British-Nigerian artist Yinka Shonibare CBE RA’s first major solo exhibition on the African continent, Safiotra [Hybridités/Hybridities], will be held at the H Foundation.
Jim Hodges’ Craig’s closet has toured to New Orleans Museum of Art. The sculpture was originally commissioned for the New York City AIDS Memorial Park.
'Holy, Holy, Holy' presents a library of 20th and 21st century books with holes. An international collection of titles includes South African artist Kendell Geers’ 'Point Blank' (2004), an edition of 1,030 blank books with each copy shot at point blank range. This exhibition celebrates the launch of new journal 'Inscription: the Journal of Material Text', coinciding with Frieze and featuring Kendell Geers as artist in residence for ‘Inscription #2’.
Join this year’s Summer Exhibition Coordinator Yinka Shonibare CBE and writer and broadcaster Afua Hirsch in this online event. They discuss Shonibare's vision for the exhibition, the significance of reclaiming magic in art, and how an inclusive art world can engage with and value artists who have developed their practice in different ways.
Cample Line presents a solo exhibition of new works by Brazilian artist Tonico Lemos Auad. Auad engages with the architectural features of the gallery spaces and builds on his recent use of wood reclaimed from buildings or storm-damaged forests in combination with textiles and other materials such as bronze.
Newly commissioned painting ‘A Portrait of a Young Gentleman’ by Kehinde Wiley features in the historic Thornton Portrait Gallery at The Huntington Library, San Marino, across from Thomas Gainsborough’s iconic painting ‘The Blue Boy’ (ca. 1770).
The Public Art Programme of Expo2020 Dubai aligns with the ambitious plans of Expo2020's site that will be repurposed and developed into a two million square meter 'city' with the intention to create a permanent, thriving community. Yinka Shonibare CBE's commission for the project, ‘Wind Sculpture III’ manifests as a large three-dimensional, hand-painted piece of fabric, its billowing surface resembling a ship’s sail in the breeze.
Black Rock Senegal and Kehinde Wiley announce the release of 'Dimietrus Study' (2021), the third annual limited edition print to support the Black Rock Senegal artist-in-residence program.
The Royal Academy of Art’s Summer Exhibition continues in 2021, with coordinator Yinka Shonibare CBE RA celebrating the joy of creating art through the theme of ‘Reclaiming Magic’.
In episode 68 of The Great Women Artists Podcast, Katy Hessel (Art Historian, Curator, Broadcaster, and founder of influential Instagram account @thegreatwomenartists) interviews sculptor Leilah Babirye.
Harvard Business School announces new pieces added to the Public Art Exhibition supported by the C. Ludens Ringnes Sculpture Collection.
The Summer Exhibition 2021 features 1,300 works selected by coordinator Yinka Shonibare CBE RA and a panel of artists, under the theme of ‘Reclaiming Magic’. The presentation includes ‘Leap of Faith’ by Anne Rothenstein, on display in Gallery III.
Mamma Andersson is included in 'Heat/ Energy', a group exhibition which opens at Kummelholmen, Stockholm in September 2021 before travelling to Körsbärsgården, Gotland. Inspired by the Kummelholmen's architecture, location and former function as a district heating centre, the exhibition explores the interconnections between art, culture, society and ecology.
The 54th edition of Steirischer Herbst features newly commissioned artworks that directly engage with public space, creating opportunities for audiences to reengage with their locality through chance encounters, local workshops and public gatherings. This year’s discursive program probes the common impasses of a post-pandemic reality and looks for ways of getting beyond them.
‘Mixing It Up’ brings together 31 contemporary painters, spanning three generations of artists who live and work in the UK. The exhibition celebrates paintings that bring together diverse images and ideas, highlighting the UK’s emergence as a vital international centre of contemporary painting whilst reflecting the international character of the painting scene in this country.
'To Build a Collection' gives insight into an art collection that reflects a wealth of voices, perspectives and stories made manifest in contemporary art, with a particular emphasis on artistic practices linked to the region. The exhibition presents a selection of artworks that have been added to the museum’s holdings in the previous four years. This includes several works recently selected for the museum’s collection as a result of generous support from the Norwegian Ministry of Culture following the Covid-19 pandemic.
‘Drawing Out’ explores the concept of drawing in its broadest sense, involving artists working in a variety of new and hybrid processes using varied media including pencil, ink and watercolour on paper, collage, thread, wax, spiders’ webs and film.
'Caroline Walker: Windows', explores themes of privacy and voyeurism. The exhibition brings together large-scale canvases and intimate portraits depicting anonymous women in environments that blur the line between private and public.
Group exhibition ‘Where We Are Now’ explores the experiences of the past year of lockdowns through artwork, community response and Sunderland resident’s photography.
This exhibition brings the work of Japanese novelist Sayaka Murata in dialogue with that of two contemporary artists, David Shrigley and Teppei Kaneuji. The show presents new works on paper by Shrigley that resonate with Murata’s distinctive world.
De 11 Lijnen presents a solo exhibition of watercolours, drawings and hand-woven textiles by Swedish artist Andreas Eriksson. Eriksson has described his tapestries as ‘existential landscapes’, an extension of painting in which the picture migrates to the linen itself.
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