-115 Smith, Terry, “Primacy, Convergence, Currency”, Art Papers, May/June, p. 23 Egenhofer, Sebastian, “Form und Produktion”, Texte Zur Kunst, March, pp. 196-200 Lafuente, Pablo, “Thomas Hirschhorn”, Frieze, April, pp. 109-110 Rian, Jeff, “Swiss Diss” Artforum, February, p. 68 Desanges, Guillaume, “Thomas Hirschhorn”, Exit Express, March, pp. 6-7 Hirschhorn, Thomas, “Shrine On”, Sleek magazine, Issue 9, Winter Hirschhorn, Thomas, “Emergency Library”, Old News, no. 2 Hirschhorn, Thomas, “Utopia, Utopia=One World, One War, One Army, One Dress”, Gagarin, no. 12 Kielmayer, Olivier, “Le public blasé”, Art Suisse Riding, Alan, “Swiss democracy: a critique and a uproar”, International Herald Tribune, January 4 Samoyault, Thiphaine, “Souvenir bref du musée précaire Albinet, plus un commentaire”, Le Journal des Laboratoires, no. 3, January Fiat, Christophe, “Un sujet flambant neuf – Andy Warhol”, Le Journal des Laboratoires, no. 3, January Haidu, Rachel, “Les Utopies précaires de Thomas Hirschhorn”, Le Journal des Laboratoires, no. 3, January Couto, Rodrigo Carrizo, “Un eposición en París provoca una tormenta política en Suisa”, El País, January 6 Sigg, Oswald, “Wegen Brandgefahr verboten”, Das Magazin, January 22-28 Sennewald, Jens, “Die Kunst als Antithese der Demokratie”, Kunst Bulletin, January-February De Saint-Do, Valérie, “Hirschhorn met le feu au lac”, Cassandre, no. 60, Winter De Righi, Roberta, “Thomas Hirschhorns Skulpturen in der Dritten Pinakothek”, SZ, March 3 De Righi, Roberta, “Ohnmächtig im Potenz-Kerker”, Abendzeitung, March 3 Oliv, Freia, “Atomare Bedrohung in der Garage”, Münchner Merkur, March 4 G"ricke, Jutta, “Das libidin"se Verhältnis zum Vorschlaghammer”, SZ, March 4 Frey, Lilith, “Triefende Bücher”, Blick, no. 114, March 8 Erfle, Anna, “Im schaurig-sch"nen Hobbyraum der Phantasie”, SZ Extra, March 9 Altmann, Alexander, “Budenparadies”, Bayerische Staatszeitung, March 11 Goetz, Joachim, “Raumgreifend und provokativ”, Straubinger Tagblatt, March 16 Jelcic, Ivona, “Verweigerer auf Kurzbesuch”, Die NEUE, March 31 Durán, Isabel, “I shall no compromise”, Art.es, March Désanges, Guillaume, “Quiero enfrentar al espectador con el caos”, Exit Express, March Bellei, Gianluigi, “Swiss-Swiss Democracy, Thomas Hirschhorn a Parigi”, Cenobio: rivista di cultura Svizerra Italiana, January-March Fiat, Christophe, “La guerre de Thomas Hirschhorn”, Mouvement, no. 33- 34, March-June Ardenne, Paul, “Thomas Hirschhorn ou l’artiste donneur de leçons”, Archistorm, no. 12, March-April Schlocker, Edith, “Was ihn interessiert, ist das Prekäre”, Tiroler Tageszeitung, no. 76, April 2-3 “Thomas Hirschhorns in der Pinakothek der Moderne”, Kunst 21, no. 74, April 9 Janevska, Ana, “Thomas Hirschhorn u Parizu”, Panorama, April Michelon, Olivier, “Swiss-Swiss Democracy, interview met Thomas Hirschhorn”, Metropolis M, April-May Legrand, Dominique, “Thomas Hirschhorn, maître à penser”, Le Soir, May 3 Sattler, Amandus, “Thomas Hirschhorn”, AIT, no. 41, May Funke, J"rn, “Grabhügel