Andreas Eriksson returns to Skissernas Museum with ‘Weavings, sketches’, a solo presentation that explores the Swedish artist's textile practice. Through a broad selection of drawings, photographs and material samples, the exhibition focuses on Eriksson's weaving process alongside a series of 45 small paintings titled 'Cutouts'.
A major survey of Yinka Shonibare CBE's practice opened at Museum der Moderne Salzburg, Austria in May 2021, coinciding with the centennial of the Salzburg Festival. Curated by Thorsten Sadowsky and Marijana Schneider, the show presents around sixty works from the past three decades including major large-scale sculptures.
Charleston presents a new series of works on paper by South African artist Lisa Brice. This solo exhibition continues Brice's ongoing interest in challenging traditional depictions of the female nude and will be shown alongside the first major retrospective of the work of Nina Hamnett.
Borders and edges, ruptures, wholes and holes are the subject of Holly Hendry’s major new outdoor commission and solo exhibition at the De La Warr Pavilion. Emphasising the Pavilion’s proximity to the coastline and its resulting vulnerability, Hendry visualises the building as a body being eaten, becoming porous and ridden with holes before eventually dissolving into its surroundings.
'I'm' at The Contemporary, Austin is the first institutional solo exhibition in Texas by Austin-based artist Deborah Roberts. To coincide with the exhibition, the artist has also created a new figurative mural on the exterior of the Jones Center building.
‘Women’s Work’ is Caroline Walker’s largest exhibition to date, bringing together preparatory studies alongside smaller and large-scale paintings. The presentation comprises intimate portraits of women depicted in isolated settings and examines an often-unseen female workforce.
'30 Americans' is a touring group exhibition that showcases important contemporary artists from across the United States to explore how American art has shed light on issues of racial, sexual and historical identity. The works on display are aesthetically and thematically diverse, spanning painting, installation, sculpture and videos and created from 1970 to the present day.
'No Humans Involved' showcases the work of seven emerging artists and collectives whose practices disrupt and interrogate Western modes of humanism, highlight the limits of corporeal identity, and prioritise the nonhuman or antihuman as a point of departure.
Yinka Shonibare CBE RA features in The Piccadilly Art Takeover, an expansive, outdoor exhibition on view to the public at Piccadilly Circus, London. Vibrant canvases, zebra crossings, and a 720 square-metre film transform this busy junction at the heart of the city.
Group exhibition ‘Língua Solta’ reveals the diversity of the Portuguese language and its multitude of connections to contemporary art through a series of over 180 works that explore the use of words. Curated by Moacir dos Anjos and Fabiana Moraes the presentation connects art and the Portuguese language to politics, society, protest and survival.
Including new artworks by Harold Offeh, Amalia Pica and David Shrigley, group exhibition ‘Joy’ explores heightened emotional states such as ecstasy, euphoria and pleasure through experiences including laughter, dancing and protest.
Caroline Walker features in ‘British Art Show 9’, a Hayward Gallery touring exhibition co-presented by institutions across the cities of Aberdeen, Wolverhampton, Manchester and Plymouth. Curated by Irene Aristizábal and Hammad Nasar, the exhibition is structured around three main themes: healing, care and reparative history; tactics for togetherness; and imagining new futures.
The Power Station of Art, Shanghai and Fondation Cartier pour l'art contemporain, Paris present ‘Trees’. Curated by Bruce Albert, Hervé Chandès, Fei Dawei, Isabelle Gaudefroy and Gong Yan, ‘Trees’ forms an audio-visual journey, amplifying the voices of the artists, scientists and philosophers who have contributed to this project.
The Polygon Gallery presents ‘Interior Infinite’, a celebration of radical togetherness and unique self-expression.
Ikon Gallery presents ‘A Very Special Place: Ikon in the 1990s’ 18 June – 30 August 2021, the fourth show in a series of surveys reviewing retrospective exhibitions from the galleries artistic programme.
‘London Calling. British art today. From David Hockney to Idris Khan’ brings together the work of leading British artists of different generations for whom the city of London has played an important role in their artistic career.
‘Swiss Sculpture since 1945’ is a comprehensive exhibition that offers an overview of an exciting chapter in Swiss art history.
'Diversity United' is a major cross-border exhibition which travels from Tempelhof Airport, Berlin, Germany to New Tretyakov Gallery, Moscow, Russia and Palais de Tokyo, Paris, France. The show brings together works by 90 contemporary artists to reveal the vitality and diversity of European art after the fall of the Iron Curtain whilst underlining the importance of intercultural dialogue in times of political uncertainty.
'Breaking the Mould' is a major touring exhibition which challenges male-dominated narratives of post-war British sculpture by presenting a diverse and significant range of ambitious work by women. Included in the exhibition is Holly Hendry's 'Gut Feelings (Stromatolith)', 2016, a geological-style cross section that references undersides, be it subterranean or subcutaneous.
'Unnatural History' is a major group exhibition which explores natural history and climate change, curated by Invisible Dust as part of Coventry 2021 City of Culture. The presentation explores the role of the artist as an intrinsic part of the science of natural history, enabling our modern understanding of ecology, climate change, extinction and the threats to biodiversity.
This new group exhibition explores themes surrounding the restitution of African heritage in contemporary art. Co-produced by La Maison de l’Afrique à Nantes and L’association Les Anneaux de la Mémoire, the show is part of the Year of Africa in France.
‘The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse’ investigates the visual and musical parallels that have shaped the contemporary landscape in the southern United States, with a focus on early 20th-century Black culture.
Ilona Keserü is included in 'Women in Abstraction: Another History of Abstraction in the 20th Century', a group exhibition at Centre Pompidou, Paris, France in collaboration with Guggenheim Museum Bilbao.
Presented above the rooftops of Linz in the Upper Austrian Culture Quarter, ‘Höhenrausch’ is a large-scale artistic and cultural event. In 2021 this group presentation explores the theme of ‘As in Paradise’.
‘Affinities for Abstraction: Women Artists on Eastern Long Island, 1950–2020’ features 50 works by 40 artists with ties to the East End of Long Island, New York who expanded and exploited the language of abstraction. The presentation spans time periods and generations, revealing connections between renowned early innovators and subsequent generations of artists, including 19 contemporary artists working today.
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