News

'Afterglow in between' showcases a series of new works by Korean artist Yooyun Yang.

'Roots' presents paintings by Andreas Eriksson from the last decade previously kept in the artist's personal collection, alongside publications displaying the artist's photographic works.

Memory Map is a comprehensive exploration of almost five decades of work by revolutionary artist Jaune Quick-to-See Smith and the largest showing of her work to date, organised by the Whitney Museum of American Art.

Alexandre Diop presents Anatomie together with the Shariat Collection and the Josephinum.

This retrospective solo exhibition showcases works from throughout Ilona Keserü's career, spanning nearly seven decades. In the face of political and cultural adversity, the artist's organic style of abstraction developed in defiance of Soviet rule following the Hungarian Revolution of 1956. Her distinctive approach combines modern abstraction with references to Hungarian folk culture and historic European imagery.

'It takes two' is Andreas Eriksson's homage to the night. It displays a new series of paintings painted specifically for the space, exploring the Swedish countryside that Eriksson inhabits. 

Based in Vienna, Franco-Senegalese artist Alexandre Diop uses discarded objects to create work that questions sociopolitical, cultural and gender issues.

Solo presentation ‘Women Observed’ brings together over 40 paintings and oil sketches made since 2016, including several new paintings on display for the first time. The range of subjects depicted include women at work, spaces of leisure and intimate family scenes.

For the second edition of its mentorship program, Reiffers Art Initiatives presented the exhibition La Prochaine Fois, Le Feu by Alexandre Diop with the mentorship of Kehinde Wiley.

Thomas Hirschhorn's work, 'SAS de contamination', is a site specific installation created for the inauguration of the Lambert Collection. More than two decades later, Hirshhorn's work, conceptualised to explore the role of art in society, returns to Avignon.

Over the course of his nearly 50-year career, Melvin Edwards has explored materiality to confront social injustice. The title of this exhibition, ‘Wire(d) and Chain(ed)’, alludes to two of the artist's signature industrial media. Tracing the breadth of the artist’s life and work, the solo presentation showcases Edwards’ ability to formulate his distinct visual language in both two and three dimensions.

This exhibition presents a group of previously unrealized installations from one of sculptor Melvin Edwards' most dynamic bodies of work. 

In this exhibition Barclay includes a series of tactile sculptural environments, where large-scale forms, made predominantly from fabrics and metals, “suggest textile narratives and explore our complex relationships with cloth.”

Frederik Meijer Gardens & Sculpture Park, presents landmark solo exhibition 'Yinka Shonibare CBE RA: Planets in My Head'. The expansive showcase features a selection from the past three decades of Shonibare’s body of work, including sculptures, paintings, photographs, print and film.

‘Commonplace’, 1999 is remade according to Neuenschwander’s instructions every time it is exhibited. Resembling delicate white paintings and composed entirely of talcum powder brushed into rectangular shapes, it is extremely fragile and will be destroyed at the end of this display.

Stephen Friedman Gallery is pleased to present an exhibition by Luiz Zerbini and Ilona Keserü. The show runs between 4 December 2021 – 3 January 2022 at Blanc Art Space, a new...

Solo exhibition ‘Voëlvry’ takes its name from the Afrikaans Anti-Apartheid music movement that Kendell Geers was part of in the late 1980s. Geers played keyboards and tape loops for the underground band KOOS that was featured on the original Voëlvry album, credited with launching a movement described as “Significant in every social, political, cultural and musical sense of the word”. With characteristically dark humour ‘Voëlvry’ challenges definitions of art in the 'post-truth' era, bringing together prints, neon sculptures and works on paper that invite the viewer to meditate on the question, what does freedom mean in 2021?

Cample Line presents a solo exhibition of new works by Brazilian artist Tonico Lemos Auad. Auad engages with the architectural features of the gallery spaces and builds on his recent use of wood reclaimed from buildings or storm-damaged forests in combination with textiles and other materials such as bronze. 

'Caroline Walker: Windows', explores themes of privacy and voyeurism. The exhibition brings together large-scale canvases and intimate portraits depicting anonymous women in environments that blur the line between private and public.