aus Pappmaché”, Westfälischer Anzeiger, no. 44, May 25 Moisdon, Stéphanie, “Thomas Hirschhorn, Palais de Tokyo, Paris”, Frog, no. 1, Spring-Summer Mouton, Joseph, “Sur Thomas Hirschhorn et l’art (post-)politique”, Corps 9, June Sam, Sherman, “Paris: Centre Culturel Suisse”, Contemporary, no. 73, June Hirschhorn, Thomas, “Bataille Monument: an experience”, Trouble, English edition, no. 1, June Renninger, Suzann-Viola, “Nur Kunst hat die Kraft”, Schweizer Monatshefte, no. 6/7 Gockel, Cornelia, “Thomas Hirschhorn, Doppelgarage”, Kunstforum, no. 176, June-August Davidts, Wouter, “Thomas Hirschhon”, De Witteraaf, no. 116, July-August Pohlen, Annelie, “Thomas Hirschhorn, Anschool”, Kunstforum, no. 176, June-August Stech, Fabian, “Sex and Drugs and Rock’n Roll”, Kunstforum, no. 176, June-August Lindgaard, Jade, “Le journal de Swiss-Swiss Democracy”, Magazine, Summer “Thomas Hirschhorn”, Re/Fuse 04, Summer G"ricke, Jutta, “Ich bin ein Soldat”, Süddeutsche Zeitung, no. 58, July 13 Schwarze, Dirk, “Arbeit mitten in der Stadt, 50 werke aus 50 Jahren documenta: 2002: Thomas Hirschhorn”, KSS, August 10 Hirschhorn, Thomas, “Es ist dumm, sich einschütern zu lassen”, Blick, August 13 Schellenberg, Samuel, “Art et utopie, flirt pudique”, Le Courrier, September 3-4 Rabinowitz, Nancy, “We are one world”, Fall Public, September 25 Powers, Keith, “Chaotic ICA exhibit is ‘Utopia’ for clutter-bugs”, Boston Herald, September 26 Millis, Christopher, “Warring impulses”, Boston Phoenix, September 30 Nunez-Fernandez, Lupe, “Ready-to-war”, Art Review, September Sundell, Margaret, “Thomas Hirschhorn”, Artforum, September McQuaid, Cate, “The Art of War”, The Boston Globe, October 5 Ledogar, Kate, “Thomas Hirschhorn at the ICA”, Boston Weekly, October 12 Liu, Franklin W., “Are you hidding in Plain Sight?”, Somerville News, October 19 Campiotti, Alain, “Hirschhorn déserte en Amérique”, Le Temps, October Faria, "scar, “A arte deve permanecer incontrolável, insubmissa”, Público, November 4 Martin, Laura, “Thomas Hirschhorn”, Neo 2, November Teixeira, Goreti, “Serralves transformado em escola”, Primeiro de Janeiro, November 7 “Le Teaser & Le Joker”, Métronome, no. 9, Autumn Corcier, Marjorie, “Le livre de la folle aventure du Musée précaire”, Le Parisien, December 6 Padín, Román, “El Espacio escultórico”, El Correro Gallego, December 11 Barro, David, “El discurso excedido de Thomas Hirschhorn”, El Cultural, December 15 2004 Lafuente, Pablo, “What’s Happening”, Art Review, October, p. 17 Hirschhorn, Thomas, “Love and Work”, Artforum, October, p. 153 Pacquement, Alfred, “The Precarious Museum”, Tate Etc., Autumn, pp. 44-47, ill. Garrett, Craig, “Thomas Hischhorn, Philosophical Battery”, Flash Art, October, Italy, pp. 90-93, ill. Arratia, Euridice, “My Work is Work”, Tema Celeste, September/October, pp. 66-71 Basualdo, Carlos, “Rules of Engagement”, Arforum, March, p. 166 Downey, Anthony, “Review: Stephen Friedman Gallery, London”, Contemporary, no. 62, pp. 67-68 Galvez, Paul, “Review: Thomas Hirschhorn, Galerie Chantal Crousel”, Artforum, May, p. 220 Von Weil, Claudius, “New Hollywood: Erbschaft und Revolte”, Film no. 1, Spring Estep, Jan, “Reading Hirschhorn: A problem of (his) knowledge, or Weakness as a virtue”, Afterall, no. 9, pp. 83-89 Sheikh, Simon, “Planes of immanence, or The form of ideas: Notes on the (anti-) monuments of Thomas Hirschhorn”, Afterall, no. 9, pp. 90-98 “Thomas Hirschhorn”, Art & Ambiente, no. 10 Michelon, Olivier, “Le secret de la grande pyramide”, Le Journal des Arts, no. 184, January, pp. 9-22 Colard, Jean-Max, “La bataille de la phrase”, Les Inrockuptibles, no. 424, January, pp. 14-20 Prekäre, Mickein, Iris, “Situationen Reale Konfrontationen”, Kunstforum, no. 168, January/February Bédarida, Catherine, "Hirschhorn, en verve", Le Monde, Culture Guide, January 31 Youssi, Yasmine, "Chalet Lost History", Zurban, February 18-24 Candeal, Iria, "Thomas Hirschhorn", Exit Express, no. 3, May Henry, Corinne, "Les Duchamps en vitrine", Rézo International, no. 14, Spring-Summer Roche, François, "Parole d'artiste: Thomas Hirschhorn", Culture International Europe, no. 42, August-September Hirschhorn, Thomas, "Projet Foucault", Mouvement, no. 30, September-October "Nie Bede juz wiecej wystawiat w szwajcarii", Fluid, no. 46, November Hirschhorn, Thomas, “My Warhol”, ArtForum, special issue, “This is Today, Pop after pop”, October “Thomas Hirschhorn”, Art & Ambiente, no. 10 “Thomas Hirschhorn”, Aden, February 11 “Thomas Hirschhorn, Hollywood Democracy”, Film #01, February Herbert, Martin, “Thomas Hirschhorn : Mind Over Matter”, Contemporary, no. 61 Basualdo, Carlos and Laddaga, Reinaldo, “Rules of Engagement”, ArtForum, March Güner, Fisun, “Leave the unpacking”, Metro, March 9 Anderegg, Roger, “Ich versteh überhaupt nicht, dass jemand seine Wohnung designen will”, Trend, March 14 Kent, Sarah, “Thomas Hirschhorn”, Time Out, March 24–31 Wilsher, Mark, “Thomas Hirschhorn: Unfinished Walls”, What’s on in London, March 24–31 Medeiros, Frédéric, “Dali emménage au Landy”, Aubermensuel, no. 138, April Medeiros, Frédéric, “Bienvenue chez Salvador Landy!”, En Commun, no. 9, April Seigle, Blandine, “Un Beaubourg éphémère au pied de la cité”, Le Parisien, April 19 Moulène, Claire, “C’est arrivé près de chez vous”, Les Inrockuptibles, April 19 Seigle, Blandine, “Premier vernissage réussi au Beaubourg éphémère”, Le Parisien, April 21 Giuliani, Emmanuelle, “A Aubervilliers, musée rime avec cité”, La Croix, April 23 Corcier, Marjorie, “Les ateliers d’écriture inspirent les jeunes de la cité Albinet”, Le Parisien, April 30 Medeiros, Frédéric, “Coup de maître au Landy”, Aubermensuel, no. 139, May Windlin, Sabine, “Ich Kämpfe gegen den Schnellkonsum”, NZZ am Sonntag, May 2 Lequeux, Emmanuelle, “Thomas Hirschhorn: un petit arpent d’utopie”, Aden, May 5-11 Laurens, Camille, “Une vie précaire, c’est un pléonasme”, Livres Hebdo, no. 556, May 7 Kleiber, Marie-Anne, “DE l’art au pied de la barre HLM”, Le journal du Dimanche, May 9 Mongaillard, Vincent, “Dali, c’est gratuit”, Le Parisien, May 12 Thibault, Mélanie, “L’art au pied de la cité”, Zurban, no. 195, May 19 Seigle, Blandine, “Dali exposé dans un préfabriqué”, Le Parisien, May 16 Chapuis, Frédérique, “Vive la précarité”, Télérama, May 26 Mongaillard, Vincent, “Warhol: du musée Beaubourg au musée précaire”, Le Parisien, June 2 Meunier, Philippe, “Albinet, c’est fouuuuu”, Aubermensuel, no. 140, June “Dernière semaine du musée Précaire à Aubervilliers”, Le Parisien, June 9 Burton, Johanna, “The ‘Urmaterial’ Urge”, Parkett, no. 70 Veil, Emmanuel, “Le Musée Beaubourg délocalisé chez les sauvageons”, Charlie Hebdo, June 16 Corcier, Marjorie, “Le Musée précaire a réussi son pari”, Le Parisien, June 17 Ardenne, Paul, “Le Musée précaire Albinet à Aubervilliers”, 02, Summer Hirschhorn, Thomas, “A propos du Musée Précaire Albinet, à propos d’un travail d’artiste dans l’espace public et à propos du r"le de l’artiste dans la vie publique”, Le journal des Laboratoires d’Aubervilliers, no. 2, May Hirschhorn, Thomas, “Ich Werde nicht mehr in der Schweiz ausstellen”, Kunst-Bulletin, Summer De Saint-Do, Valérie, “le Musée de M. Thomas”, Cassandre, no. 58, Summer Bacchetta, Véronique, “Musée Précaire Albinet”, Purple Fashion, Autumn- Winter Dagen, Philippe, “24 heures de suractivité pour Michel Foucault”, Le Monde special edition, September 12-13 Corcier, Marjorie, “L’inventeur du Musée précaire d’Aubervilliers sera de la fête”, Seine-Saint-Denis Matin, September 14 Moulène, Claire, “Foucault à l’oeuvre”, Les Inrockuptibles, no. 461, September 29 “24 heures Foucault de Thomas Hirschhorn”, Aden, September 29-October 5 Renault, Gilles, “Les 24 heures démentes de Foucault”, Libération, October 4 Hirschhorn, Thomas, “Se connecter”, Le Magazine Littéraire, no. 435, October Colard, Jean-Max and Lindgaard, Jade, “After Show, 24h Foucault”, Les Inrockuptibles, October 13 Moisdon, Stéphanie, “Foucault surexposé”, Beaux-Arts Magazine, no. 245, October Trembley, Nicolas, “Périphérie”, Numéro, October Schellenberg, Samuel, “Anker?, Holder?, Euh..., non Thomas Hirschhorn”, Le Courrier, December 4 Meltzer, Burkhard, “Hirschhorn ud der Exzess des Denkens”, Tages Anziger, December 7 Wolf, Laurent, “Thomas Hirschhorn, son oeuvre mérite considération”, Le Temps, December 9 Sauzedde, Stéphane, “Au centre de l’oeuvre de Thomas Hirschhorn: la notion de multitude”, Plastik, no. 4, Autumn Mahler, Annemarie, “Chaotischwie eine WG”, Blick, December 10 Teuwsen, Isabelle, “Kunst mit herzblut”, Schweizer Illustrierte, December 13 Boulianne, Françoise, “L’homme au coeur du scandale“, L’Illustré, no. 51, December 15 Lindgaard, Jade and Colard, Jean-Max, “Mission: tenir le siège”, Les Inrockuptibles, no. 472, December 15 Magnaguagno, Guido, “Von Schwitters bis Hirschhorn”, Baz, December 16 Broizat, Florence, “Effervescence démocratique”, Télérama Sortir, December 22-28 Lequeux, Emmanuelle, “Thomas Hirschhorn : la Suisse par la face nord”, Aden, December 22–January 4 Riding, Alan, “Dissecting Democracy, Swiss Artist Stirs Debate”, The New York Times, December 27 Wolf, Laurent, “Un inconnu du grand public qui a gagné sa place en costaud”, Le Temps, December 31 2003 “Philosophie und Fliegenfänger”, TIP 01/03, January 2 Berg, Ronald, “Ich will streng sein”, Zitty, January 9–January 22, no. 2 D"ring, Alexander, “Doppelgarage”, Kodensat, no. 15, January Rosset, Yves, “Philosophie in der Garage”, Die Tageszeitung, January 23 Joos, Jean-Ernest, “Etre un parmi d'autres. L'unicité de l'artiste face à l'anonymat”, Parachute, no. 109, January-February-March Eggel, Caroline, “Thomas Hirschhorn in der Galerie Arndt & Partner”, Kunst-Bulletin, January-February, no. 41 Trione, Vincenzo, “Hirschhorn, l'arte racconta il disastro delle megalopoli contemporanee”, Il Mattino February 2 de Stefano, Stefano, “Un viaggio dentro un sud pacifista”, il Corriere del Mezzogiorno, February 2 Wilson, Michael, “Caves of New York”, Artforum, no. 6, February Herbsteuth, Peter, “Zoo mal so”, Der Tagesspiegel, February 22 Tecce, Angela, “Emergenza in galleria, Il Piano B di Hirschhorn”, Vernissage, no. 36, March Bethany, Anne, “Pappalardo, Thomas Hirschhorn, Barbara Gladstone Gallery”, Tema Celeste, March-April, no. 96 Herbstreuth, Peter, “Thomas Hirschhorn, Doppelgarage”, Kunstforum, no. 164, March-May “Bataille Monument, une experience”, text by Thomas Hirschhorn, Trouble no. 3, Spring-Summer Marcadé, Bernard, “G.N.S. leçon de géo au Palais de Tokyo”, Beaux-Arts Magazine, July Uzel, Jean-Philippe, “Thomas Hirschhorn et la démocratie radicale”, Parachute, July/August/September Kruse, Maren, “Von Glamour und Krieg”, Kieler Nachrichten, August 27 Gardner, Belinda Grace, “Die Türken sind mittendrin”, Die Welt, August 28 R"nnau, Jens, “Accessoires als Zeichen der Identifikation”, Schleswig Holsteinische Landeszeitung, August 28 Rappolt, Mark, “Studio, Thomas Hirschhorn”, Tate, arts and culture, no. 7, September-October Texte zur Kunst, édition no. 51, September Costanzo, Alexandre et Daniel, “La politique des idiots”, Autumn, no. 1 Macel, Christine, “Dada et moi”, Les Cahiers du Musée National d’art Moderne, no. 85, Autumn “Politics of Pleasure”, AS, no. 168, October, November, December Griese, Horst, “Im Niemandsland der Weltwidersprüche”, Weserkurrier, October 27 de Smet, Catherine, “je trouve ça beau, que faire?”, Art Press, November, no. 295 Mullins, Charlotte, “Interactive community of artworks”, Financial Times, November 5 Cumming, Laura, “Anyone for ping-pong”, Guardian Unlimited, November 9 Jones, Jonathan, “I Have seen the future and it bounces”, Guardian Unlimited, November 11 Goodall, Anna, “From pool to ping-pong, common wealth at Tate Modern”, 24 Hour Museum, November 12 “Turning the tables”, Tate, arts and culture, Issue 8, November-December Appel, Stefanie, “Was uns Pilze über Nietzsche sagen”, Prinz, December Peschke, Marc, “Ungemütlich: die Wunden der Welt”, Frankfurter Rundschau, December 4 Pisano, Hortense, “Moralfreier Kunstraum”, Journal Frankfurt, December 5 Hierholzer, Michael, “Das Reich des Bastlers”, Frankfurter Allgemeine, December 10 Nicol, Gabrielle, “Nietzsche zwischen Werkzeugkasten und Spielzeugeisenbahn”, Frankfurter Neue Presse, December 10 Fischer, Katinka, “Pilze gegen den Krieg”, Wiesbadener Kurier, December 10 Buhr, Elke, “Verweigerung”, Frankfurter Rundschau, December 12 Nowak, Christine, Botschaften aus der Garage, Offenbach Post, December 13 Teutsch, Olivier, “Symbol für kontemplatives Werkeln”, Rhein-Zeitung Allgemeine, December 13 Boudier, Laurent, “Quand l’histoire s’emballe”, Télérama, December 13 “Die besten Ausstellungen 2003”, Tages Anzeiger, December 16 Pisano, Hortense, “Von den konspirativen Rückzugsorten der Schirn”, Mannheimer Morgen, December 16 Spinelli, Claudia, “Der Kampf ist nie zu Ende”, Die Weltwoche, December 18 Huther, Christian, “Eisenbahn zwischen Pilzen”, Allgemeine Zeitung, December 19 Sojitrawalla, Shirin, “Der H"llenheimwerker”, Die Zeit, December 22 de Wavrin, Isabelle, "Art Basel Miami Beach. Pari Gagné", Beaux Arts Magazine, no. 225, February ”Qu’est ce que la philosophie”, Texte zur Kunst, no. 51, September Wülfen, Thomas, "Beyond Mission Impossible", Janus, no. 14, Summer Awards 2007 Dutch Association Internationale des Critiques d'Art Award 2006 Prix Aica pour Anschool, the best exhibition of the last three years in the Netherlands, awarded by Dutch Aica 2005 Prize for the best œuvre, Art Awards 2005, awarded by Beaux-Arts Magazine 2004 Joseph Beuys-Preis, awarded by Joseph Beuys-Stiftung, Basel, Switzerland 2003 Rolandpreis für Kunst im "ffentlichen Raum, awarded by Stiftung Bremer Bildhauerpreis, Bremen, Germany 2000 Prix Marcel Duchamp, awarded by l’ADIAF, Paris, France 1999 Preis für Junge Schweizer Kunst, awarded by Zürcher Kunstgesellschaft and Kunsthaus Zürich Lectures 2007 Ideas – Hard Work: Thomas Hirschhorn, Whitechapel Art Gallery, London Hayward Gallery, London Hayward Gallery, London Tate Modern, London Le Quai - Ecole supérieur d'art de Mulhouse, France Humboldt-Universität zu Berlin, Berlin Arndt & Partner Gallery, Berlin L'Ecole du Magasin, Grenoble (France) Städelschule, Frankfurt 2006 L'art dans la cite, organised by Les Mardis des 93, APPEL 93 Café "Le Relais", 61, rue Victor Hugo, Pantin, France University of Mannheim, Bronnbacher Stipendium Walker Arts Center, Minneapolis Le Musée, lieu d’intégration culturelle?, Auditorium du Louvre, Paris International conference on Spinoza, The Centre for Ideas, Victorian College of the Arts, Melbourne, Australia The Showroom Gallery, London Yale School of Art, New Haven Columbia University, New York 2005 Kunstraum, Innsbruck, Austria Universite Rennes 2, Department Art Plastiques Central Saint Martin’s College, University of the Arts, London Videos 1999 Integrated Videos, 15’ 1996 Remix Pizza M2-Social, le jour, 18’’ Tränen-Video, 10’’ Merci-Bus, 18’’ Femme avec larmes rouges, 10’’ Artist’s Scarves, 18’’ Invisible-Man, 10’’ Flipper avec larmes bleures, 18’’ How Far is Switzerland?, 10’’ Virus-Ausstellung, 18’’ Brülure des expositions virtuelles, 10’’ Stand, 18’’ Couverture bleue, 10’’ Kunsthalle prekär, 18’’ Strategie-W.U.E. 10’’ Jonas avec fleures, 18’’ Merci-Schleife, 10’’ Flipper avec larmes rouges, 18’’ PJ Harvey Video, 10’’ W.U.E.-World Understanding Engine, 18’’ Virus-Erklärung, 10’’ Merci-Bus II, 18’’ Marme-W.U.E. 10’’ Ruheraum mit Tränen, 18’’ Femme avec larmes bleues, 10’’ Guirlande de larmes, 18’’ Stand (Zeigefinger), 10’’ Tränentisch, 18’’ Braune Träne, 10’’ M2-Social, by night, 18’’ 1995 Vidéo compilation (clips) Prince and Me, 5’ Lust for Live (Claudia), 5’10’’ Rotes Tuch (Desire I), 6’10’’ Antifaschistischeaktion (Desire II), 6’10’’ Nice To Meet You, 13’40’’ Stars in the Sky, 4’ Moonlight Lady (wiegenlied), 3’20’’ 5-Bar Clips Robert Walser video, 4’ Thank You, 8’20’’ La cuisine des mousquetaires, 1’30’’ For Nelson Mandela (Biko), 7’ I Will Win, 4’30’’ 2 Tränen etc. 2 Tränen, 10’ Robert Walser Lektüre I, 4’ Robert Walser Lektüre II, 4’30’’ Otto FreundkichFan, 11’ Hallo-Schiff, 30’’ Video Documentaries 2005 Thomas Hirschhorn, Utopia, Utopia=One World, One War, One Army, One Dress, Edition ICA, Boston, MA Jours tranquilles au Musée Précaire Albinet, edition Artfilms 2000 Deleuze-Monument, Thomas Hirschhorn, La Beauté, Avignon, edition Artfilms 1999 Rencontre avec l’art contemporain, Thomas Hirschhorn, no. 1, avec la participation de Jean-Charles Masséra, édition Artfilms Workshops 2008 Workshop organized by Arte de Conducta, Havana, Cuba Le Quai-Ecole superier d’art de Mulhouse, France Sommerakademie, Zentrum Paul Klee, Bern, Switzerland Public Collections Collection Albers-Honegger, Mouans-Sartoux, France The Art Institute of Chicago, Chicago, IL Bard Museum, Bard College, Annandale-on-Hudson, NY Bonnefantenmuseum, Maastricht, the Netherlands Caisse des dép"ts et consignations, Mission Mécénat, Paris, France La Caixa, Barcelona, Spain Centre Pompidou, Musée national d’art moderne, Paris, France Centro Galego, de Arte Contemporánea, The Arco Foundation collection, Santiago de Compostela, Spain Direction régionale des affaires culturelles de Provence-Alpes-Cote d’Azur, Aix-en-Provence, France Fondation Lambert, Avignon, France Fondazione Marino Golinelli, Bologna, Italy Fonds d’Art Municipal Contemporain de la ville de Genève, Geneva, Switzerland Fonds National d’Art Contemporain, Paris, France Fonds Régional d’Art Contemporain, Aquitaine, Bordeaux, France Fonds Régional d’Art Contemporain, Corse, Corte, France Fonds Régional d’Art Contemporain, Lorraine, Metz, France Fonds Régional d’Art Contemporain, Provence-Alpes-C"te d’Azur, Marseille, France Institute of Contemporary Art, Boston, MA Instituto Portugues de Museus, Portugal K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany Kunsthaus Zürich, Zürich, Switzerland Kunstmuseum Basel, Switzerland Kunstmuseum St.Gallen, Switzerland Kunstmuseum Liechtenstein, Vaduz, Liechtenstein Mission Mécénat, Caisse des dép"ts et consignations, Paris, France Musée d'Art Moderne Grand-Duc Jean,