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To celebrate 30 years of impact on culture and creativity, Interscope Records brings together an intergenerational group of visual artists including Cecily Brown, Lauren Halsey, Rashid Johnson, Takashi Murakami, Ed Ruscha and Kehinde Wiley into dialogue with groundbreaking musicians from the last three decades.

Employing monstrous, grotesque, and humanoid figures and forms, group exhibition ‘And I Must Scream’ engages five themes—corruption and human rights violations, displacement, environmental destruction, the pandemic, and renewal. 

Group exhibition, ‘A Site of Struggle’ explores how artists have engaged with the reality of anti-Black violence and its accompanying challenges of representation in the United States over a period of 100 years.

‘Sound as Sculpture’ brings together foundational works from the 1960s and 1970s with important recent works that examine the body’s ability to transmit, emit and absorb sound and explore the psychological and poetic effects of sound in space.

'30 Americans' is a touring group exhibition that showcases important contemporary artists from across the United States to explore how American art has shed light on issues of racial, sexual and historical identity. The works on display are aesthetically and thematically diverse, spanning painting, installation, sculpture and videos and created from 1970 to the present day. 

This winter, São Paulo Pinacoteca, museum of the São Paulo State Secretariat for Culture and Creative Economy, presents the group exhibition 'Nobody would have believed it: Alvim Corrêa and 10 contemporary artists'. The show explores the genre of science fiction, presenting Corrêa's illustrations for Herbert George Wells' 'A Guerra dos Mundos' in dialogue with works of contemporary art. The resulting dialogue spans political and social history, colonialism and war, prejudice, fear and desire.

Celebrating its 75th anniversary year, the Arts Council Collection presents ‘Right About Now’ an exhibition featuring highlights from its recent contemporary art acquisitions, including a number of works presented publicly for the first time.

Presenting a broad showcase of the most recent acquisitions at the Scottish National Gallery of Modern Art, 'New Arrivals' includes 'Head nods and handshakes', 2019 by Deborah Roberts.

'Sarah Maldoror: Tricontinental Cinema' is the first exhibition dedicated to the work of French filmmaker, Sarah Maldoror (1929-2020). The exhibition focusses on the artist's cinematographic work and her involvement with theatre, poetry and politics.

Coinciding with the contemporary art festival ‘ARTDATE’, The Blank presents ‘Statements’, an exhibition of new works created in response to the shared experiences of the Covid-19 pandemic. 

Jeffrey Deitch and Black Rock Senegal present Self-Addressed, an exhibition of self-portraits by contemporary African artists curated by Kehinde Wiley. 

In a curated selection of the Stone Foundation's twenty-five-years of cultural scholars, group exhibition ‘Towards another world. 25 years of Swedish contemporary art - Sten A Olsson's Cultural Scholarship’ showcases a dynamic and multifaceted period of Swedish art history. This retrospective features both older and newly produced works, including paintings, sculptures, textiles, film, photography and site-specific installations.

The reinstalled Frederick & Jan Mayer Galleries showcase the Denver Art Museum’s renowned Latin American Art and Art of the Ancient Americas collections through a presentation of more than 1,000 works that present the expansive history of artistic creation in Latin America.

In response to the isolating effects of the pandemic, ‘Art as Connection’ is designed as an experimental, socially focussed and accessible exhibition. Confronted with questions about isolation and exclusion, distrust, illness and death, the curatorial team at Aargauer Kunsthaus developed the exhibition in a consciously collective discourse with the invited artists.

A riot of beloved Beano characters are on show alongside similarly rebellious artists at Somerset House this autumn in 'Beano: the Art of Breaking the Rules'.

Curated by Deborah Smith, 'Human Conditions of Clay' explores expressions of humanity in the material use of clay. 

'Re-Création' brings together works by contemporary artists from Africa and its diaspora to create a 'new' history of art, that challenges pre-existing Western conceptions. 

'No Humans Involved' showcases the work of seven emerging artists and collectives whose practices disrupt and interrogate Western modes of humanism, highlight the limits of corporeal identity, and prioritise the nonhuman or antihuman as a point of departure. 

Group exhibition ‘FUCK YOU’ is a provocative show with a radical yet inclusive message. Curated by Klaus Verschile, the exhibition aims to open viewers minds to a non-conformist alternative to conventional and acceptable aesthetics. 

Group exhibition ‘Earth Beats’ explores artists’ engagement with our natural environment and its vulnerability, featuring artworks from the 18th century to the present. The presentation considers both the history of ideas and future scenarios for the sustainable use of natural resources.