The 58th Carnegie International, titled ‘Is it morning for you yet?’ brings together historical works from the collections of international institutions, estates, and artists, alongside new commissions and recent works by contemporary artists.
Stephen Friedman Gallery is pleased to announce the acquisition of Kehinde Wiley’s celebrated new series ‘The Prelude’ (2021) by the rennie collection. Exhibited by the National Gallery, London, to great acclaim between December 2021 and April 2022, it consists of five large-scale paintings and an immersive six-channel digital film.
‘Wind Sculpture in Bronze I’ by Yinka Shonibare CBE RA is the third permanent sculpture presented to Royal Djurgården by Princess Estelle, Duchess of Östergötland's cultural foundation. The two metre sculpture, rendered in steel and fibreglass, captures the shifting movement of wind passing through Shonibare's signature Dutch wax batik fabric on a dramatic scale.
Public Art Fund presents a group exhibition at Brooklyn Bridge Park co-curated by artist Hugh Hayden and Public Art Fund Adjunct Curator Daniel S. Palmer. Titled 'Black Atlantic', the exhibition brings together new site-responsive artworks by Leilah Babirye, Hugh Hayden, Dozie Kanu, Tau Lewis and Kiyan Williams.
Frederik Meijer Gardens & Sculpture Park, presents landmark solo exhibition 'Yinka Shonibare CBE RA: Planets in My Head'. The expansive showcase features a selection from the past three decades of Shonibare’s body of work, including sculptures, paintings, photographs, print and film.
'Awakening: seeing beyond the frame', is a group presentation that explores the frame as a material and conceptual device that designates the limits of a subject, power, or identity. Through photography, sculpture, performance, textiles, collage, and video, artists Lorna Bauer, Marie-Claire Blais, Nadège Grebmeier Forget, Alicia Henry, Tau Lewis, Michaëlle Sergile, and Eve Tagny each uniquely defy prescribed norms and conventions.
Prospect New Orleans is a citywide contemporary art triennial and the only exhibition of its kind in the US with a decade-long history. 'Yesterday we said tomorrow', curated by Artistic Directors Naima J. Keith and Diana Nawi, is the triennial's fifth iteration.
'No Humans Involved' showcases the work of seven emerging artists and collectives whose practices disrupt and interrogate Western modes of humanism, highlight the limits of corporeal identity, and prioritise the nonhuman or antihuman as a point of departure.
For ‘Sparkle's Map Home’, Tau Lewis harnesses a broad spectrum of found and recycled textiles to imagine a latent ancestral otherworld.
Group exhibition 'Liminal States' explores the body as an inseparable yet separate form.
Curated by Christian Vistan and Jesse Birch, this presentation of sculpture, textile, sound, poetry, and video communicates personal stories and communal geographies, featuring artists Charlotte Zhang, Tania Willard and Steven Thomas Davies, Cecily Nicholson, Tau Lewis, Julia Feyrer, Elisa Ferrari and John Brennan.
For Yorkshire Sculpture International, Jamaican-Canadian artist Tau Lewis presents her first solo show outside of North America.
‘when last you found me here’ combines natural and synthetic materials to create simulations, or vessels, of living organisms.
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