Tau Lewis features in 'No Humans Involved'
'No Humans Involved' showcases the work of seven emerging artists and collectives whose practices disrupt and interrogate Western modes of humanism, highlight the limits of corporeal identity, and prioritise the nonhuman or antihuman as a point of departure. Featuring works of sculpture, performance, installation, and multimedia by Eddie Aparicio, Tau Lewis, Las Nietas de Nonó, Sondra Perry, SANGREE, WangShui, and Wilmer Wilson IV.
These artists provide a contemporary response to Jamaican scholar and theorist Sylvia Wynter’s seminal text titled “‘No Humans Involved’: An Open Letter to My Colleagues”, 1992. The title refers to an internal code that was used by the Los Angeles Police Department, usually in relation to cases that disproportionately involved Black and Brown Angelenos who were often identified as sex workers, gang members, or drug traffickers. The code became public knowledge in 1992, shortly after the trial and ultimate acquittal of the four police officers charged with the use of excessive force in the brutal beating of Rodney King. In her open letter, written to her colleagues as a call to action, Wynter argues that academia is partly to blame for this horrific event and its aftermath, which forever changed the cultural and social landscape of Los Angeles, because academic institutions uphold and disseminate problematic constructs of race, gender, class, sexuality, and other categories that continue to overdetermine our lived experience and justify or deny our humanity.
'No Humans Involved' is organised by Erin Christovale, associate curator, with Vanessa Arizmendi, curatorial assistant.