Andreas Eriksson

Stephen Friedman Gallery returns to Art Basel with a curated presentation of new and historical works that have shaped, or contributed to, contemporary discourse. Artists in the presentation include Leilah Babirye, Jonathan Baldock, Sarah Ball, Huguette Caland, Kenturah Davis, Alexandre Diop, Melvin Edwards, Andreas Eriksson, Denzil Forrester, Sky Glabush, Pam Glick, Wayne Gonzales, Hulda Guzmán, Holly Hendry, Jim Hodges, Izumi Kato, Ilona Keserü, Ged Quinn, Deborah Roberts, Anne Rothenstein, Yinka Shonibare, Jaune Quick-to-See Smith, Caroline Walker, Clare Woods, Yooyun Yang and Luiz Zerbini.

Andreas Eriksson's solo exhibition 'The house leans, but the curtains hang straight' stages an encounter between nature and architecture. 

For Art Basel Hong Kong 2022, Stephen Friedman Gallery presents new paintings and works on paper by Andreas Eriksson.

Published by Swedish art association SAK, this expansive monograph presents a survey on Andreas Eriksson's work from 1992-2021, incorporating an essay by Sara Walker and a conversation between the artist and Hans Ulrich Obrist.

Opening on Lund's 'Kultur night', Andreas Eriksson's 'Munkäng' will be on display at Lund Cathedral Crypt. The large scale painting is exhibited free standing in the space, allowing visitors to walk around the work.

Stephen Friedman Gallery presents a new body of work by Swedish artist Andreas Eriksson for Frieze LA. Eriksson’s first US solo presentation comprises paintings and tapestries, and reflects the artist's ongoing fascination with the natural landscape.

Bringing together a diverse range of media including painting, sculpture, textiles and works on paper, the presentation is characterised by the artists’ bold exploration of colour. Vibrant new sculptures by Baldock and Shonibare feature alongside expressive paintings by Gibson and Zerbini who both explore pattern and optical effects.

Galleri Flach presents new works by Andreas Eriksson in connection with the publication of the monograph ‘Andreas Eriksson’, produced by the Swedish art association SAK. Eriksson’s first exhibition took place at Galleri Flach in 1999 and 22 years later the exhibition ‘1999-2021’ includes both new works and four older paintings from his debut.

In a curated selection of the Stone Foundation's twenty-five-years of cultural scholars, group exhibition ‘Towards another world. 25 years of Swedish contemporary art - Sten A Olsson's Cultural Scholarship’ showcases a dynamic and multifaceted period of Swedish art history. This retrospective features both older and newly produced works, including paintings, sculptures, textiles, film, photography and site-specific installations.

On the occasion of its twenty-fifth year at Art Basel, Stephen Friedman Gallery presents a group exhibition that highlights key milestones in the gallery’s history and its longstanding relationship with the fair.

'To Build a Collection' gives insight into an art collection that reflects a wealth of voices, perspectives and stories made manifest in contemporary art, with a particular emphasis on artistic practices linked to the region. The exhibition presents a selection of artworks that have been added to the museum’s holdings in the previous four years. This includes several works recently selected for the museum’s collection as a result of generous support from the Norwegian Ministry of Culture following the Covid-19 pandemic.

‘Drawing Out’ explores the concept of drawing in its broadest sense, involving artists working in a variety of new and hybrid processes using varied media including pencil, ink and watercolour on paper, collage, thread, wax, spiders’ webs and film. 

De 11 Lijnen presents a solo exhibition of watercolours, drawings and hand-woven textiles by Swedish artist Andreas Eriksson. Eriksson has described his tapestries as ‘existential landscapes’, an extension of painting in which the picture migrates to the linen itself.

Stephen Friedman Gallery is pleased to present works by Mamma Andersson, Stephan Balkenhol and Andreas Eriksson for NOMAD St Moritz 2021. Set in Chesa Planta, a historic mansion in Samedan within the heart of the Swiss Alps, the exhibition explores reflections of nature in classical sculpture, painting and tapestry. 

Andreas Eriksson returns to Skissernas Museum with ‘Weavings, sketches’, a solo presentation that explores the Swedish artist's textile practice. Through a broad selection of drawings, photographs and material samples, the exhibition focuses on Eriksson's weaving process alongside a series of 45 small paintings titled 'Cutouts'.

We are delighted to invite you to join Stephen Friedman and owner of Modernity Andrew Duncanson for an online conversation about their collaboration, ‘Stephen Friedman Gallery at The London House of Modernity'. 

This illustrated catalogue was published in celebration of the gallery's 25th anniversary in conjunction with the group exhibition '25 Years' at Stephen Friedman Gallery, London (25 September – 7 November 2020). 

Nordic Watercolour Museum, Tjörn presents a solo exhibition of watercolours, drawings and hand-woven textiles by Swedish artist Andreas Eriksson. Encompassing a wide range of media, this exhibition offers a unique window onto the artist’s experience of his rural surroundings in Medelplana, Sweden. 

For Art Basel’s second Online Viewing Room, Stephen Friedman Gallery presents a selection of artists including Marina Adams, Mamma Andersson, Juan Araujo, Leilah Babirye, Jonathan Baldock, Lisa Brice, Andreas Eriksson, Manuel Espinosa, Denzil Forrester, Channing Hansen, Jim Hodges, Deborah Roberts, Yinka Shonibare CBE, Kehinde Wiley and Luiz Zerbini. 

Stephen Friedman Gallery is pleased to return to The Armory Show at Booth 901 on Pier 94. The gallery presents a selection of work by Mamma Andersson, Juan Araujo, Tonico Lemos Auad, Jonathan Baldock, Ed Baynard, Melvin Edwards, Andreas Eriksson, Denzil Forrester, Kendell Geers, Channing Hansen, Jim Hodges, Ged Quinn, Yinka Shonibare CBE and Luiz Zerbini. A section of the booth is dedicated to David Shrigley.

'Psychotropics' is a group exhibition at New Art Centre in Wiltshire, England curated by Iwona Blazwick, Director of the Whitechapel Gallery, curator, writer and broadcaster. The exhibition brings together contemporary artists who use innovative forms of abstraction to bridge ideas of nature and culture.