'I'm' at The Contemporary, Austin is the first institutional solo exhibition in Texas by Austin-based artist Deborah Roberts. To coincide with the exhibition, the artist has also created a new figurative mural on the exterior of the Jones Center building.
'30 Americans' is a touring group exhibition that showcases important contemporary artists from across the United States to explore how American art has shed light on issues of racial, sexual and historical identity. The works on display are aesthetically and thematically diverse, spanning painting, installation, sculpture and videos and created from 1970 to the present day.
Mamma Andersson is included in 'Heat/ Energy', a group exhibition which opens at Kummelholmen, Stockholm in April 2021 and travels to Körsbärsgården, Gotland later in the coming year. Inspired by the Kummelholmen's architecture, location and former function as a district heating centre, the exhibition explores the interconnections between art, culture, society and ecology.
Caroline Walker features in ‘British Art Show 9’, a Hayward Gallery touring exhibition co-presented by institutions across the cities of Aberdeen, Wolverhampton, Manchester and Plymouth. Curated by Irene Aristizábal and Hammad Nasar, the exhibition is structured around three main themes: healing, care and reparative history; tactics for togetherness; and imagining new futures.
'Breaking the Mould' is a major touring exhibition which challenges male-dominated narratives of post-war British sculpture by presenting a diverse and significant range of ambitious work by women. Included in the exhibition is Holly Hendry's 'Gut Feelings (Stromatolith)', 2016, a geological-style cross section that references undersides, be it subterranean or subcutaneous.
Presented above the rooftops of Linz in the Upper Austrian Culture Quarter, ‘Höhenrausch’ is a large-scale artistic and cultural event. In 2021 this group presentation explores the theme of ‘As in Paradise’.
Ilona Keserü is included in 'Women in Abstraction: Another History of Abstraction in the 20th Century', a group exhibition at Centre Pompidou, Paris, France in collaboration with Guggenheim Museum Bilbao.
‘Affinities for Abstraction: Women Artists on Eastern Long Island, 1950–2020’ features 50 works by 40 artists with ties to the East End of Long Island, New York who expanded and exploited the language of abstraction. The presentation spans time periods and generations, revealing connections between renowned early innovators and subsequent generations of artists, including 19 contemporary artists working today.
A collaborative project with the Museum of Fine Arts, Boston, this group exhibition celebrates 100 years of African American figurative art. This selection of seventy works including paintings, sculpture, prints, and photographs by fifty-two Black artists explores the African American experience from the Harlem Renaissance through the Civil Rights era to the current day.
Outset Contemporary Art Fund and art-science collective Visualogical launch ‘theVOV’, an exciting 10-week programme of exhibitions and live events. Experience landmark exhibitions from 15 of the UK’s leading arts organisations, united for the first time on one digital destination.
Presented by The Arts Club and Wedel Art, ‘Disrupting the Canon’ brings together ground-breaking contemporary works that challenge conceptions of ‘high art’. Reclaiming visual languages that have typically been associated with craft, domestic, vernacular, 'ethnic' and ‘feminine’ work, the show features works by Jonathan Baldock, Holly Hendry and Yinka Shonibare CBE amongst others.
Ged Quinn is included in the group exhibition 'New World – The Power of Dreams' at Iwaki City Art Museum, Japan. This globally focussed exhibition features 'Taguchi Art Collection', one of Japan's leading contemporary art collections including works by artists from Japan, Europe, the United States, and Asia.
‘Rituals of Resilience’ is a group exhibition co-curated by musician Chaka Mkali (I Self Divine) and Curator and Head of Contemporary Art at The Minneapolis Institute of Art, Gabriel Ritter. This unique audio-visual experience combines 28 works by Black visual artists from the United States, Africa, and the greater African Diaspora with music created for the exhibition by Mkali and multiple collaborators.
On the occasion of its tenth anniversary, Marval Collection presents an exhibition of female artists to explore the concept of 'female objectivity'. Situated at the unique location of Castello di Villanterio, 'Female Objectivity' provides a new perspective on this vast private collection, through the work of its women artists.
‘Emma Kunz Cosmos: A Visionary in Dialogue with Contemporary Art’ is a group exhibition at Aargauer Kunsthaus, Switzerland that presents the oeuvre of the Aargau researcher, healer and artist Emma Kunz (1892–1963) alongside contemporary artistic practises. Included in the exhibition are a selection of capes from Rivane Neuenschwander's 2015 project, 'The Name of Fear' at Whitechapel, London.
‘Sharity – Teilen, Tauschen, Verzichten’ is a group exhibition at Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland. The presentation explores how sharing and swapping can contribute to social transformation and a post-materialistic lifestyle, whilst questioning the reasons why we share in an increasingly digital society.
New Museum Of Contemporary Art Helga De Alvear opens in Spain with an inaugural exhibition featuring a selection of important works from the collection of Helga De Alvear, comprising 145 pieces from over 100 leading contemporary artists. Curated by José María Viñuela, it is the first time the majority of these artworks are exhibited at a museum institution.
'Grief and Grievance: Art and Mourning in America' is a group exhibition conceived by curator Okwui Enwezor and presented at New Museum, New York. The show brings together works made in the past decade by thirty-seven artists who have addressed the concept of mourning, commemoration, and loss in response to racist violence experienced by Black communities in America.
On the occasion of its tenth anniversary, MAXXI presents an exhibition that represents the past ten years of the museum’s activity, aimed at providing a new perspective on the institution’s future. Curated by Hou Hanru, MAXXI’s broad program is collated using 1,200 images, archive interviews, texts and publications analysed within five sections: MAXXI and the City; The Multitude; Worlds; The Challenges of Reality and Do You Believe in Innovation?
'Nasher Mixtape' is a group exhibition compiled of 'tracks', micro-exhibitions focused on the Nasher’s permanent collection installed throughout the museum. Curated by Catherine Craft, each 'track' contains further content including interviews with artists, inspiration playlists, and insights from curators, educators, and living artists to accompany the exhibition.
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