Ilona Keserü was born in 1933 in Pécs, Hungary. She lives and works in Budapest, Hungary.
In the face of political and cultural adversity, Ilona Keserü’s organic style of abstraction developed in defiance of Soviet rule following the Hungarian Revolution of 1956. Keserü’s distinctive style combines modern abstraction with references to Hungarian folk culture and historic European imagery. Her use of colour, materials and soft forms draw comparison with artists such as Eva Hesse, Louise Bourgeois and Judy Chicago.
Anya Harrison, writer and curator, states: “For Keserü, the sensation of looking is always a haptic, bodily experience. Undulating lines – painted and appliquéd to surfaces or discernible in the shaped canvases themselves – are a reoccurring staple, redolent of the ebb and flow of waves or the wavelengths of light that determine and structure rules of perception. In fact, they’re a readymade form, taken from the idiosyncratic heart-shaped tombstones found in the cemetery of the small village of Balatonudvari which Keserü encountered in 1967; they have taken root in her practice ever since.” The erotic, corporeal associations connected with these forms are emphasised through her choice of colour, using fleshy pinks, lipstick reds and burnt oranges.
Keserü’s strong engagement with colour still remains at the core of her practice today, exploring the optical effects of combining specific pigments with one another. Her characteristic use of curved shapes is now accompanied by gestural, erratic brushstrokes and abstract swathes of paint.
In 2018, Stephen Friedman Gallery presented Keserü's first solo exhibition in London. In 2019, The Metropolitan Museum of Art in New York included a monumental wall hanging by the artist from their collection in the group exhibition ‘Epic Abstraction: Pollock to Herrera’.
Keserü's work features in the collections of numerous prominent institutions including Metropolitan Museum of Art, New York, USA; Ludwig Museum, Aachen; Nationalgalerie, Berlin; Ludwig Museum - Museum of Contemporary Art, Budapest, Hungary; Municipal Gallery - Kiscelli Museum, Budapest, Hungary; Francia Intézet, Budapest; Kassák Museum, Budapest, Hungary; Városi Művészeti Múzeum, Győr, Hungary; Modern Magyar Képtár II., Janus Pannonius Múzeum, Pécs, Hungary; National Museum of Modern Art, Seoul, South Korea; Szent István Király Múzeum, Székesfehérvár, Hungary; Ferenczy Múzeum, Szentendre; Fondation Károlyi, Vence, France; National Museum of Women in the Arts, Washington, USA and Zentralsparkasse und Kommerzialbank, Vienna, Austria